Organ Symphony No 2 in D major, Op 13 No 2 acoustic ambience captivate and grab us—by the ears and indeed by the throat [lumps in the] from bar one.
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Baron Axel Carpelan, who gave Sibelius' well-known tone poem Finlandia its name, wrote to the composer shortly after its successful premiere: Sibelius, it is high time for you to travel. You will spend the late autumn and the winter in Italy, a country where one learns cantabile, balance and harmony, plasticity and symmetry of lines, a country where everything is beautiful — even the ugly.
Here, Sibelius jotted down the first notes to his second symphony. More than a year after the first motifs were penned, the second symphony was premiered by the Helsinki Philharmonic Society on 8 March , with the composer conducting.
While critics were divided following the symphony's premiere, the public generally admired the piece as its grandiose finale was connected by some with the struggle for Finland 's independence, so that it was even popularly dubbed the "Symphony of Independence", as it was written at a time of Russian sanctions on Finnish language and culture. Sibelius's reaction to this has been widely debated; some claim that he had not intended any patriotic message and that the symphony was only identified by others as a nationalist composition, while others believe that he wrote the piece with an independent Finland in mind.
Sibelius scored his second symphony for an orchestra consisting of standard instruments: Tying in with Sibelius' philosophy on the art of the symphony—he wrote that he "admired [the symphony's] severity of style and the profound logic that created an inner connection between all the motifs" [10] —the work grows almost organically out of a rising three-note motif heard at the opening of the work, first unstable and pastoral, then appearing in many guises throughout the entire symphony and indeed forming the basis for most of the material , including forming the dramatic theme of the finale.
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More phrases are invisibly introduced, although very much related, creating a jigsaw puzzle-like effect. It is only at the climax of the movement that the full theme is heard. In his villa in Rapallo, Sibelius wrote: I was sitting in the dark in my castle when a stranger entered. I asked who he could be again and again — but there was no answer. I tried to make him laugh but he remained silent.
At last the stranger began to sing — then Don Juan knew who it was. As musicologist David Brown wrote, "The opening stretch of the first movement is enough to scotch the hoary old legend that Tchaikovsky was devoid of any real symphonic aptitude. As opposed to the forward-looking tendencies of The Five , Anton Rubinstein and his followers remained suspicious, even hostile, to new trends in music.
Instead, they attempted to preserve in their own works what they saw as the best in the Western tradition in the immediate past. He idolized Beethoven , particularly the late works, but his personal tastes had progressed no further than Mendelssohn.
Symphony No. 2 (Sibelius)
Though as a teacher Rubinstein would try to foster his students' imaginations, he also expected them to remain as conservative as he was. Over the summer holiday with his family in , when evening activities turned to music, Tchaikovsky invariably played Mendelssohn's Italian Symphony , Schumann's First or Third Symphonies, or Das Paradies und die Peri. The scherzo especially could have stepped from A Midsummer Night's Dream.
Even with these influences, Russian writer Daniel Zhitomirsky explains, "the subject , the genre and intonation" of Tchaikovsky's writing are closely intwined with Russian life and folk music. List of compositions by Pyotr Ilyich Tchaikovsky.
From Wikipedia, the free encyclopedia. The Early Years, — New York: Knoff, , 55, esp. A Biography New York: Shostakovich, Dmitry , Russian Symphony: Thoughts About Tchaikovsky New York: Retrieved from " https: Views Read Edit View history. This page was last edited on 3 May , at Langer , 81 pages.
Symphony No. 1 (Enescu) - Wikipedia
A Full score in Complete Collected Works , vol. Duration 45 minutes Composer Time Period Comp. Retrieved from " http: Symphonies ; For orchestra ; Scores featuring the orchestra ; For 2 pianos 8 hands arr ; Scores featuring the piano ; For 4 players ; For piano 4 hands arr ; Scores featuring the piano 4 hands ; For 2 players ; For piano arr ; For 1 player. Contents 1 Performances 1.
Performed 13 December Copyist Copyist's manuscript with many composer's edits and page inserts. Javascript is required for this feature. Editor Second corrected edition. Gosizdat Muzsektor ,