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BAT ON THE LAMB: Our favorite freak stole a car led cops on a merry chase Here's our Weirdo Letter of the Week! It seems the half-bat, half-human is making waves around the world, and my e-mail has been jammed by media-​minded folks from Germany to Australia seeking solicit or accept stories or photographs.
Table of contents

Graham just needed to let rip a bit — and he does so here if only a bit , with a bigger-hitting set on new parenthood. Kai Samra: Underclass Pleasance Courtyard, 7pm, until 25 August How do you prosper in a world rigged against you from the start? Sophie Duker: Venus Pleasance Courtyard, 7pm, until 24 August Duker is a fast-rising standup who runs the Wacky Racists club night, and her full fringe debut is adroitly pitched somewhere between autobiographical calling-card and show with a big-hitting theme.

We meet the pansexual comic with daddy issues and a lack of brown-skinned role models. Sex Education Summerhall, Techcube, 7. He is a mischievous storyteller in a diamond-studded wedding dress, and this is an achingly funny, filthy and tender confessional. But his funny and surprisingly open mum is the real star.

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It is in one moment empowering and exhilarating, and in the next, full of rage and despair. This is not an easy show to watch, but one that dives deep into grey areas many others are afraid to explore. Though tinged with sadness and shame, Love Letters is a buoyant comedy about pleasure. The Afflicted Summerhall, 7.

Was it pollution, mass hysteria, demonic possession or female teenage angst? All it would need to be a bigger fringe cliche is a few musical numbers. It comes with a full-hearted performance from our host — call her not Ishmael but Casey Jane Andrews. She bewitches an audience of 20, huddled around lantern-like lights, in a performance that will sweep you away. Hot Shame is the title of a book he displays stage right, mordant readings from which punctuate the hour.


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Suffice to say, the embargo lasts about a minute and a half, in a show that delights in upending expectations and scrambling modes of comedic presentation. Phil Wang: Philly Philly Wang Wang Pleasance Courtyard, 8pm, until 25 August Wang is back with a new no-messing, harder-nosed attitude, along with excellent jokes including some choice one-liners.

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If only more history lessons were like this. Armed with acerbic wit, an extraordinary poker face and a bag of interval snacks, she takes us through a highly participatory alternative history of the greatest hits of womankind. Traumboy Summerhall, 8. Traumboy is as much about identity and appearances as about a misunderstood occupation.

The delivery is more Jack Dee.

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Davies bosses us about schoolmaster-style, takes apart the lyrics to Busted songs and fails to perform his autobiographical musical about child abduction in a carpark. One or two gags are over-explained, and it gets a bit scrappy towards the end. So why is she still single? One man in the audience is grilled about his sex life and obliged to mime oral sex on stage. This is a woman who loves sex, loves glamour, loves herself and wants the world to know it. If this roof-raising performance is anything to go by, they soon will. In the closing stages she weighs up how to be hopeful for your kids at a time of climate crisis.

For a show made under the shadow of the apocalypse, it is full of love and defiant joy. Parading her sex life, friendships and militant subjectivity across the stage, Enemies Closer is a leap forward from her best newcomer-nominated debut , and also sends up the black-and-white nature of modern judgment. Hearty Summerhall, 9. The trans artist hunts for safety in a burning world where trans bodies are policed, activism is commercialised and violence is fuelled by fear.

She sharpens the knives protruding from her shoulder blades and builds herself a den to protect herself from the violence outside. Hearty, both furious and vulnerable, pays tribute to the trans artists who have paved the way for work as bold as this, and lays the ground for those that will follow. Micky Overman starts her show with a tease, withholding where she comes from while delivering non-identity-specific standup on childhood and body image. Then she relents; the rest of her show ribs the very idea of national comedy. Charismatic, frank and just a little dotty though far less than she seems to think , she stakes a confident claim to the starring role in her own.

Here, she delivers an eerily weary Mercy Seat, loosens up the macabre Red Right Hand and makes even the most fleeting characters in his tales come alive. He cuts to the big issues his self-loathing, our hunger for connection, the imminent end of the world and addresses them seemingly without guile. In between, he drops non-sequitur gags which may be a key to something more significant. One oddity tumbles on top of another, each animated with hyperactive thrust by Demi Lardner — and underpinned by fine writing. But among those moments are some of the funniest on the fringe. Lardner has a confidence and explosive vitality all of her own.

You need something to distinguish yourself from the herd, and Zach Zucker of clown duo Zach and Viggo certainly has with this new show in character as a washed-up American standup, Jack Tucker. The thread running through the show is that the venue is out to get them, snagging them on hooks and throttling them with the mic lead. There are unpredictable reveals and a few smartypants manoeuvres. We get a behind-the-scenes look at the occasion of his bombarding Donald Trump with Nazi golf balls. Adams pours cold water on the progressive claims made for pop culture icons, arguing they conceal the more radical work being done elsewhere.

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Fellow South African Schalk Bezuidenhout was once his support act, and is now pitching for an international profile of his own. Musik Assembly Rooms, 9. Time and again, she has proved the naysayers wrong and has had the power not only to reinvent herself, but to bring peace where there is conflict. We laugh — a lot — in support of her resilience. Courtney Pauroso: Gutterplum Underbelly Cowgate, 9. Gutterplum introduces us to Dale Ravioli, a gawky tomboy showing us what she can do with an exercise ball. Goodbear: Dougal Pleasance Dome, 9.

Kill time, of course — which front-of-house boss Joe and underling Henry proceed to do. Who needs Goodbear?

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Before the Revolution Summerhall, 9. Is it a simple trigger or a complex web of reasons? News reports prefer an easy cause-and-effect narrative; the reality is less straightforward.

They are well advised to be alarmed; around their feet is a bed of nails. Tarot Pleasance Courtyard, The jokes come out of nowhere, are bark-out-loud funny, and the whole hour is startlingly live. Catherine Cohen: The Twist? The songs are the anchor, and they crackle with attitude. It helps that her voice is a terrific musical — and comic — instrument, her words dilating at will into nonsense vocal stylings.

A sense of silly is high in the mix. Tricky Second Album Pleasance Dome, 11pm, until 18 August At once a love letter and a massive screw-you to theatre, this punk-rock manifesto is not a play for the faint of heart. There is a terrifying, electric sense that anything could happen next. Underbelly Cowgate, On the night I went, there was a filthy set about art and masturbation from Grace Campbell, daughter of Alastair; some great jokes about deafness, cricket and Islam from emerging comic Eshaan Akbar; and a charming — and yes, funny — song about recycling by Jon Long.

The fact that this seems more celebratory than lecherous is a tribute to the warm and fuzzy feelings, admittedly aided by alcohol, that the Spank!