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Sara Groves "You Did That For Me": I don't have to cry anymore I don't have to worry about what's in store I've walked that road exha.
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What you do that for? OR Why did you do that? Thread starter pomogadryg Start date Mar 26, Hi all. Recently, watching one TV show, I heard one phrase that puzzled me a bit. And what's the difference between this one and "Why did you do that? It means basically the same thing as "Why did you do that? If someone did something unkind to you, you could say "What did you do that for?

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The "What I agree with e2efour. Frida's comment that "What But I agree with her that it's common.


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I think I get it. I meant "What you do that for" is technically incorrect because it should at least be "What DID you do that for? Ah, I see your point, Frida! My feeling, though, is that, in speech, the "did" can be so attenuated as to be inaudible - in other words, what people are really saying is "What did you do that for? I must get a new pair of glasses!


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So without further ado, ladies and gentlemen, Steve Morse. Evan Ball: Steve Morse, welcome to the podcast. Steve Morse: Thank you. Thanks for having me. Evan Ball: How did you get started playing guitar? Steve Morse: Well, it was a lot of different things, actually. I played whatever instrument I could get my hands on as a kid, with about the same interests as I had in trying my friends unicycle or something like that.

You know, I was just a kid that liked toys. However, in school we had to be in the band because my brother played clarinet and therefore our family owned a clarinet. That meant that I had to play the clarinet. Then they would tell the band teacher at school, and he'd say, "Steve Morse, how about, why don't you try clarinet? We have one. Steve Morse: Anyway, so I played. I sort of hated it because it wasn't a polyphonic instrument. It took a lot of work to get any kind of tone out of it. And the music we played just didn't appeal to me. You know, it was like an elementary school marching band kind of thing.

Steve Morse: So anyway, my brother started taking a few lessons with acoustic guitar, and he left it laying around. And me being a normal little brother, I investigated and tried it out and thought it was pretty cool. Right about that time, the Beatles were on TV playing live on Ed Sullivan, and they sounded absolutely incredible. It just suddenly seemed like guitar was a lot more appealing than clarinet.

So I made a big drive to get that happening. It involved mowing more lawns than I had been doing, in order to pay for the lessons. We rented a guitar for about a year, and I use that rented guitar to sort of learn to play rhythm stuff. From then, I just never stopped.

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Evan Ball: How quickly did you know that you excelled on the guitar? Steve Morse: Well, as a kid of two psychologists, and my father was also a minister, I knew that everyone has their gifts, and it's great if you can find them before it's too late. I knew that my sort of mathematical mind would help me with music, and I knew that I enjoyed being alive.

That helps you with music. So oddly enough, as a kid, about a 12 year old kid, I figured that my life was going to turn out pretty close to the way it did. In other words, I said, "I'm going to be able to learn this. I'm going to be able to do it. There's going to be people that hate it and people that like it, and the music I like is going to go out of fashion and other music is going to be popular, but I'm still going to be able to make a living, I think, as long as I work hard at it. Evan Ball: Was it clear that you just could do it easier? Were you obsessive about it? Was it work ethic?

Steve Morse: It's just like taking a college course. Here's the material: learn it, be able to recall it in different ways without looking at it, and then suddenly you know it. That doesn't address the artistic aspect of it, but it at least gets you to the point where you can play and figure out things. So yeah, I approached it very, I guess just naturally. You know, when you're a kid and you're in school anyway, you just see everything as, I don't know how to do this, but I know I will know how to do it if I'd keep at it. Evan Ball: Yeah. So listening to your music, it's kind of hard to pin down exactly who you were influenced by.

So who was, say, teenage Steve Morse listening to? Steve Morse: Oh my poor parents, because we didn't have headphones then. The family stereo was the place, and the family stereo was mono when I first started playing. So that was in the basement. That's how they had hopes of keeping their sanity, by putting the record player in the basement. And of course Jimmy Page when he broke out with Led Zepplin. I heard Jimmy Page with Yardbirds, and as a session guy, on records. I think that really spoke to me. I was at a music school, and I was too rock for the jazz department and too weird for the classical guitar department and not country enough to be in Nashville, but too country to be accepted by rock and rollers.

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Steve Morse: Yeah, exactly. That's what happened. It became the outlet. Evan Ball: Did the Dixie Dregs, at least the name, start in high school? Steve Morse: We had a band with my brother playing drums, that same one that I picked up his guitar that he was renting. Our band was called Dixie Grit.

None of us were really Southern Southern guys. We just thought it was funny. Just imagine that, you know, like fart jokes or something. It was just something funny. Dixie Grit, hahaha. That's funny. It did made us laugh. Steve Morse: When that band broke up, because we had a hard time getting gigs and when we did get gigs, people wanted a dance band that played covers and we were trying to play original stuff.

We had a singer, Frank Brittingham. He was a really good singer, a really good musician. He played guitar, too. But after the band broke up, Andy West and I were the only ones left that still wanted to do something. I said, why don't we do some instrumental stuff? Because I had been studying Bach and Beethoven and everything and wanted to write more instrumental stuff.

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I just knew it was going to be weird and no one would dance to it and everybody would hate it, but it would be really cool. Andy was the same way as me. It's always like, yeah, let's do that!