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A Lesson in Love is a Swedish comedy film directed by Ingmar Bergman. The film is about the marriage of a gynecologist named David and his wife.
Table of contents
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- NEW RELEASE: A Lesson in Love - Harper Bliss
- Transforming the way people see the world, through film.
- Take It Wrong
My own relationship to comedy has been complicated, however, and the difficulties go way back in time. As a child I was considered sullen and too sensitive. From an early age onward it was said that 'Ingmar has no sense of humor'.
Bergman in Images: My Life in Film :. There was something fateful about the meeting between the three of us: me, Eva , and Gunnar. Both of them were talented and creative actors. They felt immediately that although I had perhaps not yet written a spectacular text, the collaboration offered them great opportunities. On my part I was panic-stricken as I attempted for the first time to make a comedy.
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With overt confidence in me and great tact, they taught me how I should go about it. In that same moment Gunnar declares his love for her. The ceilling collapses, and the whole incident becomes funny. When we went to shoot the scene, I got cool feet. I told Eva and Gunnar that I had reread the scene in the script and found it totally impossible, boring, poorly written; we would have to do it some other way.
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Eva and Gunnar protested in union. When we are ready, we'll play the scene for you'. That's is how it happened. The mission becomes crazy when Don Juan falls in love for the first time in centuries. The complicated relationships between a circus ringmaster, his estranged wife and his lover. A sailor returns to his hometown after 7 years and remembers the dark and the light moments of his past. A needy couple in a bad marriage travel back to Stockholm after a trip to Italy.
NEW RELEASE: A Lesson in Love - Harper Bliss
Meanwhile, a widow resists seductions from two different persons - her psychiatrist and a lesbian friend. Three women in a maternity ward reveal their lives and intimate thoughts to each other while in a maternity ward together, where they face the choice of keeping their babies or offering them for adoption. A critic blackmails a famous musician with his biography filled with the revelations of many of his women. In Sweden at the turn of the century, members of the upper class and their servants find themselves in a romantic tangle that they try to work out amidst jealousy and heartbreak.
A small-town piano teacher is shocked by the arrival of her foster daughter's real mother, whose young lover soon follows and causes further disruption.
After 15 years of marriage, David and Marianne have grown apart. David has had an affair with a patient of his and Marianne has got herself involved with her former lover Carl-Adam, who's also David's best friend. When she travels to Copenhagen to meet Carl-Adam, David takes the same train as she does, making it look coincidental. Spending time together remembering their past and talking about their future, they come to understand each other again, which leads to a reconciliation.
Transforming the way people see the world, through film.
Bergman really liked this reflecting back on summer thing, huh? Here we see it again in a story of a husband and wife taking a train to Malmo, Sweden and then on to Copenhagen on a ferry as they reflect back on their marriage. Tonally, the movie has much more in common with Smiles of a Summer Night than the other three. It's a farce, through and through, and it's rather delightful. However, it's not really Bergman's strength, so while he makes the film entertaining and quite funny at times, he can't commit as fully to the concept as he might like.
His instinct tend more towards darker ruminations, which ends up creating some tonal shifts that don't really help the movie at times. And yet, the movie is still, largely, quite entertaining. We begin with the dissolution of an affair between David and his lover, the much young Susanne. He's concerned that he's going to lose his family and that his wife will divorce him.
The fight ranges from comic to very serious and ends with Susanne unhappily dumped.
Take It Wrong
David, a gynecologist, skips out the rest of his day to catch a train. There he meets a man and a woman. The man, a salesman, bets David that he can kiss the woman before the next stop. After he gets a good slap, we remain with David and the woman and slowly realize through their bit of foreplay that the woman is David's wife, Marianne.
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They go back and forth about whether their mutual affairs will continue and whether Marianne will divorce him or not. All through this, the two reflect back on different stages of their marriage, including memories around their children and his father. The memories move from extremely bitter when Marianne discovered David and Susanne in a hotel together to their happiest just the mere summer before when they celebrated David's father's 73rd birthday together.
As they spend time together, their memories become warmer towards each other. The movie ends with a purely farcical display of David igniting Marianne's jealousy in a dingy bar by kissing a strange women heavily implied to be a prostitute. A slap fight ensues and David drags her out. We see a really funny long shot as the two comically walk up and down a street, each trying to wrangle the other in their own ways. The very last shot is a cheeky moment as a cupid walks up to their hotel room and leaves a sign on the door that repeats the movie's title.
The movie really is quite amusing from beginning to end, but again, the tonal shifts that occur don't help the movie out. It's far from Bergman's best, but it really is quite delightful. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Categories : films Swedish-language films s comedy films Swedish black-and-white films Films directed by Ingmar Bergman Films with screenplays by Ingmar Bergman Swedish films Swedish comedy films s comedy film stubs Swedish film stubs.
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