Notturni (Italian Edition)

Notturni (Italian Edition) [Giulia Gitti] on leondumoulin.nl *FREE* shipping on qualifying offers. Raccolta di poesie e pensieri, riflesso di una crescita interiore.
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But changing tastes and his near-fatal link to the rise of Italian Fascism conspired to all but erase D'Annunzio from the literary landscape. Lately he has begun a slow comeback. Halcyon , his most important volume of poetry, was finally translated in the s; and The Flame of Life , his most approachable novel, dealing with his tempestuous relationship with the great actress Eleanora Duse, has also become available in a modern translation.

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Now we have a new, complete translation of D'Annunzio's last great work, his Notturno of Notturno is unusual for both its form and its content. But first, a bit of background.

He could have followed the lead of the Belgian Emile Verhaeren and Frenchman Maurice Barres and placed his pen at the service of the Allied war effort. But D'Annunzio was determined to do more.

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Entering active duty, he served first in the navy aboard a torpedo boat, then transferred to Italy's newly formed air corps. As a member of that air corps that he flew his legendary flight over Vienna, but a later flight ended in a disastrous forced landing in which his co-pilot Giuseppe Miraglia was killed and D'Annunzio himself was badly injured.

Notturno is the work of his convalescence. Temporary blinded as the result of a detached retina in his right eye, the man of action was forced into inactivity, confined to a bed, his eyes swathed in bandages. D'Annunzio literally wrote Notturno a line or two at a time on strips of paper. Mingling past and present As a result, this author of highly wrought some would say overwrought prose in his early novels stumbled upon an almost stream-of-consciousness approach in which he mingled past and present events.

Notturno is neither novel nor non-fiction memoir; instead, it's a prose poem. After a straightforward introduction in which he explains how he wrote his work, D'Annunzio segues into a commemoration of his young co-pilot, which in turn becomes a reminiscence of Giorgio Fracassini— another departed member of his squadron— and then a reminiscence of flights that he and Miraglia made together.