Editorial Reviews. Review. “This short, extremely pleasant, and easy-to-read book will enrich From Afro-Cuban Rhythms to Latin Jazz (Music of the African Diaspora) - Kindle edition by Raul A. Fernandez. Download it once and read it on .
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- From Afro-Cuban Rhythms to Latin Jazz.
- Find a copy online
- Music of the African Diaspora Series
- The Latin Roots of Jazz lecture series (1st of 6)
- About Arturo O’Farrill and the Afro Latin Jazz Orchestra
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Find a copy online
Your rating has been recorded. Write a review Rate this item: Preview this item Preview this item. Raul A Fernandez Publisher: University of California Press, Music of the African diaspora , English View all editions and formats Summary: Explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz.
This work introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Electronic books Criticism, interpretation, etc Additional Physical Format: Document, Internet resource Document Type: Raul A Fernandez Find more information about: Publisher Synopsis "This short, extremely pleasant, and easy-to-read book will enrich your bookshelf in much the same way as Cuban music does the world.
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Music of the African Diaspora Series
Similar Items Related Subjects: Latin jazz -- History and criticism. Linked Data More info about Linked Data. The Salsa Concept; 2. Ontology of the Son; 3. The Aesthetics of Sabor; II. His own musical projects bring a vibrant mix of live and electronic new sounds and performances, which include the Quabales Project a socio-educational project in Brazil with kids, music and art , Marivaldo Project, Electronic Recycle, Brazil Underground, and MDM Percussion Groove. As a practitioner of the Afro-Brazilian religion of candomble and head percussionist of the Terreiro do Bogum, Luis Carlos Oliveira de Souza aka Luizinho de Jeje began his professional career as a member of the world famous Afro-Brazilian percussion band Olodum.
The Latin Roots of Jazz lecture series (1st of 6)
Currently, he is the principal percussionist for one of the most famous singers in Brazil, Daniela Mercury. He has provided workshops, clinics and residency programs at esteemed institutions as Lincoln Center, Juilliard School, Eastman School of Music and the Peabody Conservatory.
Inspired by the driving rhythms of his native Bahia, Meia Noite created So no Sacode for which he is lead-percussionist. He has performed on the soundtracks for the Oscar nominated movie Rio and Dick and Jane, and has played with artists including Jovanotti, Will. Isidoro built a career around his love for the rhythms native to his country, specifically those from Northeastern Brazil.
Despite his young age, he is already well respected as both a master player and teacher by musicians worldwide. On his previous U. Since that moment she started to diversify her research through different fields and styles, taking part in festivals, masterclasses, concerts and playing with many well-known artists from Brazilian popular music such as Moraes Moreira, Saulo Fernandes, Ivete Sangalo, Marcela Martinez, Chita Fina, Salada Mista and more.
About Arturo O’Farrill and the Afro Latin Jazz Orchestra
She was also part of a special concert for Angela Merkel, Chancellor of Germany. His latest release Ghetto Linha 8 expounds rhythms that are native to the state of Bahia while his vocal performances are a modern interpretation of Brazilian song stylings via the prism that is New York City. DJ Logic is widely credited for introducing jazz into the hip hop realm and is considered by most as a highly respected session musician and an innovative bandleader.