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Compagnie Folona. likes · 42 talking about this. Compagnie de transport national et international a travers l'afrique de l'ouest.
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Return date. One-way ticket. Do you have a subscription? He ended up living in a gardener's pavilion in Bougival, on the outskirts of the capital, where he spent five years as a draughtsman. By the early s, when he visited the United States, he was selling graphic work to Esquire, Horizon, Atlantic Monthly and Time; by , his drawings were on display at the Librairie Le Palimugre in Paris.
Folon's anxieties about the dehumanisation of modern life did not prevent him from celebrating technology when occasion, or a contract, demanded.
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In the late s he created several advertisements for Olivetti typewriters, in which anonymous men struggled over keyboards or piles of numerals. The clarity and directness of his images meant he was also receiving commissions for monumental murals: his first was in , when he decorated the French pavilion at the Milan Triennale with a 36 metre polyester strip, adorned with an abstract pattern of more than luminous points.
This was followed a few years later by huge figurative works - representations of landscapes and cities - including those made for various railway stations, like the Metro in Brussels in , and Waterloo in At the end of the s, he had his first solo exhibitions in New York, Milan and Tokyo, and soon after, alongside magazines on both sides of the Atlantic, he began working for the New York Times.
Apart from Everyman, the most common character in Folon's work is a hybrid creature, with a human body, multicoloured wings and perhaps a monstrous beak. Absurdly liberating, the figure reappears in numerous contexts.
Folona populated place, Koulikoro Region, Mali
It is also because of this dialogue that Folon wished his pieces would ultimately remain in Tuscany, a region with which he fell in love. He dreamed of displaying them in the perfect garden with good lighting and a spectacular view. This way, his sculptures could enter a conversation with Italy-its sun and its rain, and in all all of its seasons. Folon died on October 20, , shortly after his exhibition in Florence closed. However, his wife Paola Ghiringhelli Folon knew of his dream for his sculptures.
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She therefore bequeathed to the city of Florence ten of his bronze works and two works in plaster, which were to be placed in a quiet garden, according to his wishes. The city chose the Giardino delle Rose to house the sculptures. After its renovation and redesign, the Giardino delle Rose was re-opened on September 30, , with its newest additions.
The placement and inclusion of the ten sculptures highlight and enhance the natural beauty of the garden, which overlooks the heart of the city. For example, Folon's sculpture entitled Partir portrays the image of a suitcase with no front or back. Inside the suitcase, a ship sails on the sea with the red roofs of Florence as its stunning background. Another sculpture is the Chat, the image of a giant slumbering cat curled up on the grassy slopes of the garden.
Even the playful side of Florence is expressed through the sculpture entitled Vivre, in which a prancing animal squirts water into a small fountain. So that Folon's contributions may be enjoyed in any season, the Giardino delle Rose will now remain open year-round. An informational video about Folon and his work plays in one corner of the space throughout the day until the end of October.
Admission to the Giardino delle Rose remains free. See author's posts.