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from a study of all the available pictorial and architectural evidence as Shakespearean Stage Production: Then and Now (New York, ); J. L. Styan.
Table of contents

Introduction to Shakespearean Drama and the Elizabethan Stage

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About Muriel Clara Bradbrook. With over , annotated records, it cites several hundred thousand additional reviews of books, productions, films, and audio recordings.

Probably the best online starting point is the portal, Mr. William Shakespeare and the Internet , an annotated guide to resources — texts, contexts, and analysis — across the Internet. There is also a downloadable Internet resources guide on the RSC website. Links into a vast range of analytic resources can also be found on the websites of various national Shakespeare associations and societies e.

The best online account of the irrefutable evidence that William Shakespeare of Stratford-upon-Avon was the author of the plays is The Shakespeare Authorship Page. For the quartos, begin at the British Library and for the folios, go to the Internet Shakespeare Edition facsimile page.

Thanks to the storage, search and hyperlink capacity provided by digitization, the next generation of high-level scholarly Shakespeare editions is bound to be electronic. Designing Shakespeare is a superb audiovisual website that is especially good for thinking about visual aspects of the plays.

Introduction to the London Stage Summer Study

A comprehensive database of Shakespeare on film, television and radio is in preparation by the British Universities Film and Video Council. The Modern Library and the editors of William Shakespeare: Complete Works, the RSC Shakespeare Edition cannot accept responsibility for non-functioning links or for any other failing, including without limitation incorrect or outdated scholarly information, on any third-party site.

Of the many valuable Shakespeare reference guides available in printed form, perhaps the best is The Oxford Companion to Shakespeare , edited by Michael Dobson and Stanley Wells Such is the quantity of work on Shakespeare that print bibliographies go out of date all too quickly though a fairly comprehensive listing of older work is to be found in A Shakespeare Bibliography , , the catalogue of the Birmingham Shakespeare Library. For comprehensiveness, print bibliographies can no longer keep up with electronic ones.

Besides, there is little value in listing as many titles as possible for the sake of it: the simple act of including or excluding particular titles is a matter of judgment. To the student and generally interested reader, there is nothing more intimidating than a long unannotated list of academic titles. And nobody has world enough and time to read even a small proportion of all that might be read about Shakespeare.

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Original year of publication is, however, included in the list to indicate the particular historical moment of each commentary. A Companion to Shakespeare , edited by David Scott Kastan — excellent introductory collection of essays on the plays, the historical context, the Elizabethan theatre and so on; very helpful for students.

Chambers, William Shakespeare: A Study of Facts and Problems 2 vols, — not a book to read through, but the best compendium of facts and documents about Shakespeare and his theatre. Andrew Dickson, The Rough Guide to Shakespeare — a reference work and more, which could hardly be bettered, strongly recommended to all students and playgoers; includes information on film and audio versions, also recommendations as to which is the best fully annotated text of each work, though these latter features are already somewhat outdated.

Russell Fraser, Young Shakespeare and Shakespeare: The Later Years — the most underrated of modern biographies, perhaps because published in two volumes and the second one is not quite as good as the first, which really does bring alive the environment of the young Shakespeare.

John Gross, After Shakespeare — a glorious anthology of writings about Shakespeare, both profound and funny; a book that deserves a prominent place on the bedside table of every Shakespeare lover. Andrew Gurr, The Shakespearean Stage, 3rd ed.

Program Overview

Cox and D. Contributors - including Antoni Cimolino, artistic director of the Stratford Festival - engage with contemporary stagings of the plays, from a Trump-like Julius Caesar in New York City to a black Iago in Stratford-upon-Avon and a female Hamlet on the Toronto stage, and explore the effect of performance practices on understandings of identity, death, love, race, gender, class, and culture. Providing an original approach to thinking about Shakespeare, some essays ask how the knowledge and skills associated with working lives can illuminate the playwright's works.

Other essays look at ways of interacting with Shakespeare in the digital age, from Shakespearean resonances in Star Trek and Indian films to live broadcasts of theatre performances, social media, and online instructional tools. Together, the essays in this volume speak to how Shakespeare continues to enrich contemporary culture. A timely guide to the ongoing importance of Shakespearean drama, Shakespeare On Stage and Off surveys recent developments in performance, adaptation, popular culture, and education.

Contributors include Russell J. Wilson Harvard University.

Shakespeare is too obscure for the stage, methinks - Telegraph

Kenneth Graham is professor of English at the University of Waterloo. All Rights Reserved.

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