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Biography: Rembrandt Art for Kids
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This is the perfect number of works for parents and children to share. Huntington, in memory of his father, Collis Potter Huntington Photo: Malcolm Varon.
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Self-Portrait, Mellon Collection Image courtesy National Gallery of Art, Washington. While many exhibitions devoted to Rembrandt's paintings took place during the year centenary of the artist's birth in , Rembrandt in America offers the public a rare opportunity to examine the evolving opinions and methods of scholars and collectors regarding what constituted an autograph Rembrandt painting over a period of more than a century.
By arranging works in small groupings, visitors can develop their own skills in connoisseurship and opinions on authenticity.
Rembrandt van Rijn
The exhibition occurs at a time when scrutiny of "Rembrandt" versus "not Rembrandt" continues to trouble the discipline and affect the art market significantly. As the first major exhibition to take a broader look at the history of Rembrandt collecting and connoisseurship in America, the show also addresses growing interest in the country's collecting history.
Rembrandt in America not only investigates collecting Rembrandts in America but also in Cleveland. The museum owns four paintings associated with Rembrandt, two acquired in the early 20th century by the Cleveland collectors John L. Severance and Elisabeth Severance Prentiss. Two others were purchased by the museum in and Each came to the museum attributed to Rembrandt, and all have subsequently been questioned to various degrees, with consensus yet to be reached.
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This exhibition offers the unique opportunity to place these problems front and center and bring together paintings from other collections to compare to Cleveland's own works. The exhibition and its accompanying catalogue explores the often-controversial issues of collecting and connoisseurship, with a focus on individual paintings where these two related topics intersect. Have a group of 10 or more? Email groupsales [at] clevelandart. Sunday May a. Saturday May a. Monday May a. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
Additional support provided by the Samuel H.
Kress Foundation. Additional support provided by KeyBank. Educational programs are supported in part by the Harold C. Schott Foundation. Sponsored by:.