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What size image should we insert? This will not affect the original upload Small Medium How do you want the image positioned around text? Float Left Float Right. Cancel Insert. Comment 5 15 August Comment 6 17 January Comment 7 17 January Comment 8 21 January How do I download the comics, whenever I click on them it sends me back to the index page.

Comment 9 22 January Please try another web browser, or clean cache or something like that. Comment 10 18 August Are It looks like only Comment 11 19 August SeattleRaven , No 19 or 20 in this series. Jonah Jameson [7] and his astronaut son John Jameson , [8] and the supervillain the Chameleon. The Lee-Ditko era continued to usher in a significant number of villains and supporting characters, including Doctor Octopus in No.

One of the most celebrated issues of the Lee-Ditko run is No. Comics historian Les Daniels noted that "Steve Ditko squeezes every ounce of anguish out of Spider-Man's predicament, complete with visions of the uncle he failed and the aunt he has sworn to save. Manning wrote that "Ditko's illustrations for the first few pages of this Lee story included what would become one of the most iconic scenes in Spider-Man's history.

Editor Robert Greenberger wrote in his introduction to the story that "These first five pages are a modern-day equivalent to Shakespeare as Parker's soliloquy sets the stage for his next action. And with dramatic pacing and storytelling, Ditko delivers one of the great sequences in all comics. Although credited only as artist for most of his run, Ditko would eventually plot the stories as well as draw them, leaving Lee to script the dialogue. A rift between Ditko and Lee developed, and the two men were not on speaking terms long before Ditko completed his last issue, The Amazing Spider-Man No.

The exact reasons for the Ditko-Lee split have never been fully explained. In successor penciler Romita Sr. Romita's Spider-Man — more polished and heroic-looking than Ditko's — became the model for two decades. The most important supporting character to be introduced during the Romita era was Mary Jane Watson , who made her first full appearance in No.

Peter David wrote in that Romita "made the definitive statement of his arrival by pulling Mary Jane out from behind the oversized potted plant [that blocked the readers' view of her face in issue 25] and placing her on panel in what would instantly become an iconic moment. Lee and Romita toned down the prevalent sense of antagonism in Parker's world by improving Parker's relationship with the supporting characters and having stories focused as much on the social and college lives of the characters as they did on Spider-Man's adventures.

The stories became more topical, [38] addressing issues such as civil rights , racism, prisoners' rights , the Vietnam War , and political elections. Other notable first appearances in the Lee-Romita era include the Rhino in No.

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One such story took place in the controversial issues 96—98 May—July Writer-editor Lee defied the Comics Code Authority with this story, in which Parker's friend Harry Osborn, was hospitalized after over-dosing on pills. Lee wrote this story upon a request from the U. Department of Health, Education, and Welfare for a story about the dangers of drugs. Citing its dictum against depicting drug use, even in an anti-drug context, the CCA refused to put its seal on these issues.

With the approval of Marvel publisher Martin Goodman , Lee had the comics published without the seal. The comics sold well and Marvel won praise for its socially conscious efforts.

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The second installment was the first Amazing Spider-Man story not written by co-creator Lee, [56] with Roy Thomas taking over writing the book for several months before Lee returned to write — Feb. Romita penciled Conway's first half-dozen issues, which introduced the gangster Hammerhead in No.


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Kane then succeeded Romita as penciler, [53] although Romita would continue inking Kane for a time. Archie Goodwin and Gil Kane produced the title's th issue Nov. Jonah Jameson was introduced to his eventual second wife, Marla Madison; and Aunt May suffered a heart attack.

Wein's last story on Amazing was a five-issue arc in — Jan. Marv Wolfman , Marvel's editor-in-chief from to , succeeded Wein as writer, and in his first issue, No. The Amazing Spider-Man No. The Annual featured a team-up with Doctor Strange [70] while the Annual showcased a meeting with the Punisher.

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One lasting change was the reintroduction of Mary Jane Watson as a more serious, mature woman who becomes Peter's confidante after she reveals that she knows his secret identity. DeFalco helped establish Parker and Watson's mature relationship, laying the foundation for the characters' wedding in Notably, in No. Other notable issues of the DeFalco-Frenz era include No.


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David Michelinie took over as writer in the next issue, for a story arc in — July—Sept. The " Kraven's Last Hunt " storyline by writer J. McFarlane revolutionized Spider-Man's look. His depiction — large-eyed, with wiry, contorted limbs, and messy, knotted, convoluted webbing — influenced the way virtually all subsequent artists would draw the character. McFarlane's other significant contribution to the Spider-Man canon was the design for what would become one of Spider-Man's most wildly popular antagonists, the supervillain Venom.

The latter issue featured Spider-Man reverting to his original red-and-blue costume. Other notable issues of the Michelinie-McFarlane era include No. With a civilian life as a married man, the Spider-Man of the s was different from the superhero of the previous three decades. McFarlane left the title in to write and draw a new series titled simply Spider-Man. His successor, Erik Larsen , penciled the book from early to mid After issue No.

Bagley penciled the flagship Spider-Man title from to The series' 30th-anniversary issue, No. It would be close to two years before they were revealed to be impostors, who are killed in No. His — stint gave him the second-longest run as writer on the title, behind Stan Lee.

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With No. From October to June , Amazing stopped running stories exclusive to it, and ran installments of multi-part stories that crossed over into all the Spider-Man books. One of the few self-contained stories during this period was in No. The " Clone Saga " culminated with the revelation that the Spider-Man who had appeared in the previous 20 years of comics was a clone of the real Spider-Man.

The Amazing Spider-Man Vol. 3 #1 – 20.1 + Annual (2014-2015)

This plot twist was massively unpopular with many readers, [86] and was later reversed in the "Revelations" story arc that crossed over the Spider-Man books in late The Clone Saga tied into a publishing gap after No. The series picked up again with No. Marvel began The Amazing Spider-Man anew with vol. The relaunch included the Sandman being regressed to his criminal ways and the "death" of Mary Jane, which was ultimately reversed.

Other elements included the introduction of a new Spider-Woman who was spun off into her own short-lived series and references to John Byrne's Spider-Man: Chapter One , which launched at the same time as the reboot. Byrne also penciled issues 1—18 from to and wrote 13—14, John Romita Jr. Michael Straczynski took over as writer [89] and oversaw additional storylines — most notably his lengthy "Spider-Totem" arc, which raised the issue of whether Spider-Man's powers were magic-based, rather than as the result of a radioactive spider's bite.

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Straczynski gave Spider-Man a new profession, having Parker teach at his former high school. Other longtime, rebooted Marvel Comics titles, including Fantastic Four , likewise were given the dual numbering around this time. After vol. That year Peter Parker revealed his Spider-Man identity on live television in the company-crossover storyline " Civil War ", [91] [92] in which the superhero community is split over whether to conform to the federal government's new Superhuman Registration Act.