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Table of contents

• Rare messages from Shri Shirdi Sai Baba as GOD!
• Satya Pal Ruhela
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• Alle boeken van schrijver Satya Pal Ruhela (1-10)
• About this book

No traces of Indian philosophy, history, culture, spirituality, religion, ethics, theology, myth, mysticism, this gives you a picture of how much orthodox would he have been?

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How much negative in his outlook and presentation? Even if Aldous Huxley has written an essay named Benares as a visiting tourist, E. Forster in his A Passage to India and Matthew Arnold his essay On The Modern Element In Literature quoting from and starting with a quote of the on-going dialogue between Pourna and Buddha, but Nissim takes India just as a conservative fellow and there is minorityism.

You live in India and you cannot sing of her, how can it be? There must be something of the culture of the land, ancient thought and tradition of it which is perhaps missing in him. The heartbeat of modern India, urban and metropolitan may be it there in him which he has come to mark in free mix-ups, parties, clubs, theatres, cinema halls, parks, platforms, airports, marketing complexes, office places and other busy and entertainment establishments. At least Nissim could have changed his heart. But something of karma-dharma, bhoga and the path of k arma-yoga definitely struck him as he talks of these in a muffled voice.

Enterprise is the name of the poem where the poet speaking of a joint venture, the earlier measured successes and gained through and milestones reached in a shorter time, results showing for future-time success stories, but the same succumbs to human frailty, weakness, suspense and doubt,. It started as a pilgrimage Exalting minds and making all The burdens light. The second stage Explored but did not test the call.

The sun beat down to match our rage. Gokak, edited, ibid, p.

The third stanza shows the fading of exaltation and exhilaration; the fading of all romance and colouring,. But when the differences arose On how to cross a desert patch, We lost a friend whose stylish prose Was quite the best of all our batch. All the dreams seen too vanish away finally. The enterprise which came off as per their expectation and high hope tottered and fell down miserably.

Just for human competition, doubt, suspense, enmity, malice and rivalry, the noble edifice which was began, disintegrated that, showing it in full, united we stand and divided we fall. Differences in opinion finished it all what it was good. The dreams shattered as glass pieces is the best image to present it. Here in this stanza from Poet, Lover, Birdwatcher , he compares poetry to bird-watching and love-making,.

The best poets wait for words. Poetry has here born out of D. Similarly the new poet seems to be waiting for the best words to come to, going into the footsteps of Coleridge or taking opium. There is something of Hindu philosophy of life, as that of bhoga and karma hereunder when the poet talks of the previous sin and its mitigation through the speeches of the gathering crowds in Night of The Scorpion ,.

May your suffering decrease the misfortunes of your next birth, they said. May the sum of all evil balanced in this unreal world against the sum of good become diminished by your pain. May the poison purify your flesh of desire, and your spirit of ambition, they said, and they sat around on the floor with my mother in the centre, the peace of understanding on each face. Gokak, The Golden Treasury , ibid, p.

The first two stanzas from the poem Marriage tell of the jocund presentation and picturisation of the poet, what it happens in love and marriage, be it a love-marriage or an arranged marriage, the heart in heart talks and the hand in hand moves, like the people feeling electro-magnetic sensations and the impressions forming,. The bride is always pretty, the groom A lucky man.

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The darkened room Roars out the joy of flesh and blood. The use of nakedness is good. Gokak, ibid, p. Nissim is a master love-maker, a romancer chuckling in love, under the impact of it, but not openly, in a subdued tone of expression. He cannot propose before, just in the dark room of the studio he can reflect over the images. Nissim as a lover is Hamletian, to be or not to be, between the two horns of a dilemma, should he love or not.

Such a wavering is not good at all. Somewhere the things of love-marriage please him and somewhere those of an arranged marriage through a match-maker. We do not know what sort of man he is! In that moment of mutual deception, she was truly quite beautiful and almost lovable. She did it prettily enough, demonstrating childlike glee, a trick or two. A modern poet of the modern age, he takes the things in his own stride. Modernity and the sense of modernism is the key-word of his poetry and he basks in that sunshine.

Had he not been to England, had he not got his education in a convent school and had the opportunities in journalism been not, he could not have reached the pinnacles of glory. Time, situation and circumstance too had been a factor behind his growth and development. Bombay too offered the best possible scopes to the poet through its cosmopolitanism and marine connectivity. A poem to Nissim is an episode finished in an hour or two, something said precisely or maybe it something more than that. His history of idea is like the one Daruwalla holds it and to define in such a way is no doubt an extraordinary penetration.

Nissim is not a yogi , but a bhogi doing the prayer.

His sense of humour and caricature is there again in the poem named The Professor ,. I am Professor Sheth. Once I taught you geography. Now I am retired, though my health is good. My wife died some years back. By God's grace, all my children Are well settled in life.

About this book

Channels In Focus. Nissim and his beloved seeing it With the fall of the curtain, The lights off, The reels to rotate And to be projected Through the flash light, The trailer showing the hero and the heroine As children, Growing up, Becoming young And falling in love And smiling To see her Sitting with. The villain hatching conspiracies, Planning for a fall Like the communists for a coup And Ravana and Duryodhana But the heroine wanting him, The hero facing all that boldly Whatever come that And at some romantic scene kissing the heroine Which he enjoying it most, Very-very pleasing to Nissim The chuckler, Wanting to fall in love But retreating back to Thinking himself a minority community man, An orthodox and mugging Jew.

Hello, hi, nice to meet you, Handshaking with, Waving at and greeting him And Nissim chuckling within, O, a modern girl is greeting him, All looking in wonder and astonishment! Nissim saying wonderful to the girl And the girl saying wonderful to Nissim, God knows Who is actually wonderful, Nissim taking her to the park, the restaurant, The mall and the shopping complex, The theatre!

Nissim is a convent boy With the element of a hosteller and a hotelier, An Indian trying to be modern Or priding over the sense of modernity, Giving tips in As to how to be modern and courteous, How to say please and thank you, How to take tea! Nissim priding over his neck tie, Shirt and pants, Spectacles, Trying to improve in spoken English As for to converse in public To show That he knows English, Can speak like the sahibs! On her birthday, giving a gift Or getting to on his, Attending the marriage party Of the friend, Sometimes thinking of saving money As for giving a tea party Instead of a feast, Talking of the buffet system, Saving of food from being wasted And miserly too Which but the Indian gourmets and gluttons repenting As after giving the stunt of sit-ups, They are ever ready to beat again, Taking a challenge And eating food in the countryside feasts Of the other men To push in debt And get the properties sold for prestige And maintenance of the social custom of reception And the villager gluttons can Threatening townsmanly gas and acidity.

The birthday gift packs of Nissim looking beautiful But nothing substantial in them, Just smaller and low-priced things are therein, Covered up so beautifully With beautiful glazy papers Which the party-giver sad to see and note in later As for future returns But finally accepting it all Thanking for at least their presence. Nissim learning to say, Bye-bye, goodbye, see you again, Thank you, so nice of you, Nice to meet you, I like it, I love it, Happy new year to you, Happy new year to you, Good morning, good day, Good afternoon, good evening, Good night.

Kaikini, Krishan Shungloo and others even before him. In the beginning, he too like Lal and others used to send poems to C. Mandy as for giving a breakthrough in the issues of the Illustarted Weekly of India, which the editor reported to Iyengar by saying that he felt corroded with the bad quality of the verses written by the Indians, but had been still hopeful of getting a talent. Even before Nissim there had been Tagore, Aurobindo and Harindrananth to show the traits of modernism.