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Jump to Origins - Modern architecture emerged at the end of the 19th century from revolutions in technology, engineering and building materials, and from a desire to break away from historical architectural styles and to invent something that was purely functional and new.‎Early modernism in · ‎Early American · ‎Rise of Modernism in · ‎Art Deco.
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Modern Architecture

The Modern Era is broadly defined in the United States as the period from through the s. Buildings or sites of the period often looked to the future without overt references to historical precedent; expressed functional, technical or spatial properties; and was conscious of being modern, expressing the principles of modern design.

The architecture produced during this period took on many forms and represented a range of complex ideology. The terms included here represent a means of categorizing these disparate resources based on design similarities, but are in no way intended to limit or fully define them. Robinson, Judith Helm. Growth, efficiency and modernism: GSA buildings of the s, 60s, and 70s. Washington, D.


  • The International Style: Concepts, Styles, and Trends.
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  • The International Style - History and Concepts;
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  • The International Style: Concepts, Styles, and Trends.

Art Deco is first of all a style of ornament. This ornament is predominantly rectilinear, with geometrical curves playing a secondary role. The commonest motifs of all are fluting and reeding, often flanking doors or windows or forming horizontal bands above them.

When Did Modern Architecture Actually Begin? - ARTiculations

Brutalist buildings have a look of weight and massiveness that immediately sets them apart from those of other predominantly rectangular, flat-roofed styles. Windows are treated as holes in the walls or as voids in the solids of the walls, and not as in the International Style as continuations of the "skin" of the building. Indeed, Brutalist buildings have no skin; this might be described as a "flesh-and-bones architecture. Used to describe the modernist movement in architecture as it evolved in California, specifically Los Angeles and the area surrounding it, from the s through the s.

Hallmarks of this style are attention to indoor-outdoor living, open plans, rectilinear structures often constructed with steel frames, and extensive use of glass. In architecture, the style is charcterized by a purposeful displacement of structural elements, resulting in buildings with no specific purpose.


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The term eclecticism is used to describe the combination, in a single work, of elements from different historical styles, chiefly in architecture and, by implication, in the fine and decorative arts. The term is sometimes also loosely applied to the general stylistic variety of 19th-century architecture after Neo-classicism c.

In Neo- Expressionist buildings unity is achieved by continuity of form rather than proportional or geometrical means. Hence, sweeping curves, convex, concave, or faceted surfaces, and a tendency to avoid the rectangular wherever practicable; even structural columns and piers may " lean. Style of architecture and design first popular in the United States in the s, typified by roadside buildings such as coffee shops, motels, gas stations, and signs.

Architecture Timeline of Important Historic Periods

The style is characterized by bold, angular forms and an intensive use of steel, glass, and neon inspired by The Space Age, science fiction, and car culture. Although origin of the term is unknown, it is speculated to have come from Googie's Coffee Shop in Los Angeles, California, and has since been used to describe similar designs. The International Style is characterized by a complete absence of ornament and by forms in which effects of mass and weight are minimized for the sake of an effect of pure volume; compositionally, a balance of unlike parts is more often than not substituted for axial symmetry.

Flat roofs, smooth and uniform wall surfaces, windows with minimal exterior reveals which are perceived as continuations of the surface in another material rather than as holes in the wall , and windows that turn the corner of the building are among the means by which the effect of volume is obtained. Nearly everything that was said earlier of the International Style is true to some degree of Late Modern architecture. The essential difference is that while an International Style building is rational, or at least has the semblance of rationality, a Late Modern one tends to be rhetorical.

That is to say, it will embody one or more of the rhetorical devices of exaggeration, repetition, and paradox - such as, in architectural terms, the exaggeration of structure, the repetition of a single form to the point that it loses its individuality and becomes simply a part of an overall pattern, the paradox of a building with glass walls and no windows. Japanese architectural movement of the s and s, dedicated to urban-scale issues based on biologic principles of dynamic growth and change.

Refers to the architectural, interior and product design style that generally describes midth century trends from ca.

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In design, sleek Scandinavian style furniture and objects were influential. Rectangular forms of the utmost regularity and precision, a modular pattern established by the structural frame which is most typically of steel, though fire regulations may cause it to be clad in concrete , glass walls, and over-all symmetry characterize Miesian architecture.

It would take the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification. Chicago Modernism : Contrasts in modern architecture, as shown by adjacent high-rises in Chicago, Illinois. IBM Plaza right , by Ludwig Mies van der Rohe, is a later example of the clean rectilinear lines and glass of the international style, whereas Marina City left , by his student Bertrand Goldberg, reflects a more sculptural mid-century modern aesthetic.

The concept of modernism would be a central theme in these efforts. Gaining popularity after World War II, architectural modernism was adopted by many influential architects and architectural educators and continues as a dominant architectural style for institutional and corporate buildings into the 21 st century. Modernism eventually generated reactions, most notably postmodernism which sought to preserve premodern elements, while neomodernism emerged as a reaction to postmodernism. The Crystal Palace, , was one of the first buildings to have vast amounts of glass supported by structural metal, foreshadowing trends in modernist architecture.

There are multiple lenses through which the evolution of modern architecture may be viewed. Some historians see it as a social matter, closely tied to the project of modernity and thus the Enlightenment. Modern architecture developed, in their opinion, as a result of social and political revolutions. Others see Modern architecture as primarily driven by technological and engineering developments. Still other historians regard Modernism as a matter of taste, a reaction against eclecticism and the lavish stylistic excesses of Victorian and Edwardian architecture.

Mies, like many of his post-World War I contemporaries, sought to establish a new architectural style that could represent modern times just as classical and gothic did for their eras. He created an influential 20th-century architectural style with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces.

He strove toward architecture with a minimal framework of structural order balanced against the implied freedom of unobstructed free-flowing open space.

A Brief History of Architecture in Denver

He sought an objective approach that would guide the creative process of architectural design, but he was always concerned with expressing the spirit of the modern era. Frank Lloyd Wright born Frank Lincoln Wright, June 8, — April 9, was an American architect, interior designer, writer, and educator, who designed more than 1, structures, of which were completed. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States.