PDF Do CGI Girls Cry?: A Short Story

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The film was distributed in the United States by Cannon Films. Jordan notes that Cannon pushed the concept of the film as primarily a horror film. Jordan maintains that it is not a horror film and that such a label might actually be misleading to audiences. The film was later released on VHS in numerous countries.


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A Region 2 special edition version of the film was released on 17 October , approximately 20 years after the film's initial release in theatres. This special edition came in a metal case and included an audio commentary by director Neil Jordan, stills galleries, the film's theatrical trailer and a printed "Behind the Scenes Dossier". Feminist critic Maggie Anwell decried the film for its over-emphasis on bloody werewolf special effects, [12] but another, Charlotte Crofts, argues that the film is a sensitive adaptation of Carter's reworking of Charles Perrault 's Little Red Riding Hood fairy tale.

In April , upon the film's US debut, Roger Ebert gave the film three stars out of four, and called it a "disturbing and stylish attempt to collect some of the nightmares that lie beneath the surface of " Little Red Riding Hood. Its otherworldly scenery and costumes seem to have been inspired by fairytale illustrations, mixed with the studio-bound visual style of Hammer horror. The Hammer-like theatrical forest creates a sense of brooding claustrophobia where no sunlight can reach, accentuating Rosaleen's trapped existence.

An intensely visual film, teeming with rich symbolism and imagery, the BAFTA-winning settings and special effects dominate the film, often at the expense of the perhaps deliberately underdeveloped characters. Critics generally responded especially positively to the film's aesthetics.

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A soundtrack album, featuring the George Fenton score from the film, was released in on Varese Sarabande Records. From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. Theatrical release poster. Palace Pictures. This section needs expansion. You can help by adding to it. May LA Weekly.

Missing Halloween

Retrieved 20 September Angela Carter The story is only 12 pages long, so we built upon it in layers. Retrieved 29 August Chicago Sun-Times. BFI Screenonline. Rotten Tomatoes. Fandango Media. Retrieved 10 July Films directed by Neil Jordan. No, I think that's pretty much it. Oh wow! It wasn't my question, but I've been trying to remember that one for a long time, too. There was one other one I was also trying to find, about a Catholic boy and a Jewish girl that go to each other's church.

Now I can go try and find a copy of Skinny and Fatty. I'll agree with this. I think of the movie. Mids, a color film on TV probably a feature film from c. The only scenes I remember was a man in a WW2-era sailor suit -- Navy, I suppose --jumping off a pier to save someone from drowning a child, perhaps? BTW, just recently I figure out what a different memory from around the same time was, of a man being punched so hard he fell through three floors and onto some clickety-cola kitty machinery -- turns out it was "The Odessa File," with Jon Voight, and the machine was a printing press.

That was "clickety-clackety machinery," until mangled by auto-correct. Good to know that there's two of us at least who remember this movie. And I guess I was wrong on Happy's film, but I'm glad he got the correct answer. As an aside, an old friend was a private pilot.

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I flew many times with him in his Cessna He'd insist that I follow him during his pre-flight checkout: fuel in wing tanks, trim tabs set, flaps responding, rudder working, and so on. He'd also have a look at the engine--but that was one thing I didn't want to go near. Because it was next to the propellor, and I'd seen Family Flight. That puppet show Kukla, Fran and Ollie had these filmed live-action vignettes, and one of them stuck with me. I was actually going to start a Cafe Society thread of its own, but here it is. Its a typical fairy tale -- a King's prized magic item of some sort is stolen by an evil Giant who rides a dragon, the King's two sons try to get it back, and fail to make it past the guard monster, maybe even losing a horse was the magic item a prized horse?

That's the story, and that's the voice over description, but its not animated or a costume drama, and there's no actor's dialog. As the above story is narrated, the actors appear on the streets of some contemporary city.

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The king is an ordinary dad, likewise the sons and daughter are ordinary pre-teens in street clothes. The giant is just a big burly man, who rides a motorcycle and has stolen a prized bicycle, leaving them with just a broken down one. The Good witch is just a nice old lady, who feeds a basket of home-baked muffins to a guard dog so the girl can achieve her goals. I gotta know who came up with this, and what else have they come up with, and what have I missed from other episodes of Kukla, Fran and Ollie.


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  7. That is definitely it. As a man of girth who was a boy of girth, I was a faithful watcher of that movie. I was going to post in this thread about a movie I remembered every now and then but had no clue as to what it was. All I could remember was that it was in the 60's, black and white IIRC, and there were 3 kids being chased by some bad guys.

    It was an urban setting but I didn't know what city still don't , and that I thought they had stayed with their grandmother for a bit. The only real scene I could remember was a creepy man taking them someplace, them walking down the sidewalk. Since I couldn't remember anything else about the movie I had no clue as to why I got this unsettling feeling every time I thought about the movie. I remember liking the oldest girl but could never think of who she was or even picture her.

    All through the years, whenever I'd think about the film I could have sworn that the man was John Forsythe, but years ago I looked through his filmography and there was nothing there that sounded like the film. Before I posted I wanted to double-check Forsythe's film filmography and there was still nothing there. But I found it! It wasn't a TV show though, it was a made-for-TV movie.

    The cartel is desperate to retrieve the evidence. And no wonder I liked the girl. I used to see her on television a LOT in the 60's and especially 70's, but she didn't do near enough movies. So even though I don't need anyone's help now, and I can't help anyone else so far I just wanted to say thanks to Zeldar for prompting my finding the name of this movie that's been on my mind for so many years.

    This was a color movie and the thing I remember most was a scene in a barn were a kid jumps off the loft into a bail of hay shouting "I'm king of the mountain! Also, in another scene, a different young boy tries to steal a ring off of his dead twin's corpse's finger during a wake in a house. If I may do a twofer-- The little boy from Family Affair falls off a mountain and becomes an angel.

    Room-sized computers with random blinking lights, etc. And bad, bad, bad special effects and monster costumes at least by today's standards. Our Hero was a strapping 70s type leading man, someone like Kier Dullea, or maybe it could've been Martin Balsam. Definitely a sci-fi flick or show set in the future. Some type of outpost in deep space either a spaceship or space station with an exhausted home-sick crew.

    These big shambling mound, tentacly aliens think "Sigmund and the Sea Monsters" with no faces, except perhaps a single eye invade the station. The aliens have psionic abilities and can manipulate the human crew members by causing them to have "Manchurian Candidate" type hallucinations - the humans carry out their malevolent commands because they think they are performing routine or pleasurable activities.

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    For example, one hypnotized crew member carries a dangerous radioactive warhead around the station because he is being made to think that he is on a beach with a woman his wife or girl friend in his arms. We see flash cuts of his fantasy of carrying his wife in his arms in between shots of the "reality" in which he is really cradling a warhead and smiling. I only remember the very end of the movie - the hypnotized crewman is taking the warhead to some very 70s-scifi computer room. All the humans wear spacesuits for some reason. If the aliens can get their hypnotized slaves to somehow interface the warhead with the computer basically stick it in a slot , then the base will be flooded with radiation - good for the invading aliens, bad for the humans.