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He is typically depicted as an elderly man who only knows nonsense. He makes many cruel jokes about the opposite sex and believes that he knows everything about everything. He is an obese man that enjoys the bottle and eating to excess. His mask is unique in that it is the only mask in Commedia dell'Arte to cover only the forehead and nose. It is sometimes black in color or else flesh-toned with a red nose. His costume is usually all or mostly black, sometimes with a white collar. He frequently wears a hat, and long, trailing robes. If the actor playing the role is not naturally fat then he is padded out to make him seem so.

Usually he is a shopkeeper from Vienna, somewhat stupid, fond of food and of pretty women, talkative, gullible, full of temper, and the butt of all the jokes, some of them very indecent, yet forgiving in the end. He traditionally wears a large codpiece to advertise his virility, which everyone around him knows to be long gone. He is often cast as the parent of one of the inamorata and has some business or personal relationship with Dottore or Capitano. Pantalone's plans to profit at the expense of his family and friends are guaranteed to be thwarted by his servant.

He traditionally wears a large codpiece to advertise his virility which everyone around him knows to be long gone along with a mask with a long hooked nose, a tight red vest, red breeches and stockings, a black cassock, slippers and a brimless hat. Other names: Magnifico. Pierrot is normally portrayed as personable, charming and kind, to the point of excess he blames himself for wrongs never done and because of his good and trusting nature is often easily tricked. The noticeable feature of Pierrot's behavior is his naiveness, he is seen as a fool, always being cheated and joked on by the others.

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Despite his suspicions about things, Pierrot always ends up trusting people and believing in their lies. Pierrot is also called as a lunatic, an a person outside the reality, in a state of unawareness about what's happening around, someone for whom anything matters, just cheering and playing all the time. Pierrot wears white clothes, which are occasionally overlarge for him but more commonly are well fitted, and sometimes black accessories. On his head he wears a hat that is either tall and pointed or else small and brimmed. Pierrot is very occasionally depicted with a teardrop on his face, and he usually wears no mask; the actor is generally expected to have a great range of facial expression, and this tradition has been in play since at least the start of the s.

His face is sometimes whitened with powder or flour. Other names: Pedrolino. Pulcinella was the model for Punch in the English variation Punch and Judy. Pulcinella became a stock character in Neapolitan puppetry. His main characteristic, from which he acquired his name, is his extremely long nose, which resembles a beak.

In Latin, this was a pullus gallinaceus, which led to the word "Pulliciniello" and "Pulcinella", related to the Italian pulcino or chick. His traditional temperament is to be mean, vicious, and crafty: Pulcinella main mode of defense is to pretend to be too stupid to know what's going on, and his secondary mode is to physically beat people.

Pulcinella often wears a black mask and long white coat, and has loose and straggly hair. Other names: Punch, Punchinello, Puccio d'Aniello. Its name comes from Giovanni also said Zan, Zane, Zuane , a typical name of servants whose forefathers emigrated in Venice search for work from the valleys around Bergamo.

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Opposed to the Magnifici the masters , the role of the Zanni is very changeable: silly, simple-minded, and vulgar. Once inside the city environment Zanni becomes sly, cunning, meddling, and cheeky. Many times he remains poor, constantly hungry. Zanni's costume was loosely fitting white smock and pants. He wore a black mask reminiscent of his more popular descendant, Arlecchino.

Venetian Mask is the object, which most represents Venice , because it plays the Venetian spirit projected towards the party, the transgression and the amusement. There were many occasions when people turned to dressing up, in fact masks were worn many months of the year.


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In the eighteenth century, Venice enjoyed the reputation of having the most famous Carnival in the world. All the social classes took part and the mask represented the trick for the expression of that big collective magic. Bauta was used also on many other occasions as a device for hiding the wearer's identity and social status.

It would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was thus useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters. The name Bauta does not have up to now, a definite interpretation. It may came from the German "behten" to protect , as well as from "bau" or "babau" , typical Italian representation of the monster, or bad beast, used by adults to scare children. This very Venetian mask was considered an ideal disguise by kings and princes who could move freely into the city without being recognized but was worn by strangers too.

Fame of the Bauta went on along the Serenissima Republic, with the French and Austrian rules it started to disappear, considered as a reactionary symbol. Bauta is quite ghostlike and with the centuries the fashion was to wear it with a black tricorno the 3-pointed typical Venetian hat , zendale long hood made of satin and macrame , and long cape. Other names: Larva, Casanova.

DAMA , which presents many elegant variations corresponds to the ladies of the Cinquecento the period of Titian who covered themselves in jewels, expensive clothing and elaborate coifs.

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In our days this is probably the most popular and most beautiful mask type used during the Venetian Carnival. Cats were so scarce in Venice that they became the subject of one of the most typical masks. Legend has it that a man who owned nothing but his old cat came to Venice from China. Today's Top Stories. Mike Garten.

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