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Table of contents
- Giuseppe Verdi : Requiem
- Philharmonia Chorus - Relationships - MusicBrainz
- Cookies on the BBC website
- Messa Da Requiem
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Giuseppe Verdi : Requiem
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Martha Argerich: The Untameable Pianist For over 60 years the Argentinian pianist Martha Argerich has amazed audiences all over the world with her wild, impulsive playing and her constant risk-taking, overcoming every technical difficulty by turning each of her performances into a fascinating journey. Rachmaninov: Trifonov's final destination. Bye for now, Ariana. Lang Lang: "Since recovering from my hand injury, I think I play better and I have more things to say. All four of these soloists performed by heart, and next to the conductor.
Philharmonia Chorus - Relationships - MusicBrainz
In my view, this alone was a tremendous benefit for the performance. It made the singers communicate with the audience directly supported by gestures , rather than singing into a score in their hands. The choir sonority in that extremely soft beginning was excellent.
Needless to say that pronunciation and diction were clear and careful. Here, I found the quartet to have excellent balance and projection. It paid to have them perform at the front of the podium: sound and diction were clear. Gardiner made the Day of Wrath break in with brutal force and acuity, the semiquaver cascades were shooting down like a tumbling meteor or a ride to hell? Not just the orchestra was dramatic, but the choir, too—while maintaining excellent diction and pronunciation.
The 3D-effect of the soundscape was impressive—sadly, however, the instruments at a distance from the rear of the audience were all tuned very noticeably too high. That could not have been the intent, can it?
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I found this badly irritating. Her volume and range, her timbre , as well as diction and articulation are outstanding: excellent projection also at the low end, very but not overly dramatic in the heights. The latter, this time, not with drum beats, but trembling from strings and percussion.
- Gardiner / ORR, Monteverdi Choir — Lucerne, | Music Blog?
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Here now, the tenor and the soprano joined Ann Hallenberg. I actually asked myself whether he was indisposed or otherwise not in top shape for this concert. She seemed to have a certain tendency towards soft transitions, and to approach high notes from below. The part is very challenging and often highly exposed, though. This offered an opportunity to hear the two female soloists side by side. Why in such an exposed moment?
Messa Da Requiem
It sounds so un-Italian!!! When the other voices joined them for a quartet, the soloists formed a well-balanced ensemble, and also the soprano showed better voice control than earlier on. The quartet was particularly impressive in the intense prayer of the Pie Jesu. The bass showed a more balanced approach, with better voice definition across the volume span.
How could the sound be any better, with all the period instruments?