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Table of contents
- 'Experimental' poetry — part one | Jacket2
- Account Options
- William Butler Yeats
- Creative Writing: Innovation and Experiment
Paul Stephens, referred to above, points out that experimental literature has political and social components. I conduct research on experimental poetry, and it seems clear to me that movements in this genre have often served as mechanisms of resistance and forms of protest against political and social ideologies and institutions, as well as, opposition to mainstream aesthetics.
'Experimental' poetry — part one | Jacket2
These tactics are often utilized by members of marginalized groups, some of whom have been political activists as well as artists e. In poetry, Allen Ginsberg might be a good example of Hall's theory and an interesting subject for research. Finally, perhaps reflecting roles played by females as well as racial and ethnic minorities in experimental poetry projects, several active journals of experimental poetry have diverse editorial boards e.
Possible differences between experimental and mainstream journals is a topic worthy of systematic investigation. The present article is intended to alert readers to the burgeoning sub-genres in contemporary experimental literature driven, primarily, by varied combinations of technology, text, visual art, and sound or music and is a call for reviewers of journals and books to focus on the creative experiments of these writers and publications, part of a new avant garde in literature.
Clara B. Hello Hello I shout but that silence Floats steady, will not be marked By an off-hand shout. For some reason It refuses to be broken now By what I thought was worth saying. If I wait a while, if I look out At the heavy greedy rooks on the wall It will disperse.
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Now I construct A new silence I hope to break. A low word.
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Not more. An impasse. A state in which no more can be said or done — unless we alter our customary language habits. If instead we carry on preferring to make sense in a way that requires us to steer clear of confusion then the work as it wants to be will not speak to us.
We make our individual attempts, each at our own table, to cross the impasse and must try and lower ourselves and duck beneath the net of the habitual.
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Words have to be reached for, down into the dark of what at first may seem confusing, but, no. And, yes, if need be, here is an alternative adage:. Without a rod, line, weights, fly or float — with just the table, the pen, the hand, the brain, the heart, the ear, and a French onion — poetry is a kind of nightfishing in terrible daylight. Oliver Bernard London: Penguin Books, , p. Matthew Francis London: Faber and Faber, , p. Prose Poets is a new series of short prose essays on poetics by poets.
You must be logged in to post a comment. Image: Antonio Scaramuzzino.
William Butler Yeats
Add your Reply Cancel reply You must be logged in to post a comment. It should be pointed out that the postmodernists, like the post-postmodernist poets, such as Paul Bogaert , Jan Lauwereyns , Bart Meuleman , Paul Demets , Els Moors and Eva Cox, have all found their own voices and that there is no longer any question of rival schools in the contemporary Flemish poetry landscape.
Parallel to the rise of postmodernism, poets of a more traditional persuasion also enjoyed success. Bernard Dewulf has been praised for his eye for detail and the philosophical reflection he brings to his writing. Charles Ducal , the first Flemish Dichter des Vaderlands, or poet laureate, is acclaimed for his mythological magnification of subjects such as love, marriage and family relationships and his active and critical position on socially relevant subjects. A new trend also emerged in the late s and early s: the performance poet. Tom Lanoye , who later scaled high peaks as a novelist and writer for theatre, made his debut with small collections of poetry, which he sold during his performances in bars.
He later presented his texts on stage before enthusiastic audiences. Another poet who feels at home on the stage is Peter Holvoet-Hanssen , whose somewhat unconventional verses benefit from his exciting stage performances. On the contemporary Flemish poetry scene, where most of the previously mentioned poets are still active, a number of striking trends have emerged. Now that the size of print runs for individual collections is showing a downward tendency, it is important to note that the place for poetry seems to be shifting to the public space.
The project De Eenzame Uitvaart The Lonely Funeral , which involves a poet writing a poem to be read at the funeral of a deceased person without relatives, also shows the social importance of poetry. Book launches and readings are often great successes, too. This is not only about poetry returning to its oral tradition, but has also meant many contemporary poets taking their first steps onto the stage.
Andy Fierens, Delphine Lecompte , Maud Vanhauwaert and Charlotte van den Broeck have won over many audience members with their persuasive verbal performances, while also employing the rhetorical strategies of recitation in their poems. It is good, too, to see large numbers of female poets stepping into the limelight, while the rise of slam poetry and spoken word has ensured that the guild of poets is slowly but surely becoming less white.
Creative Writing: Innovation and Experiment
The forms that poetry takes nowadays demonstrate the interdisciplinary nature and the diversity of the genre. Poems are accompanied by drawings in the graphic poetry of Lies Van Gasse and Annemarie Estor, poetry collections are turned into comics, poems are paired with film to make poetry films, poems are set to music, and so on. Things are going well for poetry in Flanders. Meanwhile, independently of all the trends and developments outlined above, Leonard Nolens has grown to become the most important living poet in the Dutch language, winning the Prijs der Nederlandse Letteren in In his poetry, he also has an eye for dynamism, openness and diversity.
His lines are open in two senses of the word: they are open to every reader and also to the influence of foreign poets.