The Holy City: Part II. Adoration, No. 9, Intermezzo

Digital Sheet Music for The Holy City: Part II. "Adoration", No. 9, "Intermezzo" by Alfred R. Gaul, scored for Soli/SATB/Piano, id
Table of contents

Vesselin Stoyanov Bulgarie: Stjepan Sulek Croatie: Jan Yakov Freidlin b. Let Us Live for Tonight.

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Tony Aubin France: David Alan Earnest b. Piotr Perkowski Pologne: Sergei Barsukov Russie: Cesar Bresgen Autriche: Doreen Carwithen GB: Manuel Palau Boix Espagne: Thomas Schmidt-Kowalski Allemagne: Michael Spisak Pologne: August de Boeck Belgique: Joseph Jongen Belgique: Grazyna Bacewicz Pologne: Peteris Barisons Lettonie: Elinor Warren USA: Yan-Ju Xua Hua Chine: Emilia Gubitosi Italie: Adelina de Lara GB: Joly Braga Santos Portugal: Wal-Berg Voldemar Rosenberg France: Phyllis Tate GB: Adolfs Skulte Lettonie: Victor Hugo Morales b.

Landon Ronald GB: Natko Devcic Croatie: Gino Marinuzzi Italie: Jean Martinon France: Jef Maes Belgique: Karl Ignaz Weigl Autriche: Evgeny Brusilovsky Russie: Alberico Vitalini Italie: Evgeny Brusilovsky Kazakhstan: Paul Siegel USA: Paul von Klenau Danemark: Frank Leslie Statham a. Arnold Steck GB: Leon Jongen Belgique: Ludolf Nielsen Danemark: Charles Kalman Autriche: Alexander Raychev Bulgarie: Charles Tournemire France: Ricardo Lamote de Grignon Espagne: Walter Braunfels Allemagne: Frederick Austin GB: Jan Koetsier Pays-Bas: Kalervo Tuukkanen Finlande: Julio Gomez Espagne: Peggy Glanville-Hicks Australie: Suzanne Joly France: Alfonso Leng Chili: Gonzalo Curiel Mexique: Dora Pejacevic Croatie: Florent Schmitt France: Nazib Zhiganov Russie: Jaime Diaz Orihuela b.

Anatoly Kos-Anatolsky Ukraine: Arthur Foote USA: Vladimir Yurovski Russie: Reinhold Gliere Russie: Xu Zhenmin Zheng Min b.


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Erich Zeisl Autriche: Tadeusz Szeligowski Pologne: Deems Taylor USA: Janis Ivanovs Lettonie: Jurriaan Andriessen Pays-Bas: Jan Adam Maklakiewicz Pologne: Pancho Vladigerov Bulgarie: Kurt Herrlinger Allemagne: Robert Ward USA: Edward Elgar GB: Tikhon Khrennikov Russie: Rostislav Boiko Russie: Paul Bonneau France: Jean-Louis Martinet France: Don Gillis USA: Jean Absil Belgique: Eugen Suchon Slovaquie: Henk Badings Pays-Bas: Paul Creston USA: Leo Sowerby USA: Joachim Andersen Danemark: Els Aarne Estonie: Feliks Nowowiejski Pologne: Konstantin Ivanov Russie: Malcolm Williamson Australie: Jan Zimmer Slovaquie: Michael Conway Baker b.

Ruth Gipps GB: Horatio Parker USA: Bernie Wayne USA: Alexander Moyzes Slovaquie: Dezider Kardos Slovaquie: Benjamin Dale GB: Alfred Newman USA: Ernst Fischer Allemagne: Victor Herbert USA: John Foulds GB: Andrei Eshpai Russie: Mitja Nikisch Allemagne: Maurice Ravel France: Claude Debussy France: Nicolo Paganini Italie: Fried Walter pseudonym of Walter Schmidt Allemagne: Anatoly Alexandrov Russie: Jerome Kern USA: Henry Eichheim USA: Luis de Freitas Branco Portugal: Ferdinand Andergassen Autriche: John Francis Larchet Irlande: Isaac Albeniz Espagne: Joaquin Turina Espagne: Barbara Giuranna Italie: Horst Platen Allemagne: Marco Enrico Bossi Italie: Yves Ramette France: Louis Aubert France: Nestore Caggiano Italie: Arthur Butterworth GB: Johannes Paul Thilman Allemagne: Maria Luisa Escobar Venezuela: Mikalojus Ciurlionis Lithuanie: Robert Muczynski USA: Mary Howe USA: Du Mingxin Tu Ming-hsin b.

Franco Alfano Italie: Zygmunt Sigismond Stojowski Pologne: Jean Coulthard Canada: Andrzej Panufnik Pologne: Nicolae Kirculescu Roumanie: Healey Willan Canada: Marcel Poot Belgique: Grace Mary Williams Pays de Galles: Peter Sculthorpe Australie: Alfredo Casella Italie: Dimitar Nenov Bulgarie: Conrado del Campo Espagne: Robert Farnon Canada: Jan Cikker Slovaquie: Lazar Nikolov Bulgarie: Tatiana Nikolayeva Russie: Giovanni Salviucci Italie: Stasys Vainiunas Lithuanie: Aleksandar Obradovi c Serbie: Herbert Elwell USA: Lorenzo Perosi Italie: Paul Richter Roumanie: Ruy Coelho Portugal: Aleksandar Obradovic Serbie: Graham Whettam GB: Maurice Lissac France: Victor de Sabata Italie: Felix Weingartner Autriche: Vladimir Vlasov Russie: Ennio Porrino Italie: Andrey Petrov Russie: Ferenc Farkas Hongrie: Harold Morris USA: Vladimir Bunin Russie: Georg Haentzschel Allemagne: John William Middendorf II b.

Wednesday, January the 21st, Paul Le Flem France: Vitaly Hodosh Khodosh b. Roger Calmel France: Paul Lavalle USA: Tadeusz Majerski Poland: Heino Eller Estonia: Vladimir Bunin Russia: Blaz Arnic Slovenia: Nikolai Petin Serbia: Jan Koetsier Netherlands: Tikhon Khrennikov Russia: Jan Adam Maklakiewicz Poland: Torbjorn Lundquist Sweden: Jakov Gotovac Croatia: Els Aarne Estonia: Dezider Kardos Slovakia: Karl-Rudi Griesbach ex East Germany: Nikolai Rakov Russia: Dora Pejacevic Croatia: Savelyev Orlov Russia: Oscar van Hemel Netherlands: Janis Medins Latvia: Grazyna Bacewicz Poland: Gavriil Popov Russia: Earl George USA: Koichi Kishi Japan: Evgeny Glebov Belarus: Fidelio Finke Germany: Hans Gebhard Germany: Felix Glonti Georgia: Carl Orff Germany: Grigor Egiazarian Armenia: Henk Badings Netherlands: Wolfgang Friebe Germany: Vano Muradeli Georgia: Joyce Cochrane GB: Grigor Akhinyan Armenia: Walter Sinclair Hartley b.

Come to Me - An Invitation to Eucharistic Adoration - Complete Program

Hugo Kaun Germany: Evgeny Golubev Russia: Heinrich Kaminski Germany: Kazimierz Serocki Poland: Peggy Glanville-Hicks Australia: Johann Cilensek East Germany: Joseph Marx Austria: Andrejs Jurjans Latvia: Alexander Spendiaryan Armenia: Georgios Platon Greece: Grzegorz Fitelberg Poland: Bachianas brasileiras no 2 Violin Concerto in D major opus Movements 2 and 3 - Roman Totenberg Edvard Grieg: Peer Gynt Suite no 1 Eric Zeisl Symphonie espagnole opus 21 - Roman Totenberg Tchaikovsky: The Sleeping Beauty ballet: Symphony no 41 in C major, K.

Orpheus in the Underworld Overture Verdi: Scherzo Charles Wakefield Cadman Daoma Suite from the opera Piano Concerto no 1 in B-flat minor, opus Swedish Rhapsody no 1 opus The Plow that Broke the Plains Suite from the film music. Enigma Variations opus 36 abridged by Stokowski Tchaikovsky: Concluding concert of Stokowski's and direction of the 'Symphonies Under the Stars' series of Hollywood Bowl concerts.

L'italiana in Algeri Overture - seem Stokowski's only concert performance of this popular overture Louis Castellucci: Alborada del gracioso Schumann: Piano Concerto opus Symphony no 1 in C minor opus 68 Intermission Sibelius: Frontiers opus 34 - inspired by the pioneer migration to the American west Wagner: Francesca da Rimini, Fantasy after Dante, opus 32 [ ] Go to: Overture from Don Giovanni , K. Saudades do Brasil opus 67 Claude Debussy Motet "Jesu, dulcis memoria" - Stokowski transcription Mozart: Symphony no 8 in F major, opus 93 Wagner: Symphony no 8 in F major, opus 93 Intermission Elie Siegmeister Symphony no 3 in F major, opus 90 Intermission Mozart: Piano Concerto no 19 in F major, K.

Symphony no 3 in F major, opus 90 Intermission Tchaikovsky: Khovanshchina arranged by Stokowski: Act IV, scene 2 Entr'acte Tchaikovsky: Symphony no 3 in F major, opus 90 Sibelius: Symphony no 3 in F major, opus 90 Intermission Paul Creston Frontiers opus 34 Wagner: Andante cantabile sometimes called "Haydn's Serenade" - Stokowski transcription Beethoven: Hymne au Saint Sacrement , reconstructed Franck: Variations symphoniques for Piano and Orchestra Maurice Ravel La Valse Olivier Messiaen Incidental music for The Ruins of Athens , opus Perpetuum Mobile opus 5 no 4 - Stokowski transcription Everybody Sing: Symphony no 4 in F minor opus Allegro Modest Mussorgsky Pictures at an Exhibition: Symphony no 6 in F major, opus 68, Pastoral Intermission Wagner: Symphony no 6 in B minor, opus 54 Intermission Prokofiev: Symphony no 8 in F major, opus 93 Intermission Beethoven: Symphony no 6 in B minor, opus 54 Tchaikovsky: Suite from The Firebird Prokofiev: Symphony no 7 in A major, opus 92 Intermission Claude Debussy Suite from The Firebird - John Wummer featured as flute.

Perpetuum Mobile opus 5 no 4 - Stokowski transcription. Old Dominion University, Norfolk. Symphony no 1 in C minor opus 68 Intermission Paul Creston Mosque Theater, Richmond, Virginia. Symphony no 5 in E minor, opus 64 Intermission Elie Siegmeister Frontiers , opus 34 Wagner: Symphony no 1 in C minor opus 68 Intermission Lamar Stringfield Mountain Song and Cripple Creek Wagner: Municipal Auditorium, Atlanta, Georgia.

Symphony no 1 in C minor opus 68 Intermission Wagner: Prairie Legend Wagner: Municipal Auditorium, Birmingham, Alabama. Symphony no 2 in D major, opus 73 Intermission Claude Debussy Bushnell Auditorium, Harford, Connecticut. Symphony no 1 in C minor opus 68 Intermission Claude Debussy Symphony no 5 in E Intermission Khachaturian: Symphony no 3 in A minor, opus 56, Scottish Intermission Dvorak: Billy The Kid ballet: Sun Splendor opus 19 - world premiere Modest Mussorgsky Symphony no 1 - world premiere Intermission Schumann: Symphony no 1 Intermission Olivier Messiaen Four Symphonic meditations for orchestra Wagner: The White Peacock , opus 7, no 1 Elie Siegmeister Symphony no 1 Intermission Mozart: Piano Concerto no 14 in E-flat major, K.

Symphony no 7 in A major, opus 92 Intermission Robert Casadesus Concert Music for Orchestra original title: American Festival Overture , with a large fugal development of American themes as its central section Dvorak: The Seine at Night Falla: Overture Intermission Claude Debussy Leonore Overture no 3, opus 72b Mozart: Fantasia on a Theme by Thomas Tallis Wagner: Stokowski excluded the 'Good Friday Spell' music from his version because Wagner himself had already made a concert version of it" Rimsky-Korsakov: Russian Fantasy Tchaikovsky: Symphony no 4 in F minor, opus 36 Intermission Sibelius: Four movements from Belshazzar's Feast, opus Concerto in D for Strings "Basle" Wagner: Medea ballet suite opus 23 Wagner: Symphony no 4 in F minor, opus 36 Intermission Stravinsky: Symphony no 7 in A major, opus 92 Intermission Aram Khachaturian Russian Fantasy Stravinsky: Scherzino opus 55 no 6 - John Wummer Charles Jones Symphony no 1 in C minor opus 68 Ennio Porrino - a Respighi disciple: Sinfonia per una fiaba Symphony for a Fable Virgil Thomson The Seine at Night Wagner: Symphony no 1 in C minor opus 68 Arcady Dubensky Four Symphonic meditations for orchestra Claude Debussy Fugue for Thirty-Four Violins Tchaikovsky: Clair de Lune - Stokowski transcription Wagner: The Seine at Night Olivier Messiaen Petrushka music from the ballet: Symphony no 4 in F minor, opus 36 [ ] Go to: NY Philharmonic programme of 13 January listing as conductors: Schwanda the Bagpiper Symphony no 4 in E minor, opus 98 Intermission Stravinsky: Island God opera Georgian Symphonic Dance note: Muradeli was censured by the Communist Party Central Committee in for "Ideological deficiencies" concerning Georgian music Aram Khachaturian American Pipers Maurice Baron Symphony no 6 in E minor version was further revised in Intermission Gershwin: Piano Concerto in F Liszt: In the Mountain Country Ernest Bloch Schelomo - Leonard Rose Claude Debussy Spitfire Prelude and Fugue Brahms: Spitfire Prelude and Fugue Mozart: Overture "At the Tabard Inn": Siegfried's Forging Song "Nothung!

Das Rheingold Scene 4: Three Early American Pieces Tchaikovsky: Three German Dances, K. Symphony no 53 in D "Imperial" Hob. March of the Lead Soldiers , opus 14, no 6 Traditional: Wheat Field at Noon Sibelius: Gayaneh ballet Suite no 1, opus Overture Virgil Thomson Gayaneh from ballet Suite no 1, opus 53 and no 3, opus 55 Stokowski selections: Symphony no 3 in F major, opus 90 Intermission Claude Debussy Wheat Field at Noon Aram Khachaturian Terra Nova symphonic poem about Newfoundland Mozart: Fantasia on Greensleeves Arthur Kreutz Mosquito Serenade for string orchestra Tchaikovsky: The Nutcracker Suite, Op 71a: Dance of the Sugarplum Fairly Arcady Dubensky Circus Day, Eight Pictures from Memory opus Mary Lou Wesley Krosnick Symphony no 1 in C minor opus 68 Intermission Tchaikovsky: Francesca da Rimini opus 32 Virgil Thomson American Pipers Wagner: Romanian Rhapsody no 1, opus 11 Intermission Tchaikovsky: Chorale Preludes - Stokowski transcriptions: The Red Pony suite from the film score: La Mer L - Intermission Brahms: Mazurka in A minor opus 17 no 4 - Stokowski transcription Copland: Notturno in D major, K.

Piano Concerto no 9 in E-flat major, K. Aria from the Schemelli Gesangbuch: Symphony no 6 in F major, opus 68, Pastoral Intermission Schoenberg: L'estro armonico - Concerto grosso opus 3 no 11 in d minor RV - Stokowski transcription Schumann: Canzon quarti toni a 15, C - Stokowski transcription Beethoven: Nights in the Gardens of Spain G. Symphony no 35 in D Major, K. Sinfonia - Stokowski transcription J. Overture to an Imaginary Drama Prokofiev: Canon and Fugue in D Minor for string orchestra Schubert: Symphony no 8 in b minor - "Unfinished" Intermission Brahms: Suite transcribed by Stokowski: Violin Concerto no 1 in C major Hob.

Fugue - Stokowski transcription Schubert: Circus Polka Prokofiev: Serenade for String Orchestra in C major, opus Moderato, tempo di valse Mozart: Three German Dances K. Caucasian Sketches Suite no 1 opus 10 Symphony no in D major, The Clock: Movement 2 excerpt Encore: Parade of Wooden Soldiers [ ] Go to: Symphony no 6 in E minor - seems to be the version, which was further revised later in Falla: El amor brujo Suite Claude Debussy The Mother of Us All: Cold Weather First Interlude: A Political Meeting Brahms: Sacrae symphoniae Book 2: Allegretto Claude Debussy Allegretto Hector Berlioz First Adventure of Don Quixote Tchaikovsky: Symphony no 5 in E minor, opus 64 [ ] Go to: Symphony no 3 opus 42 Wagner: Donald Steinfirst in the Pittsburgh Post-Dispatch wrote: Its atonalities and acridities do not make it palatable.

Yet one remembers that Bach lay domant for a hundred years and Wagner was often hissed, one can understand the need for a sympathetic understanding of contemporary music. As well as being too large for a symphony hall, also its oval shape, wider than deep, produced poor acoustics. Roman Carnival Overture opus 9 Tchaikovsky: Louisiana Story Claude Debussy The Pittsburgh Post-Dispatch wrote: Symphony no 6 in E minor version Falla: Furioso "its uncompromising wildness brought its composer Rolf Liebermann international fame".

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Stokowski excluded the 'Good Friday Spell' music from his version because Wagner himself had already made a concert version of it". Wallingford Riegger was present at the Washington and Baltimore concerts. But it is impossible to remain immune to the allurements of some of the timbres Stokowski secures and to be unresponsive to the physical impact.

Daniels quotes Denis Vaughan: Overture and Venusberg Music Wagner: El amor brujo Suite Brahms: Organum for orchestra Claude Debussy Symphony no 5 in E minor, opus Oliver Daniel writes 6: It would be his last visit, since she died September 23, at the age of Organum for orchestra Stravinsky: Symphony no 3 opus 42 J. Organum for orchestra Schoenberg: Chamber Symphony no 2, opus 38 Wagner: Symphony no 7 in A major, opus 92 Samuel Barber Adagio for Strings opus 11 Stravinsky: El amor brujo Suite Samuel Barber Adagio for Strings opus 11 Brahms: Organum for orchestra Brahms: Symphony no 2 in D major, opus 73 Schoenberg: Chamber Symphony no 1, opus 9 Stravinsky: Primavera Romana Overture opus 14 Wagner: Pictures at an Exhibition - probably the Stokowski transcription Tchaikovsky: Prelude in E-flat minor - Stokowski transcription Modest Mussorgsky Pictures at an Exhibition - probably the Stokowski transcription Stravinsky: Symphony no 7 in A major, opus 92 Hector Berlioz Symphony no 2 in D major, opus 73 Heitor Villa-Lobos Cello Concerto no 2 Claude Debussy Popule meus, quid feci tibi?

All you who walk by on the road, pay attention and see if there be any sorrow like my sorrow. Ralph Lewandon in the Pittsburgh Press wrote: The invited audience of about packed the Chapel. In keeping with the devotional character of the occasion, singer and leader were unseen, performing behind the alter.

Carillo advocated the use of musical intervals smaller than half-tones, and composed works such as Horizontes in quarter, eighth and sixteenth-tones. Stokowski had commissioned and premiered several of Carrillo's works in the s and s. Symphony no 5 in B-flat opus 63 Wagner: Tristan und Isolde Prelude and Liebestod - Stokowski transcription.

Symphony No 3 - world premiere 5. Roman Carnival Overture opus 9 Falla: Jabonah ballet suite opus 66 Tchaikovsky: Hymn and Fuguing Tune Ulysses Kay Suite for Strings John Lessard Study in Sonority Alan Hovahaness: Sonic Contours Otto Luening The works of Vladimir Ussachevsky and Otto Luening are of electronic tape music, not requiring a conductor - one of the pioneering concerts of this gendre. Music for Brass Choir Beethoven: This concert was also recorded by the legendary engineer Bert Whyte, with at least the Beethoven being recorded in stereophonic sound; amazing for From a contemporary newspaper: Champaign, Illinois Three dimensional sound recordings with Leopold Stokowski conducting the symphony orchestra are being made at the University of Illinois in a pioneering educational project.

Stokowski conducted the University of Illinois student symphony orchestra in the first recording, the start of a library of stereophonic or 'three-dimensional' recordings. Russian Easter Festival Overture , opus 36 - Colin Harvey offstage baritone taking the hymn part usually scored for the trombone Modest Mussorgsky Mussorgsky was one of the composers to whom Stokowski was particularly atuned.

Symphony no 2 in D major, opus 73 Modest Mussorgsky Symphony no 2 in D major, opus 73 [ ] Go to: Lincoln Portrait Falla: Symphony no 2 in D major, opus 73 Powell Weaver — The Vagabond symphonic poem Wagner: Roman Carnival Overture opus 9 Copland: El amor brujo Suite Herbert Elwell: Ode for orchestra Tchaikovsky: The Unanswered Question Halsey Stevens Suite no 1 - lyrical with fast changing rhythms Henry Brant Signs and Alarms Lou Harrison Canticle no 3 Peggy Glanville-Hicks Russian Easter Festival Overture , opus 36 Tchaikovsky: Nuraghi - a tonal work which was inspired by a summer in Sardinia Brahms: Churchyard by the Sea opus 20 Tchaikovsky: Oliver Daniel quotes Jon Embretsen: Valen was not popular with the concert public in Norway Finlandia opus 26 Sibelius: Symphony no 1 E Minor opus 39 Sibelius: Symphony no 7 in C Major, opus Guild Historical has issued GHCD containing this concert, but like other sources, the sound is poor, although they were able to made some improvements; yet the recording demonstrates the excellence of these performances and expains the audience acclaim.

Tu mancavi a tormentarmi - Stokowski transcription Virgil Thomson Portrait of Nicolas de Chatelain Henry Cowell Hymn and Fuguing Tune Douglas S. Stokowski opened the San Francisco Symphony season. This is the season at the conclusion of which, according to Howard K. Skinner, the orchestra's General Manager, it is hoped that a decision can be reached on a successor to Pierre Monteux as permanent conductor" 78 Stokowski programmed a relatively conservative programme, with his best works. Eventually, however, Enrique Jorda was appointed San Francisco Music Director beginning with the season, rather than Stokowski.

Symphony no 7 in A major, opus 92 Claude Debussy Arthur Wittemore and Jack Lowe pianists. Landscapes "based on three traditional Chinese melodies associated with three ancient Chinese poems" "Chou is credited by Nicholas Slonimsky to be one of the first Chinese composer who has attempted to translate authentic oriental melo-rhythms into the terms of modern Western music. Berceuse Uuno Klami Karelian Rhapsody opus 15 Dvorak: Symphony no 9 in e minor opus 95 'From the New World'.

Stokowski often improved the acoustics in halls in which he performed, but not in the old Constitution Hall, Washington. He said he'd been complaining about the thing for years because it ruins the acoustics of the place. Eventually he capitulated and played before the undisturbed drapes None of them had distinctive profile, but they were rewarding in their own way, especially as played last night. Pastorale for oboe, harp and strings opus 38 Uuno Klami Karelian Rhapsody opus 15 Bach: Piano Sonata no 11 in A major, K Symphony no 2 in D major, opus 73 Herbert Elwell The Forever Young Wagner: A Set of Three Short Pieces: Hymn, Largo cantabile Vaughan Williams Danze di Majorca Ildebrando Pizzetti Preludio a un altro giorno Falla: El amor brujo Suite Dvorak: Steinfirst in the Pittsburgh Post-Gazette wrote: Maurice Wilk violin, Julius Baker flute.

CBS radio and Stokowski received extensive nationwide newspaper coverage of their search for musicians playing the "Jews Harp" for Ives's Washington's Birthday score. When the story died down, Stokowski issued a press release saying he might have to cancel the concert due to a lack of a jews harp musician. The search and audition of musician candidates received continued daily newspaper coverage for one week prior to the concert, seemingly effective publicity for the 21 February concert. Photographs of the winning musicians, shown above, were printed by newspapers nationwide.

Night on Bare Mountain - Stokowski transcription Tchaikovsky: Antiphone Claude Delvincourt Pamir Vaughan Williams In memory of Mrs. Hepburn Peter Mennin Fantasia for String Orchestra Walter Piston Suite transcribed by Stokowski 3 of the following not identified: Bjorgulv the Fiddler Ludvig Irgens-Jensen Lyric Pieces, opus 54, no 6: Concerto for Coloratura and Orchestra opus 82 Beethoven: Symphony no 5 in C minor, Op 67 Alan Rawsthorne Symphonic studies for Orchestra George Enesco Romanian Rhapsody no 1, opus 11 Tintagel George Enesco Romanian Rhapsody no 1, opus 11 Henry Purcell Circus Overture Vaughan Williams Symphony no 7 in A major, opus 92 Brahms: Symphony no 2 in D major, opus 73 Wagner: Piano Concerto no 2 - with the composer at the piano Tchaikovsky: Circus Overture Aaron Copland Statements for Orchestra Rolf Liebermann Furioso George Enesco Romanian Rhapsody no 1, opus 11 Boris Blacher Orchestral Variations on a Theme by Paganini opus 26 Falla: Canzon quarti toni a 15, C - Stokowski transcription Claudio Monteverdi Vespro della Beata Vergine SV Beatus Vir RV - with organ and Choir.

L'estro armonico - Concerto grosso opus 3 no 11 in d minor RV - Stokowski transcription Beethoven: Symphony no 7 in A major, opus 92 Dvorak: Symphony no 2 in D major, opus 73 Dvorak: Scheherazade opus 35 Tchaikovsky: Daniel Gregory Mason Chanticleer Overture festival overture for orchestra, Op 27 Otto Luening Symphonic Fantasia no 2 Douglas Stuart Moore Symphony no 2 in A major Edward MacDowell Although the first performance of Carmina Burana was in Frankfurt in , the published score was not available in the USA until Prairie with chorus. There is not development, musical or psychological, of the kind we find in even the most avant guarde music, and everything is pared down to a primordial simplicity of music" 2, 4 December Cleveland Orchestra Severance Hall, Cleveland, Ohio Robert Cogan when a composition professor at the New England Conservatory.

Sinfonia Antarctica Symphony no 7 written in Stravinsky: Jack Frederick Kilpatrick was a native american composer who often used themes inspired by his Cherokee heritage including in Invocation and Ritual. Concert was also intended to include Lou Harrison Symphony on G Symphony no 1 written in using Harrison's variation on Schoenberg's 12 tone system, but Stokowski cancelled due to lack of two harps and the work by Kilpatick then composing in Dallas was substituted. Lou Harrison, who had taken a bus from California to be present expressed his disappointment.

The program was almost ready to go to press but that made no difference to the great Stokowski who ordered the program changed. Symphony no 10 in E minor opus 93 William Schuman Prayer in Time of War, Wagner: Hovhannes's comments seem to refer to this Detroit premiere and the famous 31 October premiere of Mysterious Mountain , listed below. Panufnik later replaced his Symphony for Peace with his Sinfonia Elegiaca Symphony no 2 which used the first two movements from the Symphony for Peace.

The Raleigh Register from Beckley, West Virginia · Page 6

Star Spangled Banner Rimsky-Korsakov: Symphony no 10 in E minor opus 93 Claude Debussy Symphony no 4 in F minor, opus This was the occasion when Stokowski's broadcast was cut off the air. The Miami Daily News wrote: Announcer John Prosser read 'Leopold Stokowski was born in My mother was not Irish! Where did you get that stuff? Carmina Burana Soloists: Symphony no 5 in C minor, Op 67 Ibert: Sinfonietta George Enesco Symphony no 5 in C minor, Op 67 Falla: El amor brujo - Oralia Dominguez mezzo-soprano Wagner: Gottfried von Einem Percussion Concerto opus Alberto Ginastera Variaciones Concertantes opus 23 Werner Egk French Suite after Rameau Prokofiev: Romeo and Juliet ballet opus 64 - Stokowski's selection from Prokofiev's Suites no 1 and 2: Romeo and Juliet no 6 from Suite no 2 opus 64b: Dance of the Girls with Lilies no 7 from Suite no 2 opus 64b: Symphony no 2 Boris Blacher Concerto for Cello opus Stravinsky: Quattro poemi a premiere and commissioned for this concert Claude Debussy Concerto for Cello opus Mozart: Symphony no 40 in G Minor, K Brahms: Chaconne for Orchestra Wagner: It was "Leopold Stokowski's 37 appearance on the Hollywood Bowl stage" Romeo and Juliet ballet Suite no 2 opus 64b: Serenade in D major K.

Hymn and Fuguing Tune number 10 - billed as world premiere Schoenberg: Zarabanda lejana arranged for orchestra Ernest Bloch Consort Sets in Six-parts: Suite no 1 in G minor - Stokowski transcription Henry Purcell Excerpts - arranged by Julian Herbage John Humphries Concerto in D minor, opus 3 no 10 - Stokowski transcription William Billings Lamentation Over Boston Supply Belcher Percussion Concerto opus Charles Ives The Unanswered Question Bela Bartok Downes was a strong advocate of contemporary music.

The Tempest opus Berceuse Vaughan Williams This is a 30 October final rehearsal prior to the 31 October first concert beginning Stokowski's tenure as Music Director of the Houston Symphony. Mysterious Mountain Symphony no 2 Hovhaness's compostion Mysterious Mountain was commissioned by the Houston Symphony and given its world premiere coinciding with the beginning of Leopold Stokowski's tenure. The compostion had uniformly positive reviews following the concert and went on to become perhaps Hovhaness's most popular composition.

Intermission Maurice Ravel Symphony no 6 - premiere; probably Cowell's least-performed symphony Henry Cowell was present for this premiere Tchaikovsky: Dance Rhythms George Enesco Hymn of the Earth opus 85 - USA premiere mixed chorus: Ave verum corpus in D major K. Missa brevis no 9 in B-flat major K. Canon for Six Voices in D major: Concerto for Flute and Harp in C major K. Serenade no 10 for winds in B flat major K.

Symphony no 40 in G Minor, K Bach: It does not sound like any other music one may have heard since it is as far removed from academic formualas as it is from revolutionary ones. Ruy Blas Overture opus 95 Schumann: Dansa negra Oscar Espla Don Quijote velando las armas Maurice Ravel Fable premiere of a work commissioned by the Houston Symphony Tchaikovsky: Phillip Lamdro of the Christian Science Monitor wrote: Scored for large orchestra, the work is free in form and contains massive tonal effects. This concert, with a programme - which would only be devised by Stokowski - concluded the Houston Symphony seasaon.

Homenaje a la Tempranica - a lyrical work Oscar Espla Saudades do Brasil opus 67 Symphony no 5 in E minor, opus 64 encore: Symphony no 2 in D major, opus 73 Maurice Ravel Suncana polja "Sunny Fields" Wagner: While in Yugoslavia, Stokowski was a particularly active tourist, since he could not take his fee in dinars out of the country 25 2 June Belgrade Philharmonic Orchestra Belgrade, Yugoslavia The Serbian composer Petar Konjovic is perhaps best remembered for his operas of nationalistic folk themes.

Chestnut Wood Maurice Ravel Left Hand Concerto - with the composer at the piano Maurice Ravel This mini-festival was funded primarily by Frank Eugene Forest , born Frank Hayek who made his fortune founding a drug company, changed his stage name to Frank Forest and pursued an opera singing career in Italy and the USA.

With the Empire State Music Festival, he wanted to create a music festival that would avoid the usual opera repertoire, and to present "brand-new works or very, very old ones. The Shakespeare play, normally taking nearly three hours was reduced to the span of two hours by some heavy cuts Miles Kastendieck in the Christian Science Monitor wrote: Neither star was completely in character. It remained for Alvin Epstein as Puck to come closest to a full realization of his role.

Symphony no 1 movement 2: Adagio Helps began composing in his teens, and studied with Roger Sessions. Helps also had a successful career as a concert pianist. Piano Concerto no 4 "Incantation". This concert completely of new music illustrates the breadth of Stokowski's repetoire, unmatched by any other conductor of his era.

Stokowski's view in assessing new scores is shown by an account of Anthony Morss: I asked Stokowski if he did that and he said, no, because he was always afraid of some assistant's dismissing out of hand a crude, primitive genius like Moussorgsky, who was enormously original but who wrote in a way that might seem illiterate. Stokowski was searching for that kind of rugged individuality, and he couldn't trust any other person not to miss a rough-hewn genius. Robert Browning Overture - that this Ives work was a world premiere in shows the continuing lack of recognition of Ives only 2 years after his death.

Concerto for Wind and Percussion William E. Rice was a Houston composer who studied at Yale and Indiana University, and who was present for the premiere of his work. The Midsummer Marriage Swan Lake ballet opus Symphony no 1 In C Major, opus 21 Beethoven: Triple Concerto in C Major, opus 56 soloists: The minor annoyance of hissing steam pipes caused the maestro, in a regrettable display of temperament, to delay the opening of the concerts some 45 minutes Symphony no 2 in D major opus 36 Kent Kennan Night Soliloquy for solo flute, piano and strings.

Davies was one of Stokowski's teachers at the Royal College of Music; the music was scheduled, but not played due to the delay in opening the concert. Coriolan Overture opus 62 Beethoven: Piano Concerto no 4 in G major, opus 58 soloist: June Stokes Pantillon piano Beethoven: Violin Concerto no 2 in G minor, opus 63 soloist: Leonora Overture no 3, opus 72b Beethoven: Symphony no 4 in B flat, opus 60 Beethoven: Incidental music to Egmont opus 84 soloist: Margaret Blackburn soprano Beethoven: Triptych no 1b: As On the Night Christmas Ode soloists: Lois Townsend soprano Hector Berlioz L'Enfance du Christ opus 25 soloists: Daniel Barenboim in Piano Concerto no 1 in D-flat major, opus 10 - a 14 year old Daniel Barenboim makes his debut at this New York concert with a 74 year old Stokowski at the beginning of Barenboim's performing career.


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    7. Overture to Creatures of Pometheus opus 43 Beethoven: Violin Concerto in D major, opus 61 soloist: Zino Franescatti violin Beethoven: This concert was "in tribute to the city of Bombay, India" and recorded for broadcast in India under US State Department sponsorship Symphony in D minor - the performance of the Franck received remarkably negative reviews 'melodramatic', 'stressful' Ad Lyram opus soloists: This work of about 12 minutes was commissioned by the Houston Symphony and called for a 4 solo voices, large chorus, full symphony orchestra, and a string quartet.

    It is set to poetry by the Roman poet Horace. Raymond Weaver Principal oboe. Oboe Soliloquy - Stokowski's assistant Carlos Chavez This toccata, rather than for keyboard or strings is for percussion including multiple drums and gongs. Symphony no 8 in F major, opus 93 Beethoven: El amor brujo Stravinsky: Suite arranged by Stokowski Claude Debussy Piano Concerto no 4 Stravinsky: Stokowski was to perform and record many programmes with this orchestra over the next 17 years.

    Roman Carnival Overture opus 9 Maurice Ravel Rapsodie espagnole Claude Debussy Symphony no 8 in D minor Vaughan Williams attended the concert Schumann: Initial concert in the season, Stokowski's third as Music Director of the Houston Symphony. Beginning with the Houston Symphony season, all concerts were given in pairs, and the season extended from 20 to 24 concerts, both extending the season, while reducing the number of concerts Stokowski would need to prepare Symphony no 7 in C major, opus Sibelius's symphony, which Stokowski had introduced in the USA at a 3 April Philadelphia Orchestra concert soon after its composition, was said to be "In Memorium", since Sibelius had died several weeks previously.

    Symphony no 1 - premiere In this Houston season, Stokowski had intended to give the premiere of the Charles Ives Symphony no 4, but the reconstructed score was not yet ready. Serebrier was then still a student of the Curtis Institute, Class of , but of course went on to a brilliant career not only assisting Stokowski with the American Symphony, but also combining the historic roles of prolific composer and prolific conductor.

    Symphony no 8 in D minor Sinfonia Elegiaca Symphony No. Panufnik later used materials from this symphony in to compose the Sinfonia Elegiaca premiered by Stokowski. Petrushka version Tchaikovsky: Danses de cygnes Act III: Danse Espagnole Act IV: Danse des petits cygnes Act IV: An excerpt from Barber's recently successful opera Vanessa was followed by the Stokowski staple: Tristan und Isolde Prelude and Liebestod in his transcription.

    Franz Joseph Haydn Adagio and Rondo in C minor, K. Samuel Barber's successful opera Vanessa had received its premiere at the Metropolitan Opera 2 months previously on 15 January , conducted by Dimitri Mitropoulos with production by Cecil Beaton and directed by Gian-Carlo Menotti who had also written the libretto.

    Janitzio extroverted music depicting an island of his youth Prokofiev: Symphony no 5 in B flat major opus Maurice Ravel Alborada del gracioso Claude Debussy Stokowski gives an orchestral overview of Parsifal by performing the Prelude to Act I, and his "Symphonic Synthesis" of Act III, including music from the end of Scene 1, the "transformation music" to Scene 2, and the conclusion of the final scene when Parsifal heals Amfortas's wound by touching it with his spear.

    To this, Stokowski has added the "Good Friday Spell", music which he usually did not include in the Synthesis because Wagner had separately arranged a concert version of this music. Symphony no 1 in C minor opus 68 Intermission Jacques Ibert Images pour orchestre no 2: Adagio for Strings opus 11 Shostakovich: Adagio for Strings opus 11 Wagner: Symphony no 11 "Year of " in G minor opus Romeo at Juliet's Grave Sergei Prokofiev El amor brujo - Irina Arkhipova mezzo-soprano Wagner: Toccata opus 68 - a 14 minute work with frequent rhythmic shifts and contrasting themes, with each section of the orchestra alternatively being featured.