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Digital Sheet Music for Polish Polka No. 2 by, Traditional scored for Any Klezmer instrumentation; id
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Orff Orff ensemble. Percussion Drum corps Orff ensemble Percussion ensemble Percussion ensemble pitched Percussion ensemble unpitched. Music by type Original composition Arrangement Transcription Other e.


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This score is available free of charge. This music has been transposed from the original key. Reset transposition. Which method of viewing music should I use? Both have advantages and disadvantages: seView seView, is the most compatible option. You do not need to install any additional software to use seView. Scorch Scorch is a free plug-in from Avid for displaying and printing music.

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Please add the first review. Add a new review of this score A diatonic accordion or "button box" is sometimes used instead of the piano accordion or chromatic accordion and offers a different sound. The Slovenian style also adds a banjo or guitar to bolster the rhythm section most commonly banjo for polkas and guitar for waltzes. The epicenter of the Slovenian-American style of polka is undoubtedly Cleveland and northeast Ohio, but it is also popular in Pennsylvania and in many other cities in the Great Lakes region.

The most influential figure in Slovenian-American polka is Frankie Yankovic , who helped "Americanize" the Slovenian polka and worked for years to popularize it, appearing throughout the country and even performing on The Tonight Show Starring Johnny Carson. He was crowned America's Polka King in Milwaukee in Like their Polish counterparts, these bands have also expanded their repertoire over the years to include a variety of styles of music including polkas, waltzes, American standards, Latin dances cha chas , tangos , etc.

German-American bands resist being termed "polka bands" because they perform not only polkas but also waltzes , schottisches , laendlers , and various other ethnic forms of music. They prefer the term "old-time. Because of this, their recordings are much rarer and harder to come by than recordings of Slavic-style performers. The German-American sound is often described with the term "oom-pa-pa" and is characterized by an emphasis on brass especially the tuba , accompanied by drums and reed instruments including the accordion or concertina, although for the most part the concertina is usually favored over the accordion in German-American bands.

He later added more popular music to his band's repertoire, which enabled him to spread the polka throughout America by way of his famous television show. Czech-American style polka is similar to German-American style in many ways. Its performers call their bands "old-time," use the same brass-heavy instrumentation, and are popular in the same "polka belt. Some Czech bands perpetuate a family structure through several generations. An example is the Masopust Polka Band, [13] which was started by the Masopust family in the late nineteenth century and still plays today.

Not as obviously related to the polka as the four genres above, Mexican-American polka is called " conjunto ". Conjunto bands play some polkas, but their most popular musical form is the ranchera , a form similar to polka. The instrumentation involves a combination of accordion, bajo sexto a Mexican twelve-string guitar , bass, and drums.

Papago-Pima style is more commonly referred to as "chicken scratch" and is associated with the Native American Tohono O'odham tribe who were once the Papago. Papago-Pima performers use a saxophone, accordion, guitar, electric bass, and drums in their performances and commonly perform music that follows the form of the schottische a dance with the same cultural origins as polka.

While Keil's six genres cover the majority of polka performers, other polka bands combine these genres or exist outside of them altogether. Brave Combo is one important modern group that plays a combination of these three genres with a very modern edge. Started in by Carl Finch , this band is the ultimate in appealing to a wider, younger audience.

In addition to accordion, tuba, woodwinds, drum, and trumpet, the instrumentation of the band includes guitar, electric horn, and harmonica. According to Finch, the genre of the band has "no restrictions. To appeal to younger audiences, the band uses album covers that make the band look like a rock group and edgy album titles such as Kick Ass Polkas. Brave Combo is an example of the way some polka bands have tried to break free of the restrictions of genre and adapt to modern culture.

From tiny ethnic dance halls to larger-scale national organizations, there is a huge network of people working to keep the polka alive. One Web site lists a total of 49 formal polka clubs nationwide, and there are many other smaller organizations [1].

Clarinet Polka(Polish Melody)

Polka news is even available online at Polonia Today. Radio stations have been organized to perpetuate the popularity of the polka. One survey conducted in counted a total of stations that played polka music in 32 states. Another triumph for the polka community came in when the National Academy of Recording Arts and Sciences formed a polka category so that polka artists could be recognized at the Grammy Awards ceremony.

Sheet Music

Beginning as an "International Polka Convention" in the mids, the IPA was officially established in with Leon Kozicki as the "organization builder" and John Hyzny as the "entrepreneur". In , a museum was established, now located above Polonia Banquets, a century-old dance hall at S. Archer Ave. Throughout the United States and especially through the so-called "polka belt" , polka fans gather to participate in polka festivals. Others, such as Polish-style performer Eddie Blazoncyzk's "Polka Fireworks" festival in Pittsburgh, are run by polka stars or polka fans.

These festivals usually last several days and involve performances, dancing, jam sessions, beer, ethnic food, athletic events, parades, and polka masses. In their book Polka Happiness, Charles and Angeliki Keil describe the aspects of these "polka parties" that allow them to bring joy to people of all ages.

The first Al polka to overtly name its theme in the title. With iTunes, he can and needs to strike when the iron is HOT. Innovativeness: 3 first time capsule medley. If someone really knows their Weird Al, they point to this one as one of their favorites without hesitation. Amongst my siblings we regard this album with the same reverence we have for the second side of Abbey Road , maybe more.

Variety of Songs Parodied: 3. Gold gold digger! As pop music gets more varied, so do the polka medleys get more satisfying. Indie, hip-hop, pop, dance and rock all figure into this one. Despite his fairly immediate huge success, he was still most often brought up as a punch line during the 80s. Soundtrack to Footloose. He makes fun of songs and is genuinely funny but he is never truly mean. So many comedy heroes seem to turn out to have such horrible dark pasts. Closing time! Starting with the medley, Al really steps up the flow of his songs.

One songs ends and fits right into the next one, making the whole piece remarkably seamless. Maybe the medley is a running gag, but Al seems determined to make it better each time. In that regard, Al reminds me of — and I mean this as an enormous compliment — Charles Schulz, creator of Peanuts. Laboring in a medium that few respect, the newspaper strip, Schulz found more critical and commercial success than he could ever dream of.

He responded by working harder than ever. The strip would go in and out of fashion, yet Schulz would never leave his drawing board, continuing to inject his personal feelings into Charlie Brown, Lucy and Snoopy day after day.