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3 Sonatas for Viola da Gamba and Harpsichord, BWV (Bach, Johann Kammermusik 4: Drei Sonaten für Viola da gamba und Cembalo (pp).
Table of contents

The second flute part sounds an octave lower on the gamba. In the present edition all three gamba sonatas have been arranged for flute and obbligato harpsichord according to this historically documented principle of voice exchange and octave transposition. Here we dispensed with voice exchange so as to reduce the number of changes in the musical text.

Johann Sebastian Bach: Sonaten für Viola da Gamba und Cembalo

All three arrangements are intended for historical instruments. The limited range of the flute part means it is also suitable for performance on the oboe or violin. The present arrangement edition is based on historical sources for the gamba sonatas BWV — and the Trio Sonata for two flutes and basso continuo BWV 1. Only in the third movement Adagio was the basso voice from the gamba sonata used so as to avoid the repetitions of the trio sonata that are less sonorous on the harpsichord.

Errors and imperfections in the historical sources have been corrected without further comment. In the present edition we decided, however, against the consistent alignment of the performance markings and ornamentation between the flute and harpsichord parts or between parallel passages. The principal sources are all copies and it is totally unclear to what extent the performance markings and ornamentation they include can be traced back to Bach.

Bach, Abel, or late gamba music in general will need to acquire this CD. Fritzsch and Ad-El are fine players, and make out a good case for the music. Siciliano 2. Allegro 3. Presto Johann Christian Bach World premiere recording! Allegro 5. Adagio 7.

BACH Sonata in G major for Viola da Gamba, BWV 1027

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Sonatas with Viola da Gamba and Harpsichord

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