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Stardust is a romantic fantasy adventure film directed by Matthew Vaughn and co-written by Vaughn and Jane Goldman. Based on Neil Gaiman's
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- Adventures and Enthusiasms;
- Stardust armor!
- The First Book of Samuel: The Curse?
- Friends of the Flood.
- for your performance.
Twenty feet of The Wall was built on location as a practical effect and extended into the distance using digit painting. VFX were completed by February Stardust was well received by test audiences. Producer Lorenzo di Bonaventura was surprised when the film was well received across all demographics, despite the film not having been designed for everyone, expecting instead for parts of the audience to feel the film wasn't for them.
In their feedback audiences agreed it was not a fairytale, giving various descriptions of it, such as an adventure with magical elements. The critics' consensus reads: "A faithful interpretation that captures the spirit of whimsy, action, and off-kilter humor of Neil Gaiman, Stardust juggles multiple genres and tones to create a fantastical experience. Roger Ebert called it a "fun" movie and gave it a positive rating of 2.
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He says the romance is the least interesting part of the film, but the sweep of the story and the humor keep the film together. Holden says Danes is miscast, and describes De Niro's performance as "either a piece of inspired madcap fun or an excruciating embarrassment. He praises Pfeiffer saying she gives the film "the kiss of life". Philip French of The Observer said the film "fails on every level" and referring to a scene with Robert De Niro said it "plumbs new depths of camp embarrassment.
Associated Press film critic David Germain named the film the No. Vaughn had an idea for Stardust 2 but the first film was not financially successful enough. On the 10th Anniversary of the film's release Vanity Fair interviewed Charlie Cox, who is frequently recognized by fans for the role early in his career. Cox is unsure why the film is so popular but notes that Vaughn wanted to make a film with broad appeal, and Goldman did a great job cutting out extraneous detail, and on the heart of the story. Vanity Fair notes that the film gets replayed frequently in syndication and describes it as "endlessly likable", with a great cast, special effects that aren't too dated, and "the best adaptation of Gaiman's work, capturing his unique blend of darkness and whimsy perfectly.
Vaughn was critical of the marketing of the film, saying it had been promoted like it was Lord of the Rings when it had been much more influenced by The Princess Bride. He noted that although the film didn't do well in cinemas it became an "evergreen title" on DVD. From Wikipedia, the free encyclopedia. Theatrical release poster.
Jane Goldman Matthew Vaughn. Marv Films Ingenious Film Partners. British Board of Film Classification.
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Retrieved 3 December Box Office Mojo. Retrieved 14 February Retrieved 31 October The Numbers. World Science Fiction Society. Retrieved 1 February Den of Geek. Archived from the original on 19 October UGO: Underground Online. Archived from the original on 29 October Retrieved 29 April Los Angeles Times. Archived from the original on 11 August Retrieved 23 July Archived from the original on 14 January Retrieved 24 July USA Today.
Archived from the original on 14 September Retrieved 27 September Archived from the original on 15 November Event occurs at Retrieved 30 June I like the end of the film much better for a film.
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It was why I suggested it. On the other hand, I like the end of the book much better for the book. The Times. Archived from the original on 18 July A fanciful tale with a big-name cast offered a test for Charlie Cox". Archived from the original on 22 February Archived from the original on 13 November Retrieved 3 September The Worldwide Guide to Movie Locations. Archived from the original on 21 September Archived from the original on 11 October Retrieved 28 September Archived from the original on 23 May Archived from the original on 26 August Digital Arts. Paramount — via YouTube.
Archived from the original on 4 June Archived from the original on 4 March Retrieved 16 February Rotten Tomatoes. Fandango Media. Retrieved 21 July CBS Interactive. Archived from the original on 9 August Chicago Sun-Times. The New Yorker. Archived from the original on 2 January The New York Times. Archived from the original on 30 November The Irish Times. Archived from the original on 24 July Archived from the original on 14 October Time Out London. The Guardian. Retrieved 12 March The Spectator.
Associated Press.
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Archived from the original on 3 January — via Columbia Daily Tribune. Archived from the original on 10 March Archived from the original on 11 May Retrieved 14 August Retrieved 17 June DVD Times. Retrieved 5 November Archived from the original on 30 January Vanity Fair. Flickering Myth.
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