Manual The Atlantic Monthly, Volume 01, No. 07, May, 1858 A Magazine of Literature, Art, and Politics

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Table of contents

• Writers and artists confronting the end.
• The Atlantic Crossword
• John Brown and His Friends
• The Atlantic Monthly, 1914
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Writers and artists confronting the end.

Ronald Searle This week we are focusing upon the British artist and satirical Festive Works With Christmas fast approaching, we have had a look at New in November We are constantly adding new works to our collection, and have A Bath The Occult and Occultism This week we are going to take a look at some of our works from New in October Here are just a few examples of the many new books that have The History of Magic Yesterday marked 19yearslater. For the muggles among us, the Recently added to our library William Shakespeare William Shakespeare is a man who generally needs no introduction Blue Monday Feeling a little downcast today?

When is a book not a book? When it's a No, this isn't Bruce, UK The following inquiry was provided by this customer: Good evening.

Sarah, USA I wanted to pass you my sincere thanks to you for helping me make a very special day even more special. Its plasticity of identity as a miscellany was given priority. This gave way in No.

Short fiction. It was a bold, bleak, if ultimately highly melodramatic [42] performance on the part of both magazine and author, and one that early reviewers could hardly fail to single out. William Howitt, another popular and experienced writer of the day, supplied two substantial stories, presented across five instalments.

A decade hence, Dickens would quarrel rather spectacularly with Howitt over the Spiritualist movement, but at this stage he and his wife Mary were welcome contributors, and ones Dickens had actively sought out. It is a plain unvarnished tale, but in terms of the contrast it supplies with other racier or more sentimental stories in the volume, it offers both ballast and a counterweight. This did not preclude experimenting with work by untried writers in the genre — though whether this speaks of scarcity of better material or of a meritocratic editorial policy, would be awkward to decide.

Certainly, the sub-editor W. If, as seems likely, they were sent in by subscribers with little previous or subsequent reputation as periodical contributors, this kind of participation can be considered a further dividend of anonymity. Brilliant and pioneering as its contents could be, Household Words was sufficiently pedestrian in places to encourage readers to try to become writers.

The Atlantic Crossword

The introductions to later volumes will document their increasing difficulty in attracting publishable verse contributions. There is a good variety of forms on display here — roughly a third are narrative poems, half are lyrics, and the rest occasional verse — but the same elasticity of genre and subgenre notable in regard to prose items also characterizes the poetry in Household Words. Motivational verse seems as valuable a characterisation as lyric or narrative, and the strong religious overtones in many gravitate towards the hymn. Again, as with the short fiction, behind the anonymity stood a group of authors with claims to for want of a less problematic term canonicity.

Although some well-known authors can be attached to the poems in this volume, it can scarcely be said that any of the poems, individually, remains well known. The remaining lyrics and ballads in the volume will strike the reader as melancholy, exhortatory, meditative, remorseful and pious by turns; beyond this local variety, a harsher critic might consider them uniformly bland and unmemorable.

Certainly, it is hard to avoid the suspicion that whereas the non-fiction and much of the short fiction in the journal is devised and executed with a view to breaking new territory and covering topics or themes indicative of a clear editorial plan, the poetry is incidental and unplanned — a makeweight, a filler, or even a stop-gap. The question has been examined thoughtfully, however, by Linda K. Dickens was not a good judge of poetry, but he could almost infallibly choose what would stir the popular heart — though even his gorge sometimes rose at the more sentimental […] offerings.

The launching of Household Words took place during the fifth year of a Whig-Liberal administration led by Lord John Russell, a politician of whom Dickens genuinely approved, and with whom he was on familiar terms. Not infrequently, journeys are reported as having been made in company, and while this may be a fictional strategy, the number of jointly-authored articles of this kind recorded in the Office Book, suggests that first-hand fieldwork by the writing team often preceded composition.

This was to be an area in which Household Words excelled. These composite articles were, by their very nature, not reprintable by an individual author, so they remained uncollected, and unclaimed, as it were, until the late s. Two planned series of articles on social and cultural affairs stand out.

The undercover, preventive activities of the Detective Branch, established in , were regarded at first with some suspicion, but a series of successful operations was turning the tide of public opinion. To original fieldwork, and investigative flair, Household Words now added the colloquial and freeform interview as a further area of special expertise.

It is a wholeheartedly populist selection of favourites. Given the elements of the emergent house style — investigative fieldwork, narrative innovation, a variable and frequently ironic tone, the sense of theatre and audience — one might, correctly, predict that dry, monologic scientific writing would not form part of the Household Words miscellany.

From both these perspectives, then, science and Household Words were far from incompatible. For a number of years Michael Faraday, as Director of the Laboratory at the Royal Institution in Regent Street, had been giving series of talks — including some at Christmas, for children — on the basic chemical principles involved in such common domestic things as fire, candles, lamps, kettles, chimneys and ashes, and these had recommenced on 1 April Dickens took a keen interest in the series, as he did in a surprising array of scientific debates.

While the depth of his understanding of such debates has long been established as a point of critical and sometimes pedantic dispute, subsequent introductions to the volumes of Household Words and All the Year Round will demonstrate the considerable extent of his editorial engagement with science. Accordingly, R. There are, at any rate, sufficient articles on science and technology in this first volume of Household Words to balance out such differences of approach and response.

However, one or two further aspects still require comment. The sustainability of the journal would depend in the medium and long term on such prosaic matters as how well it paid its contributors. Payment was good, publication was swift and, since the articles carried no names, she was freed from the fear of criticism.

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The success of the magazine depended on its rhetorical and poetical appeal, and Dickens had no doubt been right to invest time in its imaginative conceptualisation, and in encouraging contributors to follow his lead. Visually, there was very little about it to attract the eye, or distinguish it from worthy but duller rivals — as the Morning Chronicle was quick to observe:.

It was on the quality of its material that the new journal would stand or fall, so perhaps we can give the last word on its initial reception to an avid reader who was himself a young tyro in journalism in the spring of , as yet unknown to the editorial team at Wellington Street. This was Edmund Yates, and his recollections will serve as a suitably upbeat fanfare for the contents of the current volume, and the 42 others to follow in this series:.

And just about then appeared the first numbers of Household Words , which I devoured, and the early volumes of which still appear to me, after a tolerably wide experience of such matters, to be perfect models of what a magazine intended for general reading should be. In them, besides the admirable work done by Dickens himself — and he was never better than in his concentrated essays — there was the dawning genius of Sala, which had for me a peculiar fascination; the novels of Mrs.

A miscellany indeed, and of genres no less than of authors, remembered and forgotten. We are delighted to be part of the process by which this remarkable Victorian cultural artifact is re-set and re-presented for a twenty-first-century readership.

Buckler, William E. Carrow, G. Chittick, Kathryn. Farina, Jonathan V. Fielding, K. Fitzgerald, Percy H. Arrowsmith, Ley London: Cecil Palmer, Grubb, Gerald G.

Hanaford, Phebe A. Russell, Hughes, Linda K. Toronto: University of Toronto Press, Patten, Robert L. London: Yale University Press, Dutton, Schlicke, P. Dent, Solly, H. Stone, Harry, ed. Stonehouse, J. John S. Wolfe, Tom, ed. The New Journalism [] London: Picador, Bentley, Schlicke ed.

Fielding Oxford: Clarendon Press, , p. In 6 vols; see Stonehouse, ed. If Dickens thought this would induce Forster, author in of a biography of Goldsmith, to approve the title, he was mistaken. Arrowsmith, , p.

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Edited by G. Although a penny paper from , at this point in its history it cost 4d. However, with a claimed circulation figure of over , in the s, and a history of continuous publication until , in some senses it had the last laugh. The duty was not abolished until ; see later references. Fielding ed. Russell, , , p.

Dent Journalism II, p. Eventually unsuccessful, the motion was for an Address to the Crown; its opponents, e. I, pp. HW prefers tangential coverage: e. Bentley, , pp. Display Pages 5 10 15 20 25 30 50 All. Dickens Journals Online. Welcome, Guest.