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The English writer is best known for penning the epic poem "Paradise Lost. Add to Wishlist. Paradise Lost Copy Collector's Edition. Add to Wishlist Read an excerpt of this book! The Complete Harvard Classics Edition [newly updated]. Samson Agonistes. Paradise Regained. Milton's Paradise Lost. Epic Poems. See All Formats. Paradise Lost. Paradise Lost: A Norton….

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Paradise Lost: Illustrated. Complete Poetry and Essential…. Related Searches. Clearly a literary great, Charles Dickens gave his gifts to the world many years ago Clearly a literary great, Charles Dickens gave his gifts to the world many years ago with his classic tales. He wrote about Scott , Byron and Wordsworth in Fiction, Fair and Foul [] and returned to meteorological observations in his lectures, The Storm-Cloud of the Nineteenth-Century , [] describing the apparent effects of industrialisation on weather patterns. Ruskin's Storm-Cloud has been seen as foreshadowing environmentalism and related concerns in the 20th and 21st centuries.

His last great work was his autobiography, Praeterita —89 [] meaning, 'Of Past Things' , a highly personalised, selective, eloquent but incomplete account of aspects of his life, the preface of which was written in his childhood nursery at Herne Hill.

The period from the late s was one of steady and inexorable decline. Gradually it became too difficult for him to travel to Europe. He suffered a complete mental collapse on his final tour, which included Beauvais , Sallanches and Venice , in The emergence and dominance of the Aesthetic movement and Impressionism distanced Ruskin from the modern art world, his ideas on the social utility of art contrasting with the doctrine of "l'art pour l'art" or "art for art's sake" that was beginning to dominate.

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His later writings were increasingly seen as irrelevant, especially as he seemed to be more interested in book illustrators such as Kate Greenaway than in modern art. He also attacked aspects of Darwinian theory with increasing violence, although he knew and respected Darwin personally.

In August , Ruskin purchased, from W. Brantwood was Ruskin's main home from until his death. His estate provided a site for more of his practical schemes and experiments: he had an ice house built, and the gardens comprehensively rearranged. He oversaw the construction of a larger harbour from where he rowed his boat, the Jumping Jenny , and he altered the house adding a dining room, a turret to his bedroom to give him a panoramic view of the lake, and he later extended the property to accommodate his relatives.

He built a reservoir, and redirected the waterfall down the hills, adding a slate seat that faced the tumbling stream and craggy rocks rather than the lake, so that he could closely observe the fauna and flora of the hillside.

Although Ruskin's 80th birthday was widely celebrated in various Ruskin societies presenting him with an elaborately illuminated congratulatory address , Ruskin was scarcely aware of it. He was buried five days later in the churchyard at Coniston , according to his wishes. Joanna's Care was the eloquent final chapter of Ruskin's memoir, which he dedicated to her as a fitting tribute.

Joan Severn, together with Ruskin's secretary, W. Collingwood , and his eminent American friend Charles Eliot Norton , were executors to his will. Cook and Alexander Wedderburn edited the monumental volume Library Edition of Ruskin's Works , the last volume of which, an index, attempts to demonstrate the complex interconnectedness of Ruskin's thought. They all acted together to guard, and even control, Ruskin's public and personal reputation.

The centenary of Ruskin's birth was keenly celebrated in , but his reputation was already in decline and sank further in the fifty years that followed. Brantwood was opened in as a memorial to Ruskin and remains open to the public today.

In middle age, and at his prime as a lecturer, Ruskin was described as slim, perhaps a little short, [] with an aquiline nose and brilliant, piercing blue eyes. Often sporting a double-breasted waistcoat, a high collar and, when necessary, a frock coat, he also wore his trademark blue neckcloth. The following description of Ruskin as a lecturer was written by an eyewitness, who was a student at the time :. I went off, never dreaming of difficulty about getting into any professorial lecture; but all the accesses were blocked, and finally I squeezed in between the Vice-Chancellor and his attendants as they forced a passage.

Every inch was crowded, and still no lecturer; and it was not apparent how he could arrive. Presently there was a commotion in the doorway, and over the heads and shoulders of tightly packed young men, a loose bundle was handed in and down the steps, till on the floor a small figure was deposited, which stood up and shook itself out, amused and good humoured, climbed on to the dais, spread out papers and began to read in a pleasant though fluting voice.

The title did not suggest an exhortation to join a Socialist alliance, but that was what we got. When he ended, the Master of University, Dr Bright, stood up and instead of returning thanks, protested that the hall had been lent for a lecture on art and would certainly not have been made available for preaching Socialism. He stammered a little at all times, and now, finding the ungracious words literally stick in his throat, sat down, leaving the remonstrance incomplete but clearly indicated.

The situation was most unpleasant. Morris at any time was choleric and his face flamed red over his white shirt front: he probably thought he had conceded enough by assuming against his usage a conventional garb. There was a hubbub, and then from the audience Ruskin rose and instantly there was quiet. With a few courteous well chosen sentences he made everybody feel that we were an assembly of gentlemen, that Morris was not only an artist but a gentleman and an Oxford man, and had said or done nothing which gentlemen in Oxford should resent; and the whole storm subsided before that gentle authority.

Ruskin's influence reached across the world. Tolstoy described him as "one of the most remarkable men not only of England and of our generation, but of all countries and times" and quoted extensively from him, rendering his ideas into Russian. He commissioned sculptures and sundry commemorative items, and incorporated Ruskinian rose motifs in the jewellery produced by his cultured pearl empire.

He established the Ruskin Society of Tokyo and his children built a dedicated library to house his Ruskin collection. A number of utopian socialist Ruskin Colonies attempted to put his political ideals into practice. Theorists and practitioners in a broad range of disciplines acknowledged their debt to Ruskin. Chesterton , Hilaire Belloc , T. Eliot , W. Yeats and Ezra Pound felt Ruskin's influence. Aside from E. Cook , Ruskin's editor and biographer, other leading British journalists influenced by Ruskin include J. Spender , and the war correspondent H.

William Morris and C. Ashbee of the Guild of Handicraft were keen disciples, and through them Ruskin's legacy can be traced in the arts and crafts movement. Ruskin's ideas on the preservation of open spaces and the conservation of historic buildings and places inspired his friends Octavia Hill and Hardwicke Rawnsley to help found the National Trust.

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Pioneers of town planning such as Thomas Coglan Horsfall and Patrick Geddes called Ruskin an inspiration and invoked his ideas in justification of their own social interventions; likewise the founders of the garden city movement , Ebenezer Howard and Raymond Unwin. Edward Carpenter 's community in Millthorpe, Derbyshire was partly inspired by Ruskin, and John Kenworthy's colony at Purleigh , Essex, which was briefly a refuge for the Doukhobors , combined Ruskin's ideas and Tolstoy's.

The most prolific collector of Ruskiniana was John Howard Whitehouse , who saved Ruskin's home, Brantwood , and opened it as a permanent Ruskin memorial.

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Inspired by Ruskin's educational ideals, Whitehouse established Bembridge School , on the Isle of Wight , and ran it along Ruskinian lines. Ruskin's Drawing Collection, a collection of works of art he gathered as learning aids for the Ruskin School of Drawing and Fine Art which he founded at Oxford , is at the Ashmolean Museum. The Museum has promoted Ruskin's art teaching, utilising the collection for in-person and online drawing courses.

Pierre de Coubertin , the innovator of the modern Olympic Games , cited Ruskin's principles of beautification, asserting that the games should be "Ruskinized" to create an aesthetic identity that transcended mere championship competitions. Ruskin was an inspiration for many Christian socialists , and his ideas informed the work of economists such as William Smart and J. Hobson , and the positivist Frederic Harrison. He helped to inspire the settlement movement in Britain and the United States.