Manual Hostages: Dramatic Accounts of Real-Life Events

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According to David, the division was actually between the Israeli passengers and a few visibly orthodox Jews. I interviewed a couple of them and they said many Jews were released. In 7 Days in Entebbe , a woman played by Andrea Deck pretends to be pregnant and having a miscarriage in order to get off the plane when it is diverted to Benghazi, Libya. This series of events is true: British-born Patricia Martel, who emigrated to Israel, really did fake a pregnancy and miscarriage to get released by the hijackers. Also invented for the story is his dancer girlfriend, whose dramatic routine is used as a slightly strange tension-building device throughout the movie.

But the commando is meant to serve a purpose for audiences. In the movie, the Air France crew is given the opportunity to leave the airport compound in Entebbe and return home, but they bravely decide to stay with the mainly Israeli hostages. But in reality, they were never given the choice.


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At one point in the movie, Kuhlmann is seen leaving the compound and heading to the airport terminal to make a breathy phone call to her boyfriend, Gerd Schnepel. Info Print Print.

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Table Of Contents. Submit Feedback. Thank you for your feedback. Introduction The crisis Conflict and resolution The aftermath. Iran hostage crisis United States history.

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Subscribe to Independent Premium. View offers. Download the new Indpendent Premium app Sharing the full story, not just the headlines Download now. Unbelievable trailer. Shape Created with Sketch. Hidden gems: The best Netflix originals you might have missed Show all Part satire of true crime documentaries such as Making a Murderer, part carefully observed portrayal of teenage life, American Vandal was criminally underappreciated during its two season run.

In stark contrast to the off-beat, low-key comedy that currently rules TV — the kind that provokes a wry smirk rather than a hearty laugh — One Day at a Time is a big, bright sitcom filmed in front of an interminably enthusiastic studio audience.

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Crude, rude, and rife with surprise emissions and bodily functions, animated sitcom Big Mouth is also a sensitive, nuanced deep dive into the various horrors of teenagehood. Over the course of an hour, he processes his grief onstage, managing to find humour in the struggle to raise his grieving six-year-old daughter alone.

Granted, this horror-comedy — which stars Drew Barrymore as a neurotic real estate agent who suddenly develops a taste for human flesh — is really silly, and really, really disgusting. This sci-fi thriller — which features disappearing children, a mysterious local power plant, and scenes set in the Eighties — has, for obvious reasons, drawn comparisons to Stranger Things. But Dark is even more beguiling and true to its name less family-friendly than Stranger Things.

This coming-of-age series might not have found as many eyeballs as it deserved last year, but those it did find were glued to the screen. In fact, it was the most-binged show of — meaning that it had the highest watch-time-per-viewing session of any Netflix original. Two beleaguered assistants Zoey Deutch and Glen Powell conspire to get their over-demanding bosses Taye Diggs and Lucy Liu together in order to get their lives back in this winning romantic comedy. Martin Freeman stars as the father struggling to protect his young daughter from a zombie epidemic spreading across Australia.

So far, so overdone. But this drama thriller, directed by Ben Howling and Yolanda Ramke and based on their short of the same name, throws a handful of unpredictable spanners in the works. Like a cross between The Hunger Games and CW series The , this Brazilian dystopian thriller, set in an unspecified future, revolves largely around an impoverished community known as the Inland.

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It is an intriguing and addictive commentary on class and privilege. With shades of John Ford's The Searchers, this languorous western was critically acclaimed but swiftly forgotten after it landed on Netflix in This coming-of-age series about a teenage boy with autism was sweet and well-intentioned from the start, but its first season was criticised for a handful of inaccuracies, and for its lack of autistic actors. Rather than drowning in a sea of defensiveness — as too many shows tend to do — it listened, and brought in autistic actors and writers for its excellent second season.

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