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Trail Blazers: The Adventures of Lena Lynn Paperback – Large Print, May 10, by Caralina Antone (Author), Teresa Onstott (Illustrator).
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Freya previously worked with the Barnett brothers on their music video for the single Inside the Rose and the subsequent album artwork. Hans-Henning Korb is an artist based in Berlin. His practice combines sculpture, installation and performance, and often involves music, film, computer animation, virtual worlds, plants, and organic processes. Graham Sutton is an English musician, songwriter, composer and record producer.

He is best known for his role as the leader and key figure of seminal post-rock band Bark Psychosis, as well as his work as a producer for alternative rock bands since the late s. Harley Weir is London-born photographer and director known for creating intimate images and films in her personal, editorial and commercial work. Harley had her first solo exhibition in at Foam, Amsterdam, where her work is now in the permanent collection.

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She is a regular exhibitor at Photo London and Paris Photo. Her second solo exhibition Homes opened at the Brighton Biennial in September Relying both on history and context, and imaginative leaps, the artist Yuichiro Tamura examines the background of places and things as he spins a fanciful story composed of various elements. Referential Image by Yuichiro Tamura 1. The Viewer: Expressions Rooted in Participation Needless to say, the museum could not survive without visitors. Storage and Symbols: Museum Architecture and Outdoor Sculpture The Hiroshima City Museum of Contemporary Art is in itself a work of architecture designed by Kisho Kurokawa, and the sculpture on permanent display combines with various design elements within the building to create a place for storing and viewing art.

Moreover, in order to emphasize the fact that Hiroshima is an atomic-bombed city, its name is often written in the katakana syllabary in English, we have used all caps to convey the same meaning.

To achieve this, one of our primary tasks is to save works of contemporary art, which often make use of non-traditional materials and methods, and which are based on completely different concepts. Art Direction by Mata Mata While striving for continuity and accumulating data, the museum considers different approaches and directions according to each project. Re-Search: Exploration and Deviation? A New Installation by Yuichiro Tamura Relying both on history and context, and imaginative leaps, the artist Yuichiro Tamura examines the background of places and things as he spins a fanciful story composed of various elements.

In-Between, Openings, Etc. Perhaps these efforts indicate that certain expressions that cannot be conveyed using the traditional museum framework. Galerie 4 — Centre Georges Pompidou Places Georges Pompidou Paris Discover an archaeology of living things and artificial life in an exhibition that presents, in a forward-looking manner, the recent works of fifty creators along with the research coming from scientific laboratories.

The very material of the exhibition is evolving, certain works being involved in a process of growth or degeneration. One hundred projects are exhibited, several of which have been designed for the occasion. The cycle brings together artists, engineers, scientists and entrepreneurs, all the protagonists of the sensory and the intelligible, who affect and transgress our present.

In this digital era, a new interaction between creation and life sciences is in motion. Biotechnologies are now a medium used by artists, designers and architects. If digital simulation tools allow us to recreate the living, we must ask ourselves the question: how do we programme the living? In partnership with Ircam, Designing the Living [La Fabrique du vivant] examines the changes in the concept of nature linked to technological production. The exhibition retraces an archaeology of the living and artificial life. Decidedly forward-looking, it presents the most significant creations and innovations in the field of art, design and architecture through works by some fifty designers.

Its matter is changeable; certain works are undergoing a process of growth or deterioration. Among the hundred or so works on exhibit, some have been created especially for this event. Between biology and genetics, design takes a cross-disciplinary approach, like a biotechnological artefact where living matter dictates the form. Bio-materials, produced from biological organisms fungus mycelium and bacteria, etc. Sustainable objects by designers Jonas Edvard and Maurizio Montalti Officina Corpuscoli explore the potential of fungus mycelium, or the biodegradable objects by Eric Klarenbeek produced from microalgae are among many others.

To create an architectural sculpture in situ, specially designed for the exhibition, the American artist David Benjamin The Living uses a new building method based on bricks which grow together and are assembled by bio-welding. Micro-organisms thus become an architectural medium and building material.

The architects implement models based on the self-generating processes of matter, simulating the evolving systems of developing life. They produce new composites, made from both living and synthetic materials the Aguahoja project by Neri Oxman with her laboratory at the MIT Media Lab to develop environmental projects energy efficiency, pollution-removing materials and bio-photovoltaics, etc.

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The installations on an architectural scale presented here are authentic biotechnological ecosystems. Marcos Cruz and his BiotA Lab at University College London present panels in bio-receptive concrete, designed to foster the growth of micro-organisms, moss and lichen in an urban environment.

The French agency X-TU is leading research around organically-inspired architecture, in the firm belief that living organisms are the bio-technological revolution of the future. The congruence of living matter and technologies took hold in the field of artistic creation towards the mids. In , Eduardo Kac advocated transgenic art, transforming natural organisms by inoculating them with synthetic genes or by transferring the genetic material of one organism to another in an effort to create new forms of life.

Artists explored the hybridisation of human and plant cells Spela Petric, Elaine Whittaker using new technologies, or created self-generating works with endlessly developing forms Hicham Berrada. Alexandra Daisy Ginsberg, Christina Agapakis and Sissel Tolaas recreated the scent of plants which had disappeared in the 19th century.

The emblematic Crystal Works by the Japanese artist and designer Tokujin Yoshioka constitute a highlight of the exhibition.

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He developed a unique production procedure which enables the development of organic forms through a crystallisation process, resulting in objects such the Venus Chair. The German artist Andreas Greiner presents photos which capture life by electronic microscopy. Lastly, projects from the field of scientific and medical research are also featured.

Am kommenden Sonntag, dem A ritual that creates meaning through repetition requires that its results not be determined in advance. For BPA, a regular practice of studio visits becomes such an unforeseeable ritual, with a series of fortnightly conversations between two people in which themes emerge, questions are formulated, and meanings can be re created and described in each visit. There will be three artists in each of the three locations. Ein Ritual, das seine Bedeutung bei jeder Wiederholung neu herstellt bedarf dem produktiven Fehlen eines vorbestimmten Resultates.

In perpetual motion, the buoy reproduces the movements of its original setting, off the Atlantic coast. It is in this way that the visitors find themselves metaphorically under the ocean, and can directly perceive the sway of its waves, which can be either gentle, or wild. The artist works on the human perception of natural phenomena, either by using highly technical approaches, or by simple site specific gestures.

As a random alternation of moments of calm and violence, this hypnotic installation plunges the visitors into the heart of an immersive relationship with nature. Far from being idealised, it takes over the Palais de Tokyo and is unveiled in an extremely unstable way, a tireless heaving that reminds us of the tender osmosis that links us, just like our vain desire to control our environment, with the risk of utterly destroying it.

Februar, 21 h Inspired by the figure of Tethys — a sea goddess in Greek mythology, the daughter of the sky Ouranos and of the earth Gaia — Julius von Bismarck has conceived the original project Die Mimik der Tethys the expressions of Tethys , for which he has moved the oceans. NOWs: unbuntpunkt. As we start a new year, we take a look at some of the most promising artists making waves in the German capital — from those who are just shy of making their big breakthrough to those bubbling beneath the surface.

Here are some of our favourites: Feuerwerkautomat. Courtesy of Malte Bartsch Malte Bartsch caught our attention because of the inclusive, interactive and social components to his practice. In September at the Biesenthal, the multidisciplinary artist exhibited an old ATM reconfigured as a wood burning stove. Audiences were encouraged to burn their money, if they so wished. Blinder Beifall, Courtesy of Jeewi Lee. Originally from Seoul, Jeewi Lee has been based in Berlin since By using natural materials such as salt and rock, Jeewi investigates the trace left by human activity, reimagining it as a luminescent stamp.

Her most arresting piece, Blinder Beifall , consists of a circus ring composed of salt instead of sand, flanked with large white kerbstones.

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Jeewi then invited a variety of entertainers to perform in the salt — the final art work was the marks left in the substance. Read full article here. Her practice involves audiovisual installations and performances, electroacoustic multichannel compositions, experimental film work and sound design and music for film. The Allegorist stands for an imaginative journey through all ages, for a better future. It mixes all styles and genres and sets no limitations. Every great idea is welcomed and included into the mindset of a diverse unity. The Allegorist sings in the fictional and majestic Mondoneoh language, to connect all nations and honour all our ancestors.

In , he co-founded dissident punk band Ornament und Verbrechen with his brother Ronald, inspired by industrial trailblazers Throbbing Gristle. The Krautrockish band ushered in a new generation of electronic acts committed to acoustic investigations and improvisation of all stripes. Each month, Berlin-based emerging musicians have the chance to be mentored in composition, production and live performance by established musicians.

During each one-month residency, two emerging artists receive feedback and advice from their mentor, work in a private music studio, develop their live set in the ACUD Clubs concert space, as well as present an online radio show. Each residency will culminate in a live set performed by the mentees at a showcase event, on a lineup alongside their mentor.

Februar 21 h Acud Macht Neu presents: the fourth edition of the creative development program Amplify Berlin features live sets from mentees Jana Irmert and The Allegorist followed by a live set from their mentor Robert Lippok. Februar, 17 h Teil III A City Curating Reader. What are the contingencies of working outside of the protection of the institutional walls? What makes city curating? It contextualizes art within the broader questions of the grammar of the public sphere and of what constitutes publicness today. It also reflects on the concept of context-specific city curating, performativity and art conceived in minutes rather than square meters.

Art projects, conversations and essays plot a narrative of how art can cultivate encounters with the unpredictable, negotiate the uncommonness, and provoke the counter-publics to come. Parzellengrenzgang am Nordhafen, Das Wochenende der Europaparlamentswahlen Mai zu realisieren. Beim Workshop am 1.