The Theater of Truth: The Ideology of (Neo)Baroque Aesthetics

"The Theater of Truth departs from the recent work on the Baroque and its apparent familiarity with that period by positioning itself instead in an unfamiliar.
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Theater of Truth: The Ideology of (Neo)Baroque Aesthetics - Stanford Scholarship

Writing of the Formless. Essays on Hilda Hilst. Literature and Ethics in Contemporary Brazil. Vinicius Mariano De Carvalho. Geographies of Philological Knowledge. The Adulteress on the Spanish Stage. Postmodernity in Spanish Fiction and Culture. George Santayana at Latin American Women Dramatists. Modernity and Epistemology in Nineteenth-Century Spain. How to write a great review. The review must be at least 50 characters long.

William Egginton

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The Theater of Truth: The Ideology of (neo)baroque Aesthetics – William Egginton

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The Theater of Truth: The Ideology of (Neo)Baroque Aesthetics

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This problem, in its simplest philosophical form, concerns the paradoxical relation between appearances and what they represent. The book explores expressions of this The book explores expressions of this problem in the art and literature of the Hispanic Baroques, new and old. It shows how the strategies of these two Baroques emerged in the political and social world of the Spanish Empire, and how they continue to be deployed in the cultural politics of the present.

Further, it offers a unified theory for the relation between the two Baroques and a new vocabulary for distinguishing between their ideological values. Baroque , aesthetics , Neobaroque , appearances , Spanish Empire , cultural politics , ideology , art , literature , Europe. Don't have an account?


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