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This will add a grace note of the same pitch as the regular note. To add a sequence of grace notes to a regular note, simply repeat the above actions as many times as required. See also, Change pitch below. Note : When a grace note is added to the score, a slur is not automatically created with it, so the latter needs to be added separately.
See Slurs.
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If you want to change the duration of a previously created grace note, select it and choose a duration from the toolbar or enter with one of the keys Do you still have an unanswered question? Please log in first to post your question.
What I've Been Reading...
After having read the biography of Sackville-West, which is bursting with rebellious bohemianism, love affairs, dramatic fights in the streets seriously! Sackville-West put a lot of herself in her novels, quite clearly, and it seemed to me an interesting way of providing one's self with therapy, parallel lives, and projections into the future or the past in order to experience more of everything: life, love, drama, happiness, dreams.
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Now, for "Orlando": I had seen the movie version, starring Tilda Swinton, and after reading the book, I'm eager to see the movie again--because now I get it. I think reading the biography of Sackville-West was very helpful, especially as it gave me the major clue of "A Sense of One's Self" as the moving principle behind the structure and meaning of "Orlando.
Woolf makes a very good case for any individual being to find the way to live dozens of lives through imagination, daring, eccentricity and iconoclasm--a tall order for any one human person. Woolf's language is, as always, sublime and delicious, sensual, provoking. There were passages that reminded me of Allen Ginsberg and Lawrence Ferlinghetti, such as this passage: But wait!
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Blue, like a match struck right in the ball of the innermost eye, he flys, burns, bursts the seal of sleep; the kingfisher; so that now floods back refluent like a tide, the red, thick stream of life again; bubbling, dripping; and we rise, and our eyes for how handy a rhyme is to pass us safe over the awkward transition from death to life fall on here the barrel-organ stops playing abruptly. Ultimately at this point what "Orlando" means to me is the celebration of the eternal creation of the human mind and spirit -- we are boundless in our imagination, in our thoughts, if only we dare to travel through the chains of time and space and convention, and see all the other sides.
Labels: allen ginsberg , lawrence ferlighetti , orlando , Virginia Woolf , vita sackville-west.
I have loved Neil Young from the first moment I heard him sing, and yes, he's a little whiny, and his range has compressed over the years--but the emotion has deepened and the guitar and piano still evoke the acoustic magic of the late sixties and the early seventies. Neil's latest effort is called A Letter Home -- and I just today received my VINYL record in the mail -- and I just this minute finished listening to both sides on our turntable in the living room. Well, in this case, Neil sat in the booth and played his guitar and sang--and the result is phenomenal--like hearing a folksinger's recording from the 's--the "old-timey" music that speaks to the heart of what this country once was.
The occasional page devoted to the mystical lore of Corvids--rooks, ravens, crows--are like icons, windows into an eternity that holds all of time in its careful hands, nothing ever lost, if only Thought and Memory are allowed to play like rooks in our minds, swooping, laughing, reckless and daring. A beautiful, deeply thoughtful story.
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Thanks, Diane! An even more worthy book than the Thirteenth Tale, which I also loved. View all my reviews. James Court. The Fountain of St. Homage to Virginia Woolf aside, the narrative self-consciously presents us with a modern Mrs. Dalloway as we follow Kathryn from midnight to midnight of one single day.
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By contrast, the chapters presenting LeBrun span her entire life, opening when she is seventy, walking in the woods in France, and looking back on her life, particularly during the French Revolution. The openly stated comparison to Mrs.
She lacks the deep human relation to people and life that shines so clearly in Mrs. LeBrun, as a portrait artist of the French aristocracy, lives through uniquely dangerous times and personal tragedies that inform her character and understanding with honor, love and a brave optimism.
