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Making Waves: 10 Years of Cinemalaya (Philippine Import) [Clodualdo del Mundo Jr.] on leondumoulin.nl *FREE* shipping on qualifying offers. Excerpt from the.
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But thanks to a public clamor for support on social media, interest spread like wildfire, allowing it to stay on for nine weeks more, breaking existing records for an independent movie. Another interesting and long-overdue development is the release of restored classic films. Thankfully, film restoration technology, much like digital filmmaking, has become more advanced yet more accessible wherein it is now possible to scan film prints and negatives in high definition even up to 4K resolution.
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It is now also possible to remove dirt, scratches, molds etc. Fernando Poe Jr.
Of course, as a vast media company, they realize that content is king. Lastly — and this is no doubt the most crucial issue facing the industry today: that of distribution, and how to ensure that local releases are given a fair shake at the cineplexes — dominated by the major mall operators — without being pulled-out unceremoniously. There are quarters who call for legislating the releases, of protectionist policies, and there are those, like film critic Philbert Dy, who prefers the expansion of more alternative venues.
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Published by Sussex Academic Press , Brighton More information about this seller Contact this seller New copy - Usually dispatched within 2 working days. But it was the main "Indie looking" film in its category, and unsurprisingly won the Best Film award. It is a social comment on contemporary human trafficking in Manila, and owes a good deal to the strong performance by Nora Aunor still part of a deep controversy on the National Artist issue , who won the Best Actress award.
5 Best Filipino Films of 12222
The only really original work was David R. Corpuz's The Ordinary Things We Do, a conceptual film on the appearances of a wedding ceremony, as opposed to lesbian and gay ties, all shown in a fascinating 12 minutes static tryptic. Corpuz is one new director who needs to be closely watched.
The film had premiered at the Manila film festival launched by Imelda Marcos in The restoration is good, but one wonders why this particular film was chosen among the works of Celso. This story of three sisters confronting man's evil in an isolated place is quite cinematic, but overlong and not one of the best films by its author. It had censorship problems at the time for some rape scenes, which are now, back in the restored version.
Still, it does deserve to be seen.
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In spite of a last minute internet scandal all films from and 13 were "mistakenly"? And, as Francis Passion said during the closing ceremony: "Cinemalaya must respect the directors, but the directors must also respect Cinemalaya". For the "pioneers", and the new film buffs, the relatively short story of Cinemalaya can be read in the book published for the occasion: Making Waves, Ten Years of Cinemalaya, edited by Doy del Mundo, with a full list of films, directors, winners, foreign festivals, etc, and essays by Doreen Yu, Lito Zulueta, Bayani San Diego Jr, Jessica Zafra, and Philip Cheah.
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A must for all Cinemalayans, past and present! For all its flaws and controversies mainly fulled by people who don't participate , Cinemalaya must go on! Sun Shaoyi - 13th Aug.