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By subscribing, you are agreeing to Yahoo's Terms and Privacy Policy. Now the pair are bringing their love of everything feathered and sequined to South America, joining the athletes in Rio as Olympic cultural correspondents , and speaking to People exclusively about their friendship, their secret to commentary perfection, and, of course, the importance of shopping.

We walk to our jobs arm in arm and I always have to be on the left.


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If I end up on the wrong side, if there are people in the way, I have to move to be on the proper side. We were at the Super Bowl and people were photographing us from behind because I was grabbing her butt.

How funny would it be if I came out as straight? This whole time! Tara has been running around like a crazy person getting things together. There are some feathers coming at you from my end. Crazy shoes and glitter for sure and jewelry. We have been planning for months. We are so white and we work indoors. I go big with my hair which creates a natural shield. I bought all of my weaves yesterday. Tara loves a sun hat and sun dress.

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Few artists have pushed the drawn from imagery of the Grateful Dead and pushed its spirit further into mainstream and underground cultural consciousnesses than Elijah Funk and Alix Ross of the T-shirt company Online Ceramics. Their shirts, oftentimes printed on tie-dye, feature Dead platitudes, imagery drawn from lyrics, and playful references to classic Dead iconography. They came together as lone Deadheads in the midwest underground punk scene.


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    • Funk describes their design process as coming deep from their inner-fan. Its pretty organic. And once the designs start, they just kind of inform themselves.

    That impulse to translate fandom into creative practice has inspired many musicians to pick up the mantle themselves in the years since Fare Thee Well, pushing the music of the Grateful Dead in new directions and highlighting different aspects of what keep the Dead relevant. Sitting in the mountains with a guitar, we almost inevitably play Grateful Dead songs. Grateful Shred have maintained that communal vibe since their formation, often welcoming notable guests from the world of independent music into the fold, including McCombs, Ryley Walker, and King Tuff, among others.

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    Their interpretation is fueled by a sense of abandon and exploration. They play with looseness and intensity, emphasizing stretches of dynamic improvisation. It had all of that Miles electric-era influence that made it feel free. High Time goes deep when putting together arrangements of the early material, oftentimes finding one particular performance where the Dead tried out something new or unique and incorporating that into their own version.

    The first aspect is the timelessness of the songs themselves. Just as bands are reimagining the music of the Grateful Dead, the Dead themselves turned to traditional music to create their own songbook. Because Dead shows were prolifically recorded, there are many templates onto which musicians can affix their personal stamp.

    His immense talent as a guitarist and improvisor allows him to recreate this ecstatic experience with more precision than almost anyone else, and he understands that dynamic intimately. This means incorporating MIDI systems when playing setlists from the 90s, with guitar sounds morphing into electronic flute and back again, or favoring piano over organ for 70s setlists.

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    By striking a delicate balance between authenticity and originality, they have become an institution unto themselves. In recent years, Matson has started noticing younger fans pressing up against the front railing at shows. That fluidity between fans and the musicians they revere, that self-perpetuating nature of Deadhead culture, is one of the most powerful forces this new wave of tribute bands has been able to harness.

    Online communities of Heads were a crucial part of the early internet , fostering a group cohesiveness that has only strengthened since social media came into the picture. And considering the powerful iconography at hand, it is no surprise that memes have become a major part of how the culture expresses itself. Perhaps some of the most powerful examples of the resurgence come at the DIY level, an extension of the innovation and spirit of the parking lot scene. Williams, who came up in the underground experimental music community, is as close to a Grateful Dead evangelist as you can get.

    They are at a Grateful Dead concert.

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    In my experience as someone who has become enmeshed in this world, losing myself in this complex web of love and admiration, being a part of a community that feels larger than each of its constituent parts, feels just as significant as the music itself. As other communities fracture and feel more isolated, Deadhead culture remains centered around appreciation and inclusion, the gratitude of giving and receiving.

    The mutual creation of a reality, the reality of a Grateful Dead concert, is powerful to experience first-hand. Everyone involved is a part of the Grateful Dead.