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This ebook is designed for potential radio guests and includes title of show, name of host, theme, where aired, guest criteria, email, website, phone (optional).
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After all, authors and publishers are usually happy enough with the media exposure. The programme-makers have filled some airtime cheaply. Nobody got hurt, apart from you, the listener. That at least would offer the potential for an interesting discussion. All this forms part of a broadcasting culture that oscillates between Punch-and-Judy-style manufactured controversies on the one hand and uncritical puff pieces on the other. In contrast, podcasts offer an opportunity to listen to intelligent, in-depth conversations on pretty much every subject under the sun, at a time and pace of your own choosing.

Do they keep covering up the cracks or do they decide to focus on quality? Hugh Linehan.

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Photograph: iStock. More from The Irish Times Film. Commenting on The Irish Times has changed. To comment you must now be an Irish Times subscriber. The account details entered are not currently associated with an Irish Times subscription. Please subscribe to sign in to comment. You should receive instructions for resetting your password.

Please choose a screen name. This name will appear beside any comments you post. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

It was our great pleasure and privilege to publish in North America the debut novel by Masande Ntshanga, The Reactive, in Despite the brevity of each song, Tierra Whack delivers in full.

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According to Spotify, Whack World was one All Rights Reserved. Original website art by John Gagliano. Add to cart. Be the first to know! Before we all went crazy for Serial, we had This American Life. Guest story-tellers have included David Sedaris, Mike Birbiglia and Molly Ringwald, and the stories are as diverse as they are wonderful.

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What all have in common is this: brilliant storytelling, brilliant production values and brilliant, sometimes earth-shattering, insights. The show is about one hour long, with a new episode each week.

I listen to This American Life when I go on long runs and then I usually listen again with my husband in the kitchen as we prepare dinner. The writing is so fine that the creators have published a range of anthologies with pieces from the programme, and it demonstrates the capacity of creative non-fiction to captivate and excite. On April 24th, This American Life ran its episode The Incredible Rarity of Changing Your Mind, charting those rare instances when people changed their opinions about fundamental issues, ideas and ways of being.

Particularly apt in the run-up to the May 22nd referendum….

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The Guardian Book Podcast. Once a week, the fine people at the Guardian give us a new Guardian Book Podcast. Episodes are frequently themed, and the end-of-year round-ups are especially wonderful, as are the start-of-the-year forecasts. These range in length, but are alwaysengaging and beautifully produced, and always pushing me out the door to buy new and unexpected titles. I say this to my husband after I finish listening to every episode, which is usually on a Sunday evening, the day after it airs. Our house is small and I savour this programme too much to risk interruption by my toddler!

The Book Show has everything: readings, interviews, quizzes, competitions and news. The production values are terrific, and the show is atmospheric and expertly-paced.

Sarah Bannan selects her top 10 literary podcasts

Gleeson has a way of asking just the right questions, getting the best and most insightful responses from her guests. And the researchers and producers seem to know exactly who to invite to join the programme, who to pair, and how to pull music and sound to make the show come alive. I only wish that The Book Show could be a year-round project, and extended by another half hour…. The New Yorker Fiction Podcast. When my daughter was very small, she fell asleep in my lap every evening, following feeding and stories and….

Dream chasers turn away from facts

So I had to master sitting still. The whole routine usually took about an hour, and it was an hour in which I desperately wanted to remain awake, as what followed would be dinner, and my only time throughout the day to talk to an adult. So, my solution? To keep me awake and from going crazy?

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To keep me feeling like a relevant person with a functioning brain? The concept is simple but the execution is key. So too are the stories. And, of course, so is Treisman, with great questions, great insights and great banter. One of the most recent episodes featured Joshua Ferris reading Going for a Beer, by Robert Coover , which appeared in the magazine in This extraordinary Canadian programme may be the best author interview programme around.

A definite addition to your subscription list.


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The range of writers included in the programme is impressive — the current series, Re-imagining the Balkans, has introduced me to a host of new writers — as is its ability to engage with writers at the height of their careers, including, most recently, Kazuo Ishiguro, Kate Atkinson and Anne Tyler. The programme is expertly judged and researched, and endeavours to include a vibrant mixture of old and new, literary and less literary, established and emerging. The show, with its trademark attention to platforming newer voices, also introduced Spill Simmer Falter Wither author Sara Baume to a wider, British audience.

Life offers little better than hearing poets read their own work, reflecting on their own inspirations. Lexicon Valley Slate. The podcast is smart and funny and almost unaccountably interesting.