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Table of contents

• Interview with Judithanne Scourfield McLauchlan: Fulbright Scholar, “Rule of Law and Civil Society”
• Port Towns and Urban Cultures
• Naive Bayes Classification tp1 | Kaggle
• The Unsinkable Col. Chambers

Spaid Sr. Stonecipher Mr. Frederick K. Thompson Mrs. Billie Thrash William P.

Interview with Judithanne Scourfield McLauchlan: Fulbright Scholar, “Rule of Law and Civil Society”

Tunell, M. Tom L. Ward Mr. Ron Youtsey. Mary Louise Adams Mr. Edward Barth Dr. William L. Beasley Mr. William Beck Lori Bedford Mr. Robert M. Benham Howard K. Berry, Jr. December 1, at P.

December 2, at P. Favorite stage. Lyn received The Irene and Julian J. She has served as an adjudicator and master teacher in musical theatre dance at the Hong Kong Academy for the Performing Arts. Her students grace the Broadway stage, perform in national tours, international theatre, regional theatre, and cruise lines. The mission of the School is to provide an excellent education, training and varied production experiences to selected students to assure them the opportunity to be artistically competitive on a national level upon graduation from the University of Oklahoma.

The School is committed to the development of new musical properties, cooperating with professional producers, companies and creative leaders in the field, in addition to regularly presenting works from the musical theatre repertoire.

Port Towns and Urban Cultures

It is a comprehensive and balanced interdisciplinary B. She starred in the first national tour of Xanadu as Kira. She is a graduate of Indiana University. His latest project is a series of workout videos for those who might overdo it with the Christmas cookies. He hopes to have those out sometime next year. Santa is thrilled to be back at the Philharmonic and wants to dedicate his appearance to Mrs. Claus and all the little elves without whom Christmas would not be possible.

He is a junior at The University of Oklahoma.

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In he performed at the opening of the Robert J Dole Institute of Politics at the University of Kansas before three former presidents and several Congressional Medal of Honor recipients. Charley began clowning for picnics and rodeos which led to a job on the Ranch in Marland, Oklahoma. Charley hired a roper with the to teach his children to trick rope. Norma Shultz Ward, his daughter, performed at her first rodeo in Holly, Colorado, in She taught her son and her grandchildren the art of trick roping. Her roping career continued until her death in at the age of Now the tradition has carried to her great grandchildren as well, with nine great grands roping.

The Ward family has worked on several motion pictures providing props and livestock. They are often found performing and educating others about the Western way of life at the National Cowboy and Western Heritage Museum, especially at the annual Chuckwagon Festival held over Memorial Day Weekend. Charley Shultz was inducted into the Museum in Dances from the Ballet Estancia, Op. Cello Concerto in C major, Hob. Symphony No.

Allegro moderato. Listen to a broadcast of this performance on KUCO Simultaneous internet streaming is also available during the broadcast. As well as being a celebrated performer, he is recognized as an accomplished composer and curator, and was named a TED Senior Fellow in Notable events from the season include the premiere of Tornado, a new work composed by Joshua Roman and commissioned by the Music Academy of the West and Town Hall Seattle.

He also gave his debut at the Spoleto Festival in Charleston, comprised of not only performances with high caliber musicians from the St. Lawrence String Quartet and other corners of the chamber music world, but a performance of his solo piece Riding Light. Orchestral highlights of the season included performances of the Mason Bates.

Before embarking on a solo career, Roman spent two seasons as principal cellist of the Seattle Symphony, a position he won in at the age of His YouTube series youtube. Roman is grateful for the loan of an cello by Giulio Degani of Venice. Since starting his tenure in he played a pivotal role in the rejuvenation and turnaround of the Winnipeg Symphony Orchestra which culminated in a highly successful and critically acclaimed performance at Carnegie Hall in May Every twist and turn in the score was fresh and surprising to my ears.

Just last season he conducted four successful performances with the Brandenburger Philharmoniker, Germany, and he was re-invited to conduct two weeks of performances with the National Orchestra of Chile in Santiago in May His European debut was with the Hamburger Symphoniker. Alexander Mickelthwate has worked several times with Dame Evelyn Glennie conducting the world premiere of two new percussion concerti by Vincent Ho. For three years Alexander created a critically acclaimed Indigenous Festival. Born and raised in Frankfurt, Germany to a musical family, Alexander has received his degree from the Peabody Institute of Music.

Estancia , and his chamber composition Impresiones de la Puna Ginastera did not flourish in that climate, and in the government forced him to resign from his position on the music faculty of the National Military Academy because he had signed a petition in support of civil liberties. Fortunately, the year-old composer was able to travel with his family to the United States, where he studied from with the support of a Guggenheim fellowship.

Naive Bayes Classification tp1 | Kaggle

In , exasperated with the political situation in Argentina, Ginastera left definitively, and he spent most of the rest of his life in Geneva, where he died. Alberto Ginastera made a greater impact on the international classical-music scene of his era than did any other Argentine composer. Born into a family of Catalan and Italian roots, he was entirely schooled in his native country, principally at the National Conservatory of Music in Buenos Aires.

When he was 18 he was awarded first prize in a composition contest, and in quick succession he produced numerous pieces with a distinctive flavor, often employing native Argentine rhythms or folk melodies. Many of these early works he later destroyed or at least withdrew, denouncing them as immature examples of his art. Nonetheless, some have found at least borderline places in the repertoire, including his Danzas argentinas for piano, , his ballet.

The Unsinkable Col. Chambers

Estancia resulted from a commission tendered in by American Ballet Caravan. The troupe disbanded in , before the project could be realized, but Ginastera had finished his score and was able to get some instant mileage out of it by extracting four sections to stand as his Danzas del Ballet Estancia Op. Indeed, the ballet would not be staged until —also in Buenos Aires, and with choreography with Michel Borowski instead of Balanchine. Jesuit missionaries— not just from Spain, but also from France, Belgium, Austria, Switzerland, and Germany—helped establish a flourishing musical culture in Argentina from the 16th through the 18th centuries.

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Its plot is minimal—city boy falls in love with country girl, who grows to like him only when he develops the skills of a ranch-hand—but its five scenes add up to a celebration of rural life in Argentina. Work composed: ca. In , Franz Joseph Haydn took a step that would define the course of his career—and, by extension, the course of Western musical history. Five years later, he was elevated to the post of Kapellmeister. Haydn did enter it in his composition catalogue, at a spot that would date it to at the latest.

The cellist all these works were meant to spotlight was Joseph Franz Weigl, one of the first musicians Haydn hired when he was brought on board by Prince Paul Anton. The first movement unrolls at a spacious pace, without calling undue attention to the considerable virtuosity required for its execution. Pairs of oboes and horns add body to the tutti sections, though Haydn limits the accompaniment to a string orchestra when the cello is playing. The wisdom of this decision to keep the textures light is confirmed by the many later cello concertos by other composers in which, for entire stretches, the soloist is too often seen playing but scarcely heard.

Of course, problems of balance between soloist and orchestra are considerably reduced when the symphonic forces are hardly larger than a chamber group — as they were when this piece was new.

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Indeed, the winds remain silent throughout the second movement; that section is an exercise in surpassing elegance, not far removed from the poignant style cultivated in Berlin by Carl Phillip Emanuel Bach. There are two major reasons for this. Despite the relish with which he provided his players with virtuosic passages in his symphonies, Haydn rarely made the most of the virtuosic, dramatic interplay of soloist and orchestra that marks the greatest concertos.

There are exceptions, to be sure: his two cello concertos his D-major one would follow the C—major Concerto in , his D-major Keyboard Concerto, and, among his late works, his Trumpet Concerto in E-flat major and his Sinfonia Concertante with its solo group of oboe, bassoon, violin, and cello. Following the opening tutti, the cello dazzles with its quick scales, which erupt out of notes sustained over several measures.

Rapid-fire arpeggios, unrelenting scales, quickly repeated notes, and high-lying passage-work push the soloist into virtuosic territory that remains challenging today. Thanks to benefactions arranged by Axel Carpelan, a Finnish man-about-the-arts and the eventual dedicatee of this work, Jean Sibelius and his family were able to undertake a trip to Italy from February to April So it was that much of the Second Symphony was sketched in the Italian cities of Florence and, especially, Rapallo, where the composer rented a composing studio apart from the home in which his family was lodging.

Aspects of the piece had already begun to form in his mind almost two years earlier, although at that point Sibelius seems to have assumed that his sketches would end up in various separate compositions rather than in a single unified symphony. Even in Rapallo, he was focused on writing a tone poem. He reported that on February 11, , he entertained a fantasy that the villa in which his studio was located was the fanciful palace of Don Juan and that he himself was the amorous, amoral protagonist of that legend.