Artistic Nudes - Blue Asian Teddy (Asian Special Book 2)

We looked at of the top books, aggregating and ranking them so we “It's Raining Men: Two volumes and two decades of top physique models European, and Asian beauty as it is about celebrating the female form's most coveted asset. “ A collection of over one hundred and eighty fine art nude.
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Both very good 1,, — Lot Minor discoloration to paper along edges, colors faded 1,, — Lot Good with minor touchup along bottom edge 3,, — Lot Good with scattered retouch 1,, — Lot Craquelure throughout — Lot Very good, some light finish scrapes 1,, — Lot The lot comprised of thirteen various statues including, man seated on a carpet, various animals, bear approaching a tent, birds perched upon branches, and others.

Some cast in bronze as well as other metals and all with cold painted design. Overall good, typical wear to the cold painted finish. Canvas has slight buckle, and discolored varnish with minor flake losses lower right 1,, — Lot Good with several small tack holes along edges, surface grime 1,, — Lot Not examined out of frame , — Lot Lined, restoration throughout sky, mountain and scattered retouch in water 3,, — Lot Lot is accompanied by a letter from the Florence Griswold Museum dated regarding the location and both works are in the permanent Griswold archives on the artist.

The artist is Robert E. Age toning across painting, good 2,, — Lot Very good with restoration lower right , — Lot Oil on board Housed in a modern molded wood frame Unsigned but having an estate certification label on verso signed by Paul A. Good with surface grime and scattered retouch 1,, — Lot Oil on canvas board Housed in a carved giltwood frame Unsigned, bears Ogunquit Museum of American Art exhibition label on verso Exhibited: Illustrated in exhibition catalog, figure 6, page 14, a copy of which accompanies this lot SIZE: Minor surface dirt and discolored varnish, otherwise, very good.

Very good, not examined out of frame work is shifting within frame 1,, — Lot Horizontal center, several small fox marks, not examined out of frame 4,, — Lot All with fading and discoloration, oval on right has water staining lower center, frame construction has seam separation and surface grime, not examined out of frame 2,, — Lot This is a reproduction print of J. The Oppenheimer Field Museum edition celebrates the 50 best Audubon prints, and was a collaboration between Oppenheimer editions and the failed Museum of Chicago. All three not examined out of frame — Lot Original frame of non-archival materials, discoloration in margins, mat burn visible along edges, not examined out of frame , — Lot Good, restored, canvas has been lined 2,, — Lot Stretcher marks, discolored varnish, otherwise very good 3,, — Lot Good — Lot All very good , — Lot Print published after SIZE: Very good, mounted to acid free mat, not examined out of frame , — Lot Hinged to mat along top edge, some minor creasing visible under raking light — Lot Fratelli Alinari is the oldest photography firm in the world and was founded in Florence, Italy in Chip lower left, chips and small tear along top, hinged to mat at top, several creases — Lot Generally good, reins with some bends 3,, — Lot Appears to have been outside with spotty verdigris finish 2,, — Lot Some light scratches to stone and bronze, generally good 1,, — Lot Discoloration visible in margins, possibly laid down, not examined out of frame — Lot Edge of plate showing signs of discoloration, Sheet has been float mounted in frame affixed to backing at four corners, bottom right has small tear near blind stamp, paper is buckling, not examined out of frame 1,, — Lot Very good, not examined out of frames — Lot Discoloration in margins, surface scratch lower left in image area, otherwise good — Lot Good restored condition , — Lot Several surface scratches, surface grime, discolored varnish , — Lot Craquelure arrested by lining, minor surface dirt, minor touch up along right edge — Lot Oil on canvas Housed in a contemporary giltwood frame Unsigned Note: Canvas has been lined, paint surface is dry and brittle, old restoration in-paint in several areas.

Overall good, with craquelure and reinforced canvas. From a fine Rhode Island home. Lined with scattered touch up in sky and in foreground trees and rocks , — Lot Roberson and Co, and includes a label from J. Good with minor water staining along top edge, losses to frame molding — Lot Good with minor flake losses — Lot Minor surface dirt, scattered pinholes, otherwise good — Lot Three chips in sky, craquelure, some inpainting , — Lot Not examined out of frame.

This photograph comes from the child labor series the artist created in Good, several small surface scratches — Lot The Last Laugh bronze: Two patches on verso with corresponding inpainting, very good — Lot Very good with minor surface dirt — Lot Generally very good, some show use. Very good, Shooters Print Book with damage. China, early 20th century. The oval platter handpainted in an intricate and colorful design of various flowers, all done on a black ground and accented with gilt scroll work vines. The lot consists of six porcelain plates and saucers handpainted in various decoration, including two armorial examples.

Together with a European soft paste cup. One armorial example with line through center. One saucer broken and repaired. Lot consists of seven plates with matching Famille Rose decoration displaying floral sprays in the center and flowery garland around the rim. Together with a round and octagonal example. Scattered small chips around rims. One soup plate with line through center. The bowl handpainted in typical design of alternating panels on a scroll work and gilt ground. Very good, some light wear to the enamels. The lot comprised of 11 pieces each decorated in a matching Rose Canton pattern with vibrant color and gilt highlights.

China, 19th and 20th century. With fitted wood tray. Each plaque made in a tall ovoid form, finished in a white enamel and handpainted with a landscape on one and a scene of two cranes perched upon a branch on the other. Each fitted in gilt metal mounts as wall sconces.

Each plaque with minor stress lines in the enamel around edges. The lot made up of two Japanese vases with colorful design. Together with a Chinese dragon decorated vase and two Chinese covered jars. One Japanese vase with spot losses of enamel on body. Chinese vase with denting and areas of loss on body. Covered jars are very good.

The lot made up of three vases including two with foil along with a turquoise example displaying an aquatic scene. Together with a covered jar decorated with a dragon. Covered jar with enamel loss on cover. Turquoise vase with damage to enamel on rim. Asia, 19th and 20th century. The lot comprised of five pieces of Japanese cloisonne including a planter, three vases, and a covered jar.

Together with a Chinese example decorated with dragons. Covered jar with enamel loss to cover. Smallest dragon vase with spot of enamel loss on body. Others are very good. The large vase in four sided form is decorated with white and purple iris on a blue ground. Two areas of cracking and loss to the enamel. The dragon form netsuke shown top row, 2nd from left has been removed from this lot. Lot is now a group of seven netsukes. The lot comprised of seven wood examples carved in various form along with an example carved from a Tagua nut. Many signed by the artist. Overall very good, Tagua nut with a rough spot on the back, creature hatching from egg with small repair to top of wing.

Asia, 18th through 20th century. The lot comprised of various Chinese porcelain wares including examples in blue and white and Doucai enamels. Together with an 18th century English soft paste dish painted in a Chinese export style. Also included are four later carved Japanese wood Netsukes. Porcelain with scattered chips and lines. Netsukes are very good.

Lot comprised of three plates, four bowls, two water pots and a pair of footed wood stands. Scattered chips, largest bowl with cracks to body. The dish handpainted in a colorful tobacco leaf pattern, accented with gilt, having a scalloped edge. The reverse with three floral sprays done in red and blue. Two hairlines and scattered small chips around the rim. China and others, 18th century. The lot made up of four Chinese Export dishes handpainted with floral design. Together with two tin glazed dishes with violet artwork and a soft paste tea cup.

Chinese examples with small chips around rim. Tin glazed dishes with small chips.


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Soft paste cup with crack on rim. The lot comprised of three Export porcelain bowls handpainted in various patterns including Famille Rose and Imari examples. Together with a European tin glazed charger painted in a Chinese Export style. Accompanied by three wood stands. Imari bowl with restoration. Smallest bowl with line on rim. Charger with glaze loss. Stone of amber color carved in the form of a lion resting upon a four sided plinth. Signed with three characters on the side.

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Very good, small chip at bottom corner. China, late Qing Dynasty. The circular disc of a dark spinach color over painted in gilt and pigment with a mountainous terrain on one side and a group of animals under a tree on the reverse. Comes with wood stand. Wear and loss to the painted design, stand with repair and losses. Including five small carvings set in silver filigree, a small plaque decorated with a basket of flowers, and a white jade hair pin.

Loss to the tip of hair pin. Natural fissures in the stone. Lot is comprised of two jade hairpins, one done with openwork, a carved jade two piece hook. Together with a silver hairpin with inset malachite cabochon. Longest pin with repair. Shorter jade hairpin with loss. Each bowl with rounded walls ending at a slightly flared top rim and standing on squared off feet. The stone of light celadon color and come with fitted wood stands. The lot including an openwork plaque with dragon, two toggles, a square pendant with gilt mount, and an openwork carving set in silver mount.

Each cup hand painted around the body with butterflies in flight under a band of iron red key fret accenting the top rim. Both cups marked on the underside with Qianlong seals in underglaze blue. Censer made in the form of standing duck with open mouth and one foot raised. Shown standing on lotus base having incised four character mark.

The exterior of the bell with deep carved design of dragons and flames surrounding a central tablet with two characters. Finished in a rich gilt. With light wear to the finish. The painted scene depicting a group of playful children in a landscape with a tree growing from a rockery overhead.

Comes housed in an openwork frame which sits in a stand.


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    6. The plaque hand painted with a scene depicting a scholar reciting his latest poem and a young servant seated on the ground with books. The inscription at left side showing a four-stanza seven-character poem with the main idea that eloquent lines are more precious than jade and gold. Comes with wood frame, bearing the name of Wang Da Fan. Frame with some scratching and scattered wear. The plaque depicting and elder and attendant each wearing loose fitting robes with the elder carrying a staff in his hand. Group of script and 2 artist seals in upper left. Each seat handpainted with large panels of figures done on a yellow ground accented with flowery vines, fruit, and butterflies.

    Both broken and restored. The painting in round form depicting a figure crossing a bridge away from a building in the foreground with a mountainous terrain overhead. Cyclically dated to the 5th Month of or Housed in a mid 20th C square huali hardwood frame with carved dragons around the border having a hardwood thin veneer mat with round window, all under glass.

    Wood mat with splits and warping. Single forest house under a mountainous landscape. Done on canvas, the image depicting two birds perched upon bamboo with rocks below.

    Group of script along top edge. The scene depicting numerous figures running through a landscape including two on horseback while carrying flags and weapons. Numerous areas of water damage. Frame with significant peeling and loss to paint. The painting done in a Chinese style depicting two birds perched on an outcropping of rock surrounding by blossoming chrysanthemum.

    Calligraphy with seal along right margin. Label on scroll end which reads Kuso Moto Shiseki — , seal: Katei Aka So Shiseki. Well patinaed polished bone end knobs. We have taken care to ensure that this item s meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA.

    Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item s and consummating the purchase. Overall very good, minor creasing, scattered small spots of staining. The bowl with rounded walls having the interior painted in a thousand flower pattern separated by floral borders in the pinwheel design.

    The exterior with four panels containing figures separated with scenes of ducks along the waters edge. Signed on the underside. The central medallion with an intricate scene of buildings within a landscape surrounded by a crosshatched foliate pattern encased by maple leaves around the rim. Minor tarnishing to the surface. A couple small spots of loss to the applied artwork. Depicting a standing elder with gleeful expression and holding an open book in one hand and a basket in the other. Signed on the top of the base.

    The okimono made in the form of a stretched tiger with tail extended and head raised with open mouth. The surface with dark patina and the underside of the belly with signature. The impressive sculpture depicting a Samurai archer with arm extended holding a bow and ready to fire. Gilt highlights throughout the piece and signature plate on front leg. Comes with six arrows, standing on a carved wood base. Very good, base having some knee losses and separation.

    China, late 19th century. The round stand with curved legs and openwork design of leafy vines and gourds around each side. The top fitted with a round porcelain tile having a central dragon surrounded by colorful roundels. Overall good, some losses to edge of feet. Made in elongated form with each side having an openwork apron of stylized scrolling. Minor separating at the joints, scattered wear to the surface.

    Late 19th century, China. Elmwood yoke back chairs. Repairs to back feet. Each cabinet with numerous shelves all outlined with a stylized key fret openwork design. All done above numerous drawers and two large swinging doors. Each door and drawer front carved with dragons on a ground of stylized clouds. Overall very good, light wear to the surface. The image depicting a blue Mahakala in the center surrounded by flames and a mountainous terrain in the background.

    Very good, overall light wear. Done on fabric the image depicting the Field of Accumulation. Executed in gilt on a black ground. Some creasing and fraying around the edges. Chakrasamvara depicted in blue with Vajravarahi surrounded by various bodhisattvas. Fraying at the edges, minor creasing. The dancing skeletons in center with seated deities overhead done in polychrome design. General overall wear, creasing, fraying around edges. Overall good, fraying at the edges, light wear to the painted design. The painting with a central mandala surrounding by Bodhisatvas and guardians below.

    Overall toning, light wear to the painting design, minor fraying at edges. Image depicting Buddha in the center surrounded by numerous figures and guardians above a flowery landscape below. Fraying at the edges, overall light wear and toning. China, 19th and early 20th century. Overall very good, scattered small chips and or hairlines. The basin made in circular form with up-turned rim and resting on a bulbous base. The exterior with silver inlaid decoration. Comes with original cover. China, 19th early 20th century.

    The lot comprised of 83 pieces handpainted in various patterns of the Famille Rose palette. Included in the lot are plates, planter, covered tea caddie, covered bowls, egg cups, and cups and saucers. Overall good, some scattered chips cracks and restorations. The lot made up of five shallow bowls decorated in the Famille Rose palette.

    Together with a porcelain dish and two shaped Peking enamel examples. Large dish is very good. Bowls with numerous lines and restoration. Peking enamel with cracks and losses to the enamel. Upon closer examination, we noted that there is a regilding and painting on the rim at the two outer edges of the bowl. Our consultant believes there may have been handles at one time, and a very professional restorer removed the handles and repainted this area. Also, the finial on the lid shows signs of professional restoration. The jug beautifully painted with vibrant enamels depicting a group of figures standing in the courtyard.

    Comes with original dome cover having a recumbent foo lion finial finished in gilt. The basket having reticulated walls and flared top rim, painted with a group of women and two attendants. Comes with reticulated underplate. Cider jug very good, couple small glaze pops on spout. The lot made up of a Rose Canton decorated punch bowl along with a Rose Medallion covered tureen with under plate.

    Bowl is very good. Tureen under plate with chip and line on rim. The first depicting a surrender taken from a drawing done by Jean-Denis Attiret, engraved by Jacgues Aliamet, dated Both framed under glass. Minor toning and creases. Each with a small tear along top edge. The flag with a single cobalt blue dragon having individually stitched scales on a cream colored silk ground. Staining, discoloration, fraying and minor loss along one edge. The long fragment with alternating panels of phoenix and confronting dragons done with gold accented thread.

    In fragile condition, scattered tears and small losses. Wear consistent with age. The early bronze bell in diamond form with openwork walls. Stands on a small splayed foot and is surmounted with a bird. Most likely early Roman period. Typical oxidation to surface. Tang period , China. Surface carved with two Buddhas within niches framed by columns. Limestone of a light brown color. Accompanied by hardwood fitted stand. From an important American private collection. Ming Period , China. Draped figure of the Buddha. Accompanied by hardwood museum stand.

    The stone in pear form carved with a dragon flying amongst stylized clouds. The reverse with three lines of calligraphy. Comes in fitted box. Very good, minor wear to the surface. The large stone with deep carved scene of buildings and trees along the waters edge with the well finely polished. The reverse having four lines of calligraphy. Very good, light wear to the surface. The group set in a shadow box style frame with each having hand-painted faces and embellished with Kingfisher feather.

    Losses to the applied feathers, wear to the painted faces. Openwork border on frame with minor losses. The box made in flattened rectangular form with carved landscape and script on cover. Impressed mark on the underside. Upon closer examination our cataloger believes that this is from the first half of the 20th century. Each section inlaid with numerous Jade carvings resting atop carved wood stands inset in the panels. Each section carved with shallow relief stylized dragons.

    The reverse painted with a polychrome archaic design highlighted with gilt. In recumbent pose with brownish inclusions. The pendant carved from a white stone with small russet inclusions. One side decorated with a scene of two figures walking in a landscape and a large group of script on the reverse. Carved from a yellowish stone, the washer in shallow form in the shape of a citron. The vase carved from a light celadon colored stone with bands of archaic masks and key fret design circling the body. Dragon form handles at shoulders and comes with original domed top. The bell made in a tall flared form having the top half decorated with seated deities above a band of Taoist masks decorating the lower half.

    The bottom edge with an apocryphal four character Jingtai mark. Handle and crown formerly drilled and since been filled, small scattered chips to the enamel. Each bowl having standing on a tall splayed foot and having a gently flared top rim. Decorated on a turquoise ground with colorful foo lions around the outside and the interior displaying lotus blossoms on a pinwheel ground. The vases decorated with a colorful display of various blossoms and butterflies on a turquoise enamel ground finished with a diapered pattern executed in gilt wire. The top rims with a ring of ruyi and the undersides having a gilt wash.

    Both vases with minor dents and spots of enamel loss in the body. Made in squat form with wide cylindrical neck, the body is decorated with applied enamels throughout the raised decoration. Minor wear to the surface and slight losses to the enamel. The exterior of the box finished in a colorful design of various butterflies and raised on four feet.

    The box with three tiers that open in an accordion style. Executed on paper the image depicting numerous seated officials with figures below, painted in vibrant colors. Overall wear, losses to the paper and scattered in-painting. Mount with a large vertical tear to the top, scattered staining.

    The lot comprised of two groups all depicting various colorful figures executed on rice paper. First group overall is very good. Second group with losses and cracking to the paper. The image depicts a traveler walking on a narrow path alongside a quiet stream, meandering through a mountainous landscape. Significant foxing, staining along the bottom, discoloration. The image depicting a cloudy mountainous landscape with a single figure crossing a bridge in the foreground.

    Numerous seals and small group of script in the upper left. Overall good, scattered creasing and wear to the painted design, general overall toning. Each depicting birds in landscapes surrounded by blossoming plants growing from rockeries. Each signed with script and a seal. Numerous losses and staining.

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    Framed pair having similar borders with painted scenes of vases having colorful flowering branches. Identically housed in gilt wood frames behind plexiglass frames with losses.


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    Panoramic photo of approximately English gentlemen on horseback, preparing for a typical English fox hunt near Shanghai, China. In the background and on left end are large groups of Chinese helpers and onlookers. The photo mounted on a background of silver gilt and block printed Chinese paper and framed in a simple white painted and silver gilt frame.

    Ah Fong was active in photography from the late 19th century and well known and acclaimed for his photo essays on the Sino-Japanese hostilities that was published in Showing that the Japanese denials were lies. Fong was a Chinese photographer trained by Western photographers around Canton. Good, laid down, minor edge tears prior to laying down are evident, no glass. The lot consisting of Japanese blue and white teawares each decorated with children chasing a butterfly.

    Together with a Chinese porcelain statue of a parrot finished in Famille Verte enamels. Five of the six jars decorated in underglaze blue with blossoming prunus each having a dome cover. Together with a monochrome blue glazed covered jar. Parrot with crack through body. Prunus jars all very good, one cover with chip to underside. Monochrome example with break and restoration to body. China, possibly Qing Dynasty. The vase made in squat form quickly tapering to a cylindrical neck. The exterior finished with a rich Flambe glaze having a strawberry color with a large area of blue and violet on the neck.

    The underside revealing a chipped away foot rim and unglazed bottom with burnt orange color. Glaze with craquelure and light scratching, base rim with roughness which is probably in the making. The round body painted with a single scene of three scholars in a landscape with tree branches hanging over head. A large group of writing to the reverse and an iron red mark on the underside. The vase hand painted in a Qianlong style with stylized dragons and lotus scrolls around the body. Quickly tapers at the shoulder to a slightly inverted neck, flanked by lug handles.

    Very good, small pits in the glaze. The pot made in a shallow beehive form and finished with a cafe au lait glaze. The underside with apocryphal Qianlong mark. The image with a central buddha with a Mandorla over her shoulder with others floating in the clouds. Accompanied by a certificate of authenticity.

    Some scattered staining, small hole along top edge. The image with a central reserve depicting numerous figures in various settings, engaged in numerous activities. The ground made up of flowery vines, done in polychrome and gilt. Losses around the edges. An unfinished work of two lovers and a votive image of Shiva Natraj. Ink, colors and gilt on paper. Three women on a palace veranda. Each painting done with polychrome designs depicting a central Bodhistava, both done on cloth. Wear to the surface, paint loss, creases.

    The burner with polished surface and openwork cover, opens to reveal multiple inserts and accessories. Comes with fitted wood stand. Burner very good, wood stand with repairs. The elder figure depicted in a seated position with legs crossed with hands resting upon the knees. The face with serene expression finished in gilt and red pigment applied to the lips. Tarnishing to the finish. Wear to the applied gilt and pigment. Baseplate is a wood replacement. Makala headed triangular blade vajra hilt with Hayagriva finial.

    The deity depicted on ovoid lotus pedestal with feet resting upon small figures on top of the base. Shown with eight wrathful faces and sixteen arms holding various objects finished in red pigment. Generally good with wear to the surface, small chip off figures crown, one applied hardstone missing.

    Tibet, early 20th century. The deity shown in a standing pose wearing beaded necklace and hands in a mudra. Very good, with light wear to the surface. Each statue of similar design depicting Amitayus in seated position with legs crossed and hands in lap. Larger figure with possible repainting to the gilt. The other missing mandorla and item resting in hands. Ink on paper with calligraphy.

    Directly from the artist. The painting depicting a group of irises growing from a rocky landscape with blades of grass below. Signed and dated along with three seals. Very good, some minor creasing. Each scroll with a single line of calligraphy done on a gold flecked paper. One inscribed along with two seals of the artist.

    Both scrolls are loose and unframed.

    Creasing and scattered toning to the paper, small tears along the bottom and top edges. Each with seven character running script with one inscribed along with two seals of the artist. Overall very good, some scattered wear and small holes, toning to the paper. Mounted on newer scrolls. Each painting with eight characters of calligraphy done in black ink on a red ground.

    One inscribed along the margin with two artist seals. Some staining along the edges, minor losses throughout, creasing. Each with seven character running script done on a red ground with gold fleck. One with inscription and two seals. Numerous creases and some cracking to the paper, toning throughout. The painting with an elaborate and colorful arrangement of flowers held within a handled basket. Group of script to the left and signed in upper corner. Some staining and toning to the paper along with scattered creases and minor repairs.

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    Carved in tall slender form, one side depicting a landscape along the waters edge with the other three displaying script. The stone of an amber color with animal in recumbent pose, signed with two characters. The lot consisting of a necklace fitted with lavender jade, two lavender jade bracelets, five gold mounted pendants along with a carved hardstone pendant. A hanging ring on earring is broken. The large jar decorated around the body with continuous scene of dragons crashing through the waves below a network of blossoming lotus plants. Minor enamel loss around edge of cover, scattered staining to the enamels.

    The lot comprised of fives vases, three bowls, and two covered canisters. Decorated with floral design along with one bowl having dragons. Dragon bowl with cracking to enamel on interior. Others very good overall. The lot comprised of cloisonne made in various form and decoration including covered boxes, three covered canisters, a shaker, two cups and a bowl.

    The interior with reserves of various blossoms done in relief surrounding a four character Song Ning Nian Zhi mark in the center. Both the interior and exterior with a lightly applied cream colored glaze stopping just above the foot rim. A few small chips and spots of glaze loss around the rim. Pot in squat form, finished in a cream and brown glaze in a wave pattern. The goddess shown standing on a group of lotus along with a dragon head, clutching a scroll in one hand and a flower in the other.

    A carved figure of waiter serving a turtle entree attired in vermilion and gold brocade robe in red lacquer and with silver gilt decoration. Waiter also lacquered in gold gilt with unique facial features and with long hair and headdress. Now mounted in later stand. The wood box in rectangular form finished in black lacquer and decorated with a scene of a hunter chasing a deer done in mother of pearl. Lot comprising of various deities in both standing and seated pose. Overall very good, with scattered wear and tarnish to finish.

    Early 20th century, China. The cup carved with two relief lions climbing over the side with one acting as the handle. All finished with a crosshatch pattern and bands of key fret accenting the rims. The bowl decorated with enameled cranes over stylized waves and rockeries framed by pink and yellow key fret borders. Underside with six character Guangxu mark. Cup with apparent cracks in the body which we believe are natural fissures. China and others, 19th and 20th century. The cup carved in shallow form resting on a foot made up of flowering Prunus branches done with openwork.

    Along with a carved Agate scent bottle, and covered box. Wood cup with small chip and repair to the rim. Covered box with crack in stone. With multiple scenes depicting lovers and reticulated floral panels. Minor wear along edges, one foot loose. The lot comprised of 1 A large Japanese embroidered textile depicting two confronting dragons, accented with metallic thread.

    Each with minor fraying. The large robe with embroidered decoration of teal colored dragons accented in gold thread all done on an orange ground. Minor stains, otherwise good.

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    The front decorated with lotus blossoms and precious objects surrounding a central shou character. The reverse with eight dragon roundels surrounding a Jiaqing seal in the center. Of globular form, the large vase body painted with magpie birds on plum flower trees, while flowers blossom around them. The large blue and vase is of baluster form, the body painted with lotus and vine patterns, with two handles on the side.

    Very good with some wear and chip. Center handpainted with a colorful scene depicting a woman and two children along side a table within a landscape. Wear to the enamels. Each cup with everted walls and gently flared top rims. Finished in a creamy white glaze and bearing six character Tongzhi marks. Archaistic form with a band of confronting fdragons on the shoulder. The base with four character Qianlong mark. Made in rouleau form, body is decorated with a continuous scene depicting figures in a building and a phoenix in flight. The underside with an apocryphal six character Kangxi mark.

    Made in squat form with wide cylindrical neck and slightly flared top rim. Glaze ending cleanly just above the foot surrounding a character done in relief on underside. The first in globular form standing on a tall foot with raised mask handles at the shoulder. The second in flattened form with ring handles accenting the shoulder and a brown dressing applied to the foot. The underside with a Qianlong seal in underglaze blue. Vase made in Hu form and finished with a Ge-type glaze stopping cleanly just above the foot rim and continuing throughout the interior. The scroll containing a watercolor on paper depicting a vast landscape of mountainous terrain with large seals along right margin, single line of script along left edge.

    Some toning and light staining to the image. The watercolor on paper depicting a pair of birds looking upon each other while perched on the branches of a pine tree. Line of script on upper right. A couple small stains along the edge. Depicting a young beauty leaning on a bamboo rail overlooking the stream below holding a small flower in her teeth.

    Signed along left margin. Each side decorated with a pair of figures grasping a round covered jar surrounded by a ground of birds amongst blossoming branches. Large break and repair to one side. China, 18th and 19th century. The lot comprised of six cabinet vases including five finished in various glazes and one blue and white ku vase. Together with two porcelain tea caddies with one including cover. Vases with chips as well as two having reduced necks, covered tea caddie with repair and chips to cover along with line in body.

    The bowl molded in the form of a lotus leaf and handpainted with intricate design of flowers, insects, and aquatic creatures. The lot comprised of six Japanese glazed Celadon wares including one vase and five jars. Together with a Chinese leaf form dish with Famille Rose design. The opener with faceted blade and embossed decoration on the handle with enameled accent.

    Comes with box containing Ando paperwork. The lot made up of two vases, two miniature tea pots, a small covered jar, and a tea pot stand. Scattered losses to the enamels. The lot comprised of a rectangular and round covered box. Together with two bottle vases all with various decoration. Blue foil vase with minor enamel loss. The brush pot carved with a scene of figures within a landscape along with a single line of script. The pot with a couple small nicks around the top rim, minor splits in the wood, otherwise good.

    Upon further examination and consultation, the country of origin should be Iran, not India. Early 20th century, India. The front doors hand painted in vibrant colors open to reveal a mirror housed in a heavily inlaid frame. Losses to inlay, splits in wood, entire piece with a thick coating of varnish which has discolored.

    Finished in a dark glaze with five drip streaks of brown falling to the center. Traces of silvered decoration throughout. Barrel form with iron staves. The sloping sides canted. Mid-section fitted with interior shelf and perforated slide on which the toddler would stand within barrel. Slide with pierced, cutout slots for drainage of waste products.

    Surfaces have been restored and re-polished. Bottom iron stave most likely a replacement. The first depicting the archer Rama with hands raised standing atop a red plinth. The second with one knee and arm raised to the air and holding an element in his hand. Both finished in gilt paint with jeweled accents. Repairs to the arm of archer. Losses to both weapons, separation at joints. Losses to the lacquered finish. The front of the vase painted with a colorful scene of cranes in a flowery landscape and lines of script accenting the reverse.

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