Sonata in G major - K539/P543/L121

Download Domenico Scarlatti Sonata No in G Major, K L P sheet music. Digital score of Sonata No in G Major, K
Table of contents

Intro to 2-voice inventions Another excellent preparation for 2-voice inventions. Hand independence Another excellent 2 voice canonic work that will develop hand independence and yet is easy enough for a beginner. Hauntingly beautiful slow minuet. Hand independence Another very beautiful reflective minuet, which will develop hand independence. Bohm Intro to counterpoint Another good introduction to counterpoint that is simple enough for any beginner. Intro to 2-voice inventions Excellent piece to introduce canon round writing. It is a perfect introduction to 2 voice inventions which are far too difficult for a beginner.

Peter Katin - D. Scarlatti: Keyboard Sonatas - KKBOX

Petzold Ornamentation Beautiful lyrical minuet, reflective and slow. For beginners omit the ornamentation. For more advanced players there is a lot of scope for learning the art of ornamentation with these two pieces. Skips Fast runs Excellent piece for the virtuoso to be very easy but impressive , with daring skips on the LH and fast runs on the RH. A favorite with kids. These can added later on when the student has progressed enough.

Very effective at a fast speed, but equally beautiful at a much slower tempo. The repetitive figuration in broken triads make it an excellent exercise as well. March in D, H.

Sonata K 538 In G Major.mp3

Aria in F Only 16 bars long, this beautiful aria can be easily learned by a beginner and then be used at a later stage to teach improvised ornamentation. Excellent exercise in equalizing the hands tone, and an exquisite piece of music. Modes the piece is written in the Aeolian mode , legato playing the piece requires that one finger be held while the other fingers of the same hand play the melody above it , cantabile.

These are really for intermediate students, but I could not resist including it. These are excellent arrangements of classical American folk tunes. Excellent for teaching how to voice between the hands.

Scarlatti Sonata K 547 In G Major Angelo Arciglione Free Mp3

Excellent preparation for similar figuration in the more advanced repertory e. Although easy, it is for the late beginner. From here, go to the one below. Excellent to learn four part harmony and bring up the top voice in each chord. Very good to develop the inflection of short melodic motifs. For the budding virtuoso.

Good for learning how to contrast the grazioso section with the scherzo section. Probably better suited to older students. As you know beginners have difficulty with chords, so this is a good one. The easier are no. Excellent to learn syncopated pedaling. Allegro in C minor 3 Bach, C. Sonata in C Allegretto 3 Bach, C. Sounds much more difficult than it actually is. Although just one page long it requires some musical maturity to be truly effective.

This is an ideal piece to open a recital, since it is slow and introspective it will calm you down. This is a real gem. Only 24 bars long, technically unchallenging grade 3 , and yet one of the most beautiful sonatas. Slow paced and exuding tranquillity, this reflective piece is the best of the four.

Although this should be played fast, it is still effective if use a slower tempo. This is a one-movement sonatina only 49 bars long that sounds much more difficult than it actually is. Bach Prelude and fugue no. A hilarious fugue with chopsticks on the RH and very fast scales over two octaves on the LH. Solo per il Cembalo, W. Sonata in G Op. It sounds far more difficult. Omit the ornaments for the early beginners. Very easy, but due to the unexpected skips it teaches one to think ahead.

Excellent for forearm rotation and bringing the bass melody over the mist of sound created by the very fast RH. Hands swap figurations occasionally, so both hands get a workout. Beginners can easily master this movement at slow speed. More advanced beginners can start working on speed. How to work for speed, how to get accuracy, etc. Wonderfully tonal and yet very modern. Broken chords figuration in both hands. Harmonically adventurous and mood setting. An all time favourite. Wide skips, echo effects, but fits the hand surprisingly well.

One of my favourites. This Sonata was composed in Here Scarlatti succeeds in making conventional harmonies with slight changes sound quite extraordinary for the period.

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The Sonata has real Spanish character with vitality and bravura. Musically, the guitar-like sounds of the left hand chords are particularly fascinating. An insistent and catchy motif keeps bringing the sonata together. The LH mostly plays broken octaves, skipping over two octaves. Excellent for skip accuracy. And it is a wonderful, hauntingly beautiful piece. Largo 8 Chopin Souvenir de Paganini.

This is a fast virtuoso piece, very good as an encore. Slow and slightly lugubrious, it would make quite a good piece to play before an intermission. Allegro ben ritmato e preciso This is my favourite of the three and the most difficult. These are all short pieces, good as encores. Excellent for teaching how to voice between the hands. Excellent preparation for similar figuration in the more advanced repertory e. Although easy, it is for the late beginner. From here, go to the one below. Excellent to learn four part harmony and bring up the top voice in each chord.

Very good to develop the inflection of short melodic motifs. For the budding virtuoso. Good for learning how to contrast the grazioso section with the scherzo section. Omit the ornaments for the early beginners. Very easy, but due to the unexpected skips it teaches one to think ahead. Excellent for forearm rotation and bringing the bass melody over the mist of sound created by the very fast RH. Hands swap figurations occasionally, so both hands get a workout.

Beginners can easily master this movement at slow speed. More advanced beginners can start working on speed. How to work for speed, how to get accuracy, etc. Probably better suited to older students. Good preparation for Chopin Op. As you know beginners have difficulty with chords, so this is a good one.

All of his work is highly poetic and romantic. Bach Prelude and fugue no. A hilarious fugue with chopsticks on the RH and very fast scales over two octaves on the LH. A beautiful, magical piece with a fast broken chord accompaniment creating a mist of sound around the right hand melody. Very impressive watch out for the glissandi! This piece was originally written for harp. Main difficulty is pedal use. The melody is in the left hand while the right hand plays a repeated but complex dotted rhythm pattern.

Sounds much more difficult than it actually is. Wonderfully tonal and yet very modern. Fast and delicate with lots of thirds and scale runs on the right hand, but no difficulty at all in the left hand. Difficult to play at full speed but easy if played slowly and still effective Recorded by Ivo Pogorelich for DG.

One of my favourites. Look no further than this sparkling gigue. Great show off piece.

Keyboard Sonata in D Major, K.96/L.465/P.210

If you want to develop a certain kind of technique, burn the Czerny and play this sonata instead. Broken chords figuration in both hands. Harmonically adventurous and mood setting. Surprisingly romantic, could very well have been composed by someone like Schubert. Arpeggio figurations and lots of crossing hands. Although just one page long it requires some musical maturity to be truly effective. This is an ideal piece to open a recital, since it is slow and introspective it will calm you down. This is a real gem. Only 24 bars long, technically unchallenging grade 3 , and yet one of the most beautiful sonatas.

Slow paced and exuding tranquillity, this reflective piece is the best of the four. Excellent for waking up the audience! Figurations are shared equally by both hands. Excellent Czerny replacement and superior warm up piece. Equally effective at a slower tempo. One of the most catchy motifs amongst all sonatas it makes one wish to dance and jump for joy. This is amazing music. Written mostly in 3-voice counterpoint. The main difficulty is to be found in the several bars where the hands cross.

There are some thirds and sixths but they are easily negotiable. An all time favourite. Wide skips, echo effects, but fits the hand surprisingly well. Spend sometime analysing its structure before tackilng it at the piano. Couterpoint in three and four parts. Said to be Horowitz favourite Scarlatti sonata.

It has everything in it: Horn calls, fast repeated notes, trills, suspensions, cross relations, parallel fifths, big leaps, scale runs and guitar imitations. Excellent as a study in voicing. Recital material for the intermediate player. Fast repeated notes, broken chords, arpeggios, leaps, crossing hands, scale runs.

Therefore show yourself more human than critical and then your pleasure will increase.


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To designate you the position of the hands, be advised that by "D" is indicated in the right, and by "M" the left. Scarlatti, On this site, we use the sonata numbering according to Kirkpatrick, e. See below for a table containing the various numbering schemes. K, Sonata in F minor 6: Below is a translation table for the different numbering of the works of Scarlatti.

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