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It appears in the chapter titled "Novel of the Black Seal. The reader is left wondering why everyone is so frightened. It's this one section then, the longest in the book, in which the narrative fails. A second annoying habit in this section is a relentless withholding of information. Now this is something that all writers of fiction do to keep us guessing what will happen next.

But Machen is so chintzy with even the smallest particle of rationale that it's a little maddening. Whenever the text calls for him to come clean, he squirms out of doing so through some cheap device or other. This is trickery, and bad writing. But mixed with these are fine moments, especially Machen's clarity of voice and vivid detail, that satisfy deeply.

So recommended with reservations. Nov 11, Doug rated it really liked it. Ok, I've gone back and forth and thought about this review. I have not read the second volume will soon , but this is how it seems to me. The first, and smallest, is the best: a scientist opens up the doors of perception and the horrible truths of the Outside comes pouring in. The second, the bulk, deals with sexual Ok, I've gone back and forth and thought about this review.

The second, the bulk, deals with sexual horrors and is basically how bad a particular woman is because of, you know, sexual horrors. Toss in a small twist to bring them back to together and you have a satisfying, but potentially so much more, product. The Three Impostors? You could write an entire book of discussion about what is meant and what could have been implied. A series of stories inside of stories are told, some with stories inside of them, many with a horror bend, and all linking back, however falsely and tentatively, with the search for a young man with spectacles and a gold coin.

Of the various interlocked tales four of which are pitched as "novels", fantastical stories told by one character to another , the two most important are "Novel of the Black Seal" and "Novel of the White Powder". Except it goes awry. Right up there with "Colour out of Space" Lovecraft and "Voice in the Night" Hodgson as a classic of the consumed-from-within horror.

The four novels and five or six "real" tales of The Three Impostors are subtitled "The Transmutations", and most of the stories involve some element of things changing. However, the connection between the storylines and change can be tenuous in places. I think I get it, but I wouldn't be absolutely sure. If the whole thing was written in reverse sequence except the end would still be the end , it would be better. Which brings me to the bit that involves the second volume of Joshi's Machen compilations.

From what I have heard, "The White People" is the key piece of that. It seems like "Inmost" or "Pyramid" could have been culled and "The White People" put in its place to make a definitive Machen weird tale single volume with a second volume aimed at more completist ventures. Still, the bookends--"Pan" and Impostors--are very worthy tales and I'm sad it took me this long to read them. Dec 04, Charles Dee Mitchell rated it really liked it Shelves: horror. He requested cuts. Machen reportedly changed one word. The book was published without incident. Reading it today it is hard to imagine what the fuss would have been about.

But Machen was known as a decadent writer. I have unread on my kindle a appreciation of the author titled, Arthur Machen: Author of Ecstasy and Sin. And the three imposters in this series of linked short stories are, once you can untangle the convoluted narratives, involved in some pretty horrible stuff.

But it is the sort of horrible stuff that now dominates horror programming on cable TV. And there is some genuine comedy in his choice of characters, diletantish young men of sufficient if limited means who remain clueless of the world they have stumbled into until the final gory revelation. He has got to do simply this — to invent a wonderful story, and to tell it in a wonderful manner. Dyson is speaking for the author at this moment, but he is also setting himself up for some terrible shocks. I read a Dover edition that contained no other stories than the linked narratives of the title.

Apr 06, Simon rated it really liked it Shelves: horror , short-stories. I have long eagerly awaited reading something by Arthur Machen. Supposedly one of the grandfather's of Weird fiction, an important influence on H. Lovecraft , I was hoping for another author of the same caliber and perhaps somewhat similar to Algernon Blackwood. He turned out not to be quite quite as good and somewhat different in approach. Edited and introduced by S. Common themes include the corruption of innocence, scientific endeavour in areas of the supernatural and the mysteries and beauty of late 19th century London.

Apparently deeply shocking and contraversial in it's time, there were angry reviews and morally outraged critics in the media, today it feels overly restrained and coy. In other words it hasn't dated too well, lacking the effectiveness they might once of had. The other two short stories are in the same vein; good but haven't dated too well. I don't know if I have ever read a story with such a complex narrative structure. Divided up into a series of episodes, it contains many complete stories within stories that are related by one of the three antagonists to either of the two protagonists in as part of their elaborate and convoluted attempts to try to track down another character who is on the run.

The narrative reached, at times, four levels deep. The two protagonists are wealthy individuals who were born into money and who have nothing more to do with their time than wandering the streets of London, reflecting upon and discussing esoteric matters, furiously smoking their pipes as they keep running into the three antagonists, in various guises, who proceed to relate dubious stories of the supernatural.

The prose is quite purple, noticibly more so than Blackwood altough these tales were written at least ten years earlier and as I said feel more dated. I do intend to go on and read the other two volumes in this series to see what else this author has to offer. Jun 09, Jim Smith rated it it was amazing. If this book were expanded to include 'The White People' it would feature all of Machen's truly essential short horror fiction from his somewhat frustrating, but thoroughly fascinating career. Jun 27, Jennifer rated it liked it Shelves: reads , weird-fiction , horror.

I read selected bits of this collection - "The Great God Pan" and "The Novel of the White Powder" - last year as support material for a Lovecraft Book Club, but I didn't really settle down to get to know Machen until recently, when the imminence of the NecronomiCon reminded me that I'd promised not to show up to the convention again without having done all the reading.

And yes, I'm aware of how much geek was crammed into that sentence. Due to their influence on Lovecraft, Arthur Machen, I read selected bits of this collection - "The Great God Pan" and "The Novel of the White Powder" - last year as support material for a Lovecraft Book Club, but I didn't really settle down to get to know Machen until recently, when the imminence of the NecronomiCon reminded me that I'd promised not to show up to the convention again without having done all the reading. Due to their influence on Lovecraft, Arthur Machen, Algernon Blackwood, Clark Ashton Smith, and Lord Dunsany all made my homework list, and reading them in close conjunction has actually added something to my weird fiction experience, as it facilitates a comparison of just what each man oh, so many men considered "horror.

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It's an interesting take, though perhaps not a surprising one for a Victorian. Most of this volume is taken up by the tripartite "The Three Imposters," which reads a good deal differently as a whole than it does if you pick out individual pieces as I'd done previously. I'm not entirely certain the framing structure really works - other than to bring Machen's recurring characters Dyson and Phillips in for cameos - but the tales themselves are creepily enjoyable, though the unreliability of the narrators will leave you wondering how much of what you've just read you can really trust.

So far I've read two volumes of this three volume series from Chaosium, and I'm fairly comfortable advising all but the completists to just stick to the first one and then move on to something else. Machen's fun in small doses and definitely worth reading for his influence on later writers like Lovecraft and King, but I'm not sure you need to follow him through all his iterations Nov 22, David Davis rated it it was amazing Shelves: horror-weird.

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Excellent book. It was short stories but they all fit together. Oct 09, Tom rated it really liked it Shelves: short-stories , horror , Had been wanting to explore some Arthur Machen for a while now. This is essentially a collection of short stories that are all connected to one degree or another. Together they speak to events that are underpinned with some dark and sinister circumstances. They do build some tension and engender an over-arching sense of creepiness, but the horror quotient really never rises above that.

In their day, the themes dealt with in Had been wanting to explore some Arthur Machen for a while now. In their day, the themes dealt with in these stories would have been quite shocking to most readers. As such, this collection has the feel of a precursor to the horror genre. There are themes, plot points, and narrative devices throughout that clearly were influences on later writers like Algernon Blackwood and especially H.