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n the evening we go to listen to the orchestra. The silver-haired gentleman with horsey teeth is here; he's managed to requisition one of the best seats, both.
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Huberman was responsible in aiding the emigration of Jewish musicians and their families from their homeland which was under Nazi occupation. He held a fundraising concert in America which saved thousands of Jews from the Holocaust. Apr 06, The Jewish Book Council added it. Jun 11, Jane rated it liked it. Wonderful story of a child prodigy who grows up to become a world class violinist and a passionate creator of the first orchestra in Palestine made up of first class European Jewish musicians.

Although no records were kept Bronislaw Hubermann is credited with saving approximately 1, Jews from the Holocaust.

Carson Mell - The Blue Bourbon Orchestra

My problem lies with the writing. The writing is stilted and the dialogue awkward. I felt as if I was reading a documentary but without the benfit of pictures or video. I really enjoyed Wonderful story of a child prodigy who grows up to become a world class violinist and a passionate creator of the first orchestra in Palestine made up of first class European Jewish musicians. I really enjoyed reading about this remarkable man but I wish that it was better written. May 09, Mam rated it it was amazing.

Classical Music for Reading and Concentration

In conjunction with the Violins of Hope brought to Nashville by the Nashville Symphony and the Nashville Jewish Federation, I read about the formation of the Palestine orchestra and how it saved the lives of many Jewish musicians and their families. I wanted to know more, and this book contains all the incredible details, the legendary musicians who played such important roles, and the stark reality of the events that made this project a necessity.

Feb 08, Adrienne Bagnato rated it liked it. Very interested in the part about his stolen Stradivarius and how it wound up in the hands of Joshua Bell. The unfortunate part was that the book was not written very well. Originally a documentary and turned into a book the dialogue that was created dreadful. Not sure why the writers took that approach.

Silent Cinema Showcase: Metropolis w/music by Alloy Orchestra

Nonetheless the book is worth reading. Feb 12, Penny Kappel rated it really liked it. Very enlightening read and I learned so much. It is an easy read and very straight forward. Amazing to think of how the human spirit can rise above such atrocities and create something so beautiful and worthwhile as this orchestra in Israel. Jun 10, David King rated it liked it Shelves: audiobook. The history was fascinating. I came away wanting to learn more about the people involved. But much of the narrative was written in first person as though the author was privy to the thoughts of individuals and conversations of characters.

That knocked the rating down for me. Mar 16, Julie rated it really liked it. Unbelievable human being! May 31, Elise rated it really liked it.


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This book is definitely worth reading and tells a story I had never heard. It was obviously well-researched. The reason I did not give it 5 stars is twofold: first, the dialogue did not ring true at all but in the author's defense, it would be very difficult to write dialogue for real people without having known them personally. It seemed like the dialogue was used to communicate information we needed to know rather than sounding like a real conversation. Second, I would've liked more of an This book is definitely worth reading and tells a story I had never heard.

Second, I would've liked more of an emotional connection to be made with some of the musicians and what they were spared of by being part of the orchestra. Otherwise, I found the story inspiring and am so thankful that has been told in book and documentary form. Jul 09, Maria rated it it was amazing Shelves: audiobooks , read-so-far , history-related , biographies-memoirs , first-reads , holocaust-books , my-favorites.

I began this book knowing very little of Bronislaw Huberman. I ended this book wanting more. At Christmas , the composing duo managed something truly extraordinary: a successful reimagining of The Nutcracker Suite. This suite was first composed as a ballet score by Russian composer Pyotr Ilyich Tchaikovsky in Knowing that the Russian died in , a full six years before the American was born, this meeting never could have happened in the literal sense. However, listening to the jazzed-up Nutcracker, one could imagine the work as a meeting place for.

In doing so, they showed that while music may be the universal language, it is spoken with many accents and therein lies the fun. So what can you expect at our Nutcracker Meets Duke Ellington concert? The audio playback is delivered from a MIDI keyboard. It fell spectacularly, having pushed its unquenchable thirst for ever increasing energy and power to ecological havoc, as our current civilization too is in danger of reaching with an exponentially increasing likelihood. Elegy for a Lost World, the first movement of Thunder Drum, is a musical meditation on this loss, which is traumatically felt by our collective psyche as deep seated memory, in spite of the absence of any external evidence for the existence and loss of such an advanced civilization in our collective past.

Beginning and developing along 19th Century European common harmonic and melodic practice another vanishing world , the music is a vague reminiscence of a two-theme classical sonata form.

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Rising and then falling, the first lament-like theme is occasionally succeeded by another of serene reminiscence whose infrequent appearance only serves to highlight the sense of loss represented by the first theme. The movement concludes with a Beethovenesque tragic cadence. Games, the second movement, is a great leap to the present moment.

This sonic background constantly challenges an agile orchestra to technically rise to its unpredictable rhythmic demands, a task increasingly frustrated by metric modulations and other devices of rhythmic complexity. Fiendishly challenging for the conductor to keep the orchestra and the playback together, this erratic and increasingly aggressive movement ends with a series of short modal melodic gestures, which are rather foreign to the otherwise consistent sonic world of this movement but presages the thematic material of the third movement.

Without any pause, Reconstitution, the third movement, begins quietly with a timid thematic development of the aggressive modal gestures that concluded the previous movement. They are in quintuple meter, the number five being a numerological indicator of human strife and aggression pentagon, pentagram, etc. The music once more picks up pace and energy and, this time around, it ends in an epic, triumphant but also hollow ending with the opening theme of Thunder Drum modulating to an altered major-like mode. In the aftermath of this triumphant conclusion, however, the two modes, the major and the minor are constantly alternating, suggesting an ambivalence and incompleteness that needs to be mediated upon in a future compositional essay.

As history teaches us repeatedly, the phenomenon of the oppressed rising to power and dominance only creates a new imbalance of oppressors and oppressed with roles simply reversed, unless a deeper understanding of human purpose is learned through this macro-historical exercise.


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    • While the name Vivaldi is a household classical name, its easy to forget that until the early 20th century his music had been completely forgotten. The end result: complete Antonio Vivaldi compositions that had been lost to the world for nearly two centuries.

    The explosion of new work from Vivaldi—a relatively obscure musician whose influence had been long-acknowledged, but whose music had all but disappeared—gave his work a new public debut. It was as if Vivaldi had been born a second time, and had a very short, implausibly prolific career. By the s, his music held a unique place in the canon: Antonio Vivaldi was acknowledged by scholars as one of the greatest and most influential classical musicians in history, but he was also seen by the listening public as fresh, mysterious, and unfamiliar.

    Opening the Remai Modern is the most highly anticipated arts events of the decade in Saskatoon. And particularly exciting for Saskatoon to have a chance to finally see its remarkable new Picasso collection on display for the first time. Somers was paramount to the development of the identity of Canadian classical music, and was involved in the development of the Canada Council for the Arts and the Canadian Music Centre.

    Among his many notable compositions is his opera Louis Riel which was written to celebrate the th anniversary of the confederation of Canada. He became more involved in diverse aspects of the Canadian music scene and his career as a composer finally took off. Although he had struggled to make a living on his compositions prior to this point in his career, this was the decade in which Somers no longer needed to hold a permanent position at any establishment and instead was able to live off of his commissions alone.

    He began the decade by returning to Paris for more compositional studies, thanks to a Canada Council for the Arts fellowship. When he returned to Canada, Somers became interested in how young people were being exposed to and educated about Canadian music.

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    He sought to improve upon their education via a number of different methods. In , he became a member of the John Adaskin Project, which was an in-school initiative involving the teaching and performance of Canadian music in schools. Also in , Somers began his part-time career with the Canadian Broadcasting Corporation by hosting televised youth concerts. It was adapted from music for a television program on the life of Picasso.

    The suite is nine movements long. The performing forces consist of: a flute, oboe, clarinet, horn, trumpet, strings, two percussionists, piano, and celesta. Click to Take a listen! Do I have your attention? How would you convince someone to come to Messiah for the first time? Tickets on sale December 8th. Click for Tickets This holiday season we think the gift of live music is the absolute best way to tell your loved one you think they rock!

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    How do I get tickets? Do I have to sing? Where do the singers sit? How do I know when to sing? Can I sing the soloists part? See you Saturday December 16th at 2pm! When did you make your SSO debut? Fiendishly challenging for the conductor to keep the orchestra and the playback together, this erratic and increasingly aggressive movement ends with a series of short modal melodic gestures, which are rather foreign to the otherwise consistent sonic world of this movement but presages the thematic material of the third movement Without any pause, Reconstitution, the third movement, begins quietly with a timid thematic development of the aggressive modal gestures that concluded the previous movement.