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Short stories about artists or some form of art, like painting or sculpture. Others simply contain art as an important part of the plot. Art Work | A. S. Byatt.
Table of contents

It is only a slight oversimplification to suggest that the tale was the only kind of short fiction until the 16th century, when a rising middle class interest in social realism on the one hand and in exotic lands on the other put a premium on sketches of subcultures and foreign regions.

Each writer worked in his own way, but the general effect was to mitigate some of the fantasy and stultifying conventionality of the tale and, at the same time, to liberate the sketch from its bondage to strict factuality. The modern short story, then, ranges between the highly imaginative tale and the photographic sketch and in some ways draws on both. The short stories of Ernest Hemingway , for example, may often gain their force from an exploitation of traditional mythic symbols water, fish, groin wounds , but they are more closely related to the sketch than to the tale.

Indeed, Hemingway was able at times to submit his apparently factual stories as newspaper copy. Faulkner seldom seems to understate, and his stories carry a heavy flavour of the past. Both his language and his subject matter are rich in traditional material. A Southerner might well suspect that only a reader steeped in sympathetic knowledge of the traditional South could fully understand Faulkner. Faulkner may seem, at times, to be a Southerner speaking to and for Southerners.

The Art of Writing Short Stories - Kotobee Blog

Whether or not one sees the modern short story as a fusion of sketch and tale, it is hardly disputable that today the short story is a distinct and autonomous , though still developing, genre. Short story. Article Media. Info Print Print. Table Of Contents.


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Happiness

Articles from Britannica Encyclopedias for elementary and high school students. Before it really becomes warm, everyone is daydreaming of a slow wave of cherry blossoms blushing from the south to the north of Japan, in the wake of the gradual thermal tsunami known as Spring. One can imagine that it is not the Japanese contemplating the cherry trees--but the trees themselves, opening their trillions of little floral eyes to take in the Japanese--that had long ago instituted the ritual of viewing the blossoms.

In A ritual Japan celebrates every year is blossom viewing. In ancient times these blossoms would behold celebrated court beauties arriving in kimonos, with musicians playing flutes and drums, with handsome boys hanging brightly lit lanterns to glow amid the boughs as everyone quaffs their sake amid a tumult of glances, gossip and music. The blossoms would look out on nobles arriving by boat, with servants, musicians and courtesans waiting on their pleasure behind gauzy curtains, as illustrious Buddhist monks sitting on the prow become ever more drunk and prattle ever more loudly about Zen, as the moon climbs ever higher in the sky and the tumultuous hullabaloo of drunken voices reaches a crescendo, with everyone shouting into the face of someone else in order to be heard above all the rest.

The blossoms would see that after the crowd thins and then disappears and the moon sets and the eastern sky begins to blush and the dawn breeze stirs--that neither they nor the moon have been truly appreciated for what they truly are.

They would feel, in short, that the moon and themselves have been somehow abandoned. And thus each blossom watches sadly as the moon sets and disconsolate and trembling brother and sister blossoms shake themselves loose from the branches of this fleeting and insensitive world, abandoning themselves in flights of sheer oblivion to sail in swirling flurries and dizzying eddies through the indifferent air. Permeating this ritual is mono no aware the fundamental Japanese aesthetic category.

It has been translated as 'an awareness of the Ah-ness of things' and as 'a certain sadness that arises when contemplating the evanesence of beauty. The difference is that Byatt's characters lack the Buddhist acceptance of ageing that comes from a life of celebrating mono no aware not only in blossom viewing, but also as the underlying aesthetic category in Japanese literature. What I find fascinating is cultural differences in such realms.

Analysis of the genre

Although Byatt is adept at conveying a certain sensibility towards growing older, this collection would have been far more captivating had she contrasted that sensibility with other, more accepting, ones. Oct 15, SarahC rated it it was amazing Shelves: modern-fiction. This is a short volume of stories that are all influenced in some way by the art of French artist Henri Matisse, developer of Fauvism.

The stories themselves shine beyond any sort of scheme like that. In the first story there seems to be a full, equal realization of this. In the second story the characters remain still baffled a bit by each other. In the last story, the stronger subjects of individual grief, fear, and honesty toward art itself override the coming to terms of relationships.

She is one of the most talented writers today in her ability to combine the elements of life into her stories. She concentrates on the moment, the memory, the actually telling of something of the small thoughts of the characters. You are never left puzzled and in the dark on her intentions. She is a writer who shares with the reader the consequence and significance of what she is writing. I recommend these highly. View 2 comments. Sep 29, Deea rated it liked it Shelves: short-stories.

This book reminds me of Murakami's volume of short stories called "After the Quake". Just like all the stories in that volume are not about the quake, and this phenomenon is just the background common theme to the stories, Byatts stories are not about Matisse, nor do they involve the painter in any way. What they have in common is Matisse's works of art: in the first story, a woman chooses her hairdresser's salon after she sees a Matisse painting inside The Rosy Nude , the second story is This book reminds me of Murakami's volume of short stories called "After the Quake".

What they have in common is Matisse's works of art: in the first story, a woman chooses her hairdresser's salon after she sees a Matisse painting inside The Rosy Nude , the second story is portraying in words what the painting "The Silence that Lives in Houses" is meant to convey and the consequences of such a situation and, in the third, a general depiction of Matisse's art helps three characters who hadn't known each other well be able to relate somehow to one another.

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I really liked the first and the third stories, but the meaning is so subtle that if you don't read the stories carefully, you might not get their hidden flavor. I think this is a good book and the subjects of the stories are really worth pondering on, but it lacks the force to make the reader want to recommend it further. The author tries to make some powerful statements, but in not a very strong way and the meaning might escape the reader who doesn't get involved in what he reads.

Jan 02, Fiona MacDonald rated it liked it Shelves: my-books , short-stories. I never forgot A. Byatt's stunning novel 'Possession' and had hoped that her short stories were going to leave me similarly bowled over. There were 3 stories, all based on the paintings of Matisse. The first is my very favourite, all set in a hairdresser's shop. The other 2 held less of my attention, but they were still fun to read.

I would probably need more than 3 of her stories to read before I can make an executive decision Jun 05, Anie rated it liked it Shelves: fiction , library , female-author , female-protagonist , I'm always torn with A. On the other hand, Possession? Couldn't even get halfway through. The Matisse Stories were somewhat in between for me.

On the Short Stories That Inspired a Russian Czar to Free the Serfs

Not exciting, perhaps, but engaging in the way that Byatt is engaging: She has a talent for taking small, unexceptional things and getting into their depths. Of I'm always torn with A. Of course, she also has a talent for creating characters that are so god-damned pretentious that I kind of want to strange them please see: why I couldn't finish Possession.


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    4. There's a bit of that in The Matisse Stories , but it's done in such a way that you and the author both get to laugh a little bit at the way these characters are lost in their own pretensions. Sep 10, Ashley rated it it was amazing Recommends it for: you and you and you. Shelves: fiction. Byatt is probably my favorite author.