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Long Live The Underground by Detroit's Filthiest, released 05 May 1. Before I Self Destruct 2. Resistance is Futile 3. We Speak Your.
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Techno is a music based in experimentation; it is sacred to no one; it has no definitive sound. It is music for the future of the human race. Without this music there will be no peace, no love, no vision.

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By simply communicating through sound, techno has brought people of all different nationalities together under one roof to enjoy themselves. Isn't it obvious that music and dance are the keys to the universe? So called primitive animals and tribal humans have known this for thousands of years! Notes from Underground This was the more enjoyable work in this collection. I enjoyed the narrator's pithy voice while he went over the events which lead to his "living underground". It also contains Dostoyevsky's infamously morbid black humour which has you smiling at the most desolate of images.

I strangely found myself relating with the narrator which probably says a lot about my outlook on life. The Double Good god this story is pages long and it took me two months to get through. I read Crime and Punishment in 24 hours but this novella took me longer to read than Dostoyevsky probably took to write it. It is a juvenile piece of melodramatic garbage, a black smudge on Dostoyevsky's almost perfect oeuvre. Its inclusion in this collection baffles me. The Double was written when Dostoyevsky was only 25 while Notes from Underground and his other major works were written when he was in his 40s and 50s.

He was clearly not a wunderkind. Even at the beginning of this Penguin edition it even notes that The Double was not successful when it was first published. I can hardly wonder why. It's so boring that it gives solitary confinement a run for its money.

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Now we know why the narrator of Notes from Underground was so bored, he has to share the same book with the characters from The Double. Poor guy. View all 4 comments. If spite makes you unworthy of a single pound, Try to write about your life in the underground. If this makes life as cold as ice, To read Dostoevsky is my advice. Notes from underground. Apropos of the spite, what can I say about Notes from underground? Allow me to tell you my If spite makes you unworthy of a single pound, Try to write about your life in the underground. Allow me to tell you my personal story behind this book.

I was hesitating about reading this novella because of what I had previously read about it and so I tried to do it twice this year.

So I tried to save it for a more spiteful time. Then one day I felt neither cheerful nor spiteful: that was the time! So, like I said, I do understand why people do not like it. It could be a depressing, miserable reading — for me, it was deliciously depressing. While reading the first part I felt quite… scolded, mocked, reproached! In this same part, Dostoevsky plants his most fundamental ideas, which would completely bloom till The brothers karamazov. If the latter were supposed to rule us, where would our free will begin? That reminds me of the famous chapter in The brothers Karamazov : The grand inquisitor , in which the inquisitor is talking to Christ who actually never speaks throughout the conversation , and here Dostoevsky points out a very interesting interpretation of the Gospel according to St.

On the other hand, in the second part the underground man tells a story, more what we are used to read from Dostoevsky, with its gloomy scenarios and sorrowful people, the monologue-like conversations, the psychological analysis, etc etc. The double. What would you do if one day you were walking by a solitary street and you ran into your so-far-unknown identical twin?

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Would you recognize this person immediately as your twin? The double is such a tale about a man, Mr. Golyadkin, who one day finds out there is a new man in town who is identical to him and has the same name as him. This man, known as Golyadkin Jr. It turns out that Golyadkin Junior is now taking over the original Golyadkin, the original hero and little by little the latter is driven to madness. The whole story is about madness though and utterly paranoid — you know, just Dostoevsky being himself with his crafty psychology.


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The author uses the absurd to shape his story but the core of it, I think, resides in the fact that we ourselves make multiple selves out of the original one: personalities that we have to switch all day long. For instance, we might behave differently according to the people we are with, to the place we are at, to the occasion we are living and so on and so on, and then we might even doubt of our own existence, just like Mr. Golyadkin does at some point of the story.

Then the mean twin turns out to be everything the doctor prescribed Golyadkin to be: there had to be another self who could survive among society. Unfortunately, there was room for only one self — who do you think survived? Some of the paragraphs were well written and very meaningful, but others were more tedious and kind of repetitive.

Long Live The Underground

I have a plan: to become a madman. Let people get furious and put me under treatment, let them make me reasonable. Dostoevsky, in a letter to his brother Mikhail at the age of Well, D. View all 8 comments. I've not much to say about this book that hasn't been said before. Both stories are nice and deep. Though hard going at times - I think that was largely due to translations - I loved this book. I'd love to read it in Russian, but I don't speak Russian :. View 2 comments. Jan 23, Blair rated it really liked it Shelves: classics , translated , russia , or-earlier.

Notes from Underground is sublimely misanthropic, dripping with scorn, blisteringly horrible. Its narrator is the anonymous 'underground man', whose voice and attitude make him seem a practice run for Crime and Punishment 's Raskolnikov. In the first part of the book, he lays out his personal philosophy, a bitter attack on — well, just about everything, including himself. In the second, 'The Story of the Falling Sleet', he relates a sequence of events that acts as an illustration of his paranoia, rage and self-loathing, starting with his obsessive quest to humiliate an officer he hates, and ending with his cruel rejection of a prostitute, Liza, whom he both loves and despises.

Despite a lapse into sentimentality when the narrator first encounters Liza, the tone remains acrid throughout, resigned to shame and misery. It's quite exhilarating. The Double is a much earlier novella The plot sees a fawning government clerk, Golyadkin, tormented by a man who appears to be his exact double. The Double drags, and while he's entertaining in small doses, Golyadkin is neither hero nor antihero, just a supremely irritating character. I wish the order of the novellas had been swapped, or I'd thought to read The Double first.

Reading it after Notes from Underground felt like eating a meal in the wrong order — a perfectly adequate main course after a spectacular dessert. According to the blurb, they're grouped together because both are 'masterly studies of the human consciousness', but they're so very different that seems like a reach. My advice is to skip The Double and read Notes from Underground on its own. At last comes the act itself, the revenge. The wretched mouse has by this time accumulated, in addition to the original nastiness, so many other nastinesses in the shape of questions and doubts Nothing remains for it to do but shrug the whole thing off and creep shamefacedly into its hole with a smile of contempt in which it doesn't even believe itself.


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There in its nasty stinking cellar our offended, browbeaten and derided mouse sinks at once into cold, venomous, and above all undying resentment. It will sit there for forty years together remembering the insult in the minutest and most shameful detail and constantly adding even more shameful details of its own invention, tormenting and fretting itself with its own imagination. It will be ashamed of its fantasies, but all the same it will always be remembering them and turning them over in its mind, inventing things that never happened because they might have done so, and forgiving nothing.

At times I would even rate them above myself. This quite often happened to me at that time; at one moment I despised them, at the next I felt they were superior to me. That is, I didn't actually enjoy my walk at all: I experienced an endless series of torments, crushing humiliations and attacks of spleen It was an agonising torment, a never-ending unbearable humiliation, caused by the suspicion, constantly growing into clear-cut certainty, that compared to them I was a fly, a nasty obscene fly — cleverer, better educated, nobler than any of them, that goes without saying — but a fly, always getting out of everybody's way, humiliated and slighted by everybody.

Moreover in the very worst paroxysms of my fever of cowardice I still dreamed of coming out on top, winning them over, making them like me, if only for my 'elevated ideas and undeniable wit'.


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