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Not by the VPRO, the broadcasting corporation that provides the freischwebende Intelligenz in the Netherlands with its weekly helping of leftish-liberal viewing fodder currently with added video art vitamins. Furthermore, an organization that has very little air time, which, furthermore, is not dependent on numbers of members or viewers so that it can remain calmly occupied with its moral issues.
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The occasional attention to art video , the organization's objectives and the subjects of these two tapes make one suspect that the choice of programs is made on the grounds of content. How did they get it in their heads to hire someone who succumbs to a world of romantic escapism , someone who is willing to look for another world tomorrow and to swap the order of today for a new one?
An important cause of this is that their thinking is postmodern also: French. Postmodern thinking is a particularly enjoyable way of thinking which began to catch on in cultural philosophic circles in the Sixties. An import point of departure is: things are not what they seem. Of course, everyone knows that. However, the postmodern thinker seeks the very opposite behind it all.
He likes to confront a phenomenon with its reverse and thus find a deeper significance that the reverse has in common with the original idea. This technique also works with larger numbers of concepts with more or less opposing significances. This method is like shaking up a pillow: it loosens up the brain cells and gives them a delicious stimulus to take all kinds of different routes. This last aspect is what is both beautiful and dangerous about the whole approach.
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Confronting something with its opposite can make it just disappear. The awareness that things are not always what they seem can, in daily life, lead to caution and possibly to deeper insight. Art may even come out of that caution and insight. However, for the contemporary thinker that awareness can lead to just mere thoughts.
Because it leads to point zero.
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The problem now is that they are too immersed in postmodern thinking so as to be able to recognize its evil. They are constantly on the lookout that it doesn't break out somewhere or other. The media artist is denied the possibility of an honest attitude. The artist shouldn't relate to the media, that hotbed of all that is wrong in this age. The need for actual emotions. She writes in the Infermental V catalogue: The media create an imaginary world which, contrary to what one would expect, is very personal. The existing world in which we live is in sharp contrast with it and is becoming increasingly drab and grey.
The media show desires in a more and more subtle way while 'our' desires become more aggressive and remain unanswered. The 'old fashioned' pattern of falling in love, marrying and having children is no longer enough, the media have created unrest amongst Relaxation. I am in the twilight zone modern people, through which one acquires a passion for the various codes supplied by the media.
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A passion for the various codes supplied by the media has not been overlooked in the style of her work. She is looking for a way of relating who reality the media exist and influence everybody. He projects his notion of postmodern thinking too hastily on the art he sees. WOLFS is also against postmodern thinking: The method of reversal as a handy gimmick unfortunately all too easily skip the seriousness of the existing conflict which would be better served by searching for solutions.
And shouldn't an attitude of self-criticism also play an important role in this process?
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According to the statement quoted above, he dissaproves of this reversal and with the work on which he had previously projected it. And if there really is talk of a reversal, it goes in the opposite direction: SCHOUTEN takes the seduction the media and uses it to research desire herself. My only regret is that I finished it so fast! Read it people you won't be sorry!
Echoes of Death
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Echoes in Death
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