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Com, Inc. Or Its Affiliates. Trending Products. He imagines Ultron as an artificial intelligence that can monitor and protect the Earth from threats, removing the need for the Avengers.

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If it worked, Tony could rest easy knowing that the planet is safe. With two days until their big victory party, after which Thor will return the scepter to Asgard, Tony insists on completing the project in secret rather than debating with the team.

What If? Age Of Ultron #4 (of 5)

Given these rash steps, it's easy to understand why Whedon refers to Tony as the true villain of the film. What follows is a montage of Tony and Bruce, the internet-dubbed "Science Bros," trying and failing to create a viable Ultron from the scepter. As soon as they leave, Ultron activates. Voiced by James Spader with his smooth, menacing monotone, Ultron is immediately confused by his purpose. He understands that he's meant to bring peace at any cost, and his perusal of the Avengers files associate the Avengers with war and violence.

Meanwhile, the Avengers victory party is not only a standout sequence in the film, but it's one of the greatest sequences in the Marvel Cinematic Universe. It simply consists of the Avengers and a few of their closest friends hanging out, telling stories, flirting, having a good time. The MCU has always been about the heroes, and the filmmakers have crafted deep, likable characters over multiple films. But rarely, if ever, do the films slow down enough to allow these well-established characters, played by some of the most talented, charismatic actors of the moment, to just hang out.

It's a revelation. Many have remarked, only half-joking, that they would pay to watch an entire film of these characters just sitting around, chatting. A Richard Linklater Avengers film, if you will. Highlights of the party are numerous. Thor gives some of Steve's Second World War veteran friends Asgardian liquor, resulting in one, played by Stan Lee, having to be carried out. Tony and Thor try to one-up each other, bragging about their girlfriends. Natasha flirts with Bruce.

But best of all, as the party winds down the Avengers try to lift Mjolnir, Thor's hammer, which can only be wielded by one who is "worthy. Clint fails.

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Bruce fails. Steve moves it slightly, briefly worrying Thor, but then fails to lift it or does he? The sequence delightfully culminates the first section of the Avengers: Age of Ultron , devoted to demonstrating the easy comfort of the team before their faith in themselves, and the Avengers, is shaken. That next section begins when Ultron crashes the party, babbling about the Avengers failing to do what is necessary to complete their mission. He attacks with the Iron Legion, steals Loki's scepter, and escapes through the internet to the Hydra base in Sokovia.

There, Ultron makes new bodies for himself, and recruits Pietro and Wanda to help him tear the Avengers apart. The twins are the victims of a Sokovian civil war, and were nearly killed by weapons manufactured by Stark Enterprises. They are ready and willing to make Tony pay.

Ultron is one of the Avengers' longest-running and most interesting villains. He first appears in Avengers 54 July , and his backstory is gradually revealed over the next several issues.

Marvel's "Avengers: Age of Ultron" - Teaser Trailer (OFFICIAL)

He came to hate his "father" and the Avengers, setting out to destroy the team at all costs. When defeated, he uploads his consciousness into new bodies making him a frequent and challenging villain. He also represents the hubris of the Avengers, as they are constantly trying to defeat a villain created by them. Whedon's unconventional approach to Ultron, perfectly captured by Spader's performance, is to make him emotional, psychologically-distressed and, in effect, very human. Ultron is a more of a vibrant character than those classic characters, but also more chilling.

When he resolves to destroy humanity it feels more like a cataclysmic tantrum than a logical calculation. Spader also nicely conveys the same snarky, cold wit of Robert Downey Jr, allowing Ultron to mirror his "father. Spader's Ultron is witty, thoughtful, sarcastic and highly intelligent, making him possibly the most "Whedonesque" character ever.

Meanwhile, the rest of the Avengers blame Tony for unilaterally activating an advanced artificial intelligence designed to replace to team.

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In another unconventional choice, and nice character beat, Tony bursts into laughter at the sheer magnitude of his failure before defending himself. He makes it clear that he does not want to be an Avenger forever, and that the Earth needs better defences, whether it be Ultron or something else. He actually says that this is the "endgame" of the team, unwittingly foreshadowing the fourth Avengers film. Steve, on the other hand, wants to combat to threats as they arise, and to do so as a team.

The team puts aside their differences and track Ultron to Ulysses Klaue Andy Serkis , an arms dealer in Africa who peddles a highly rare metal: vibranium. This is part of some subtle advance-planning for Black Panther Coogler, The Avengers attack Ultron and the twins there, but Ultron escapes.

What If? Age Of Ultron #5

Wanda, however, attacks the team one-by-one with dreams. Robert Downey Jr. Steve dreams of meeting his wartime crush, Peggy Hayley Atwell , after the war, a date he missed by plunging into the Arctic Ice for seventy years. It represents the life he could have had in his own time, before awakening years in the future, cursed to only be a soldier.

Natasha dreams of her strict assassin training in Russia, including murder and a very particular medical procedure. It reminds her that she was made to be a cold-blooded assassin, nothing more. Thor dreams of a dark, hedonistic Asgard right before his power overloads and destroys it. He feels regret for leaving Asgard, and abandoning his duties there, but also fear that he could destroy his home. After spending most of The Avengers brainwashed by Loki, Clint is prepared and avoids Wanda's dreams.

Despite this, Wanda manages to finish her telepathic assault by going after Bruce. His dream leaves him transformed into the most out-of-control Hulk yet depicted on screen, and he rampages into a nearby city. With the rest of the team incapacitated from the dreams, Tony rushes in to stop the Hulk. The ensuing "Hulkbuster" sequence is an excellent set-piece.

Since the last film, Tony and Bruce collaborated on a satellite with technology that can be launched to stop the Hulk in the event of a rampage. Metal panels first contain the Hulk as a fifteen-foot suit of Hulkbuster armour encases Tony's Iron Man suit. Hulk escapes containment and Tony brings the fight to him. The action is inventive and funny. At one point Tony's mechanical arm starts pounding Hulk in the head like a jackhammer while Tony repeats "Go to sleep, go to sleep…" Tony uses a broken elevator as a mace and smacks Hulk hard enough to loosen a tooth, but then apologizes when it's clear this simply made the Hulk more angry.

Beyond the fun, Whedon is conscious of not glorifying the destructiveness of the fight, something that had become far too common in recent blockbusters. Tony tries to get people out of harm's way, or take the Hulk away from the city. He finally wins by scanning a half-constructed skyscraper to ensure it is abandoned, instantly purchasing the building, and then slamming Hulk from the top to the bottom.

When the dust clears, Hulk is dazed and the terror of the nearby crowds is enough to get through to him even in his enraged, monstrous state. There is widespread destruction, but Tony seeks to minimize it. This all serves as a reminder of Bruce's worst fear, that he can become a rampaging, out-of-control version of the Hulk and kill a lot of people.


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Following the dreams and the Hulkbuster sequence, Avengers: Age of Ultron transitions into Whedon's most unconventional choice: a detour to Clint's secret family and farmhouse home. Clint is considered the weakest of the original Avengers, both in terms of powers and character development.


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This was exacerbated when he was brainwashed and sidelined for much of The Avengers. Whedon highlights Clint's character with this sequence, positioning the least powerful, most grounded, most human member of the Avengers as the heart of the team. This is both for their protection and to give him a safe haven away from superheroics.

Clint is the only Avenger with a deep connection to the world outside the team.