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WW2 - OverSimplified (Part 1)

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Moonshine #11 (2018)

Marvel Comics Presents series 36 very fine comic book. Marvel Comics Presents series 26 very fine comic book. Marvel Comics Presents series 21 very fine comic book. Marvel Comics Presents series 63 very fine comic book.

The Colorful History of Kickapoo Joy Juice

Marvel Comics Presents series 28 very fine comic book. Marvel Comics Presents series 20 very fine comic book. Marvel Comics Presents series 70 very fine comic book.


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Add to cart to save with this special offer. If you Buy It Now, you'll only be purchasing this item. The story has been uneven and felt, at times, directionless, as though there were either too many threads or not enough and none of them weaving together. That changes with Batman and the Outsiders 7 as Ra's al Ghul's plan to destroy Batman by going after his team kicks fully into action. The reality of this situation finally begins to present itself to the full Outsiders team and while the moving parts are still in many ways disconnected, with most of the team getting the message of just how deep they are into things the threat finally feels real.

Batman and the Outsiders 7 still struggles a bit with too much exposition, but we're finally getting into the story for real now -- and it's one that has promise. It's been quite some time since I've read a comic book that feels too long and too short at the exact same time.

CAKE: Chicago Alternative Comics Expo

This isn't necessarily to say that you should avoid it, just rather that I can see the story being much easier to digest in one sit through rather than in a monthly publication format. While not managing to hold the momentum of the first issue, it's still worth a look though maybe you should wait for the collection. Overall, this issue is an absolute knockout for Catwoman as a title.

Holy moly, Collapser is continuing to be great. Even with alien invasions and a heck of a lot of body horror, this issue almost feels like the most understated installment yet, as Liam violently comes to terms with his actions. The end result is largely poignant and gorgeously rendered, with a genuinely great Superman homage thrown in.

Comics/Graphic Novels

Detective Comics is struggling with the complicated and problematic relationship between Dr. Freeze and his wife Nora. Freeze has always been depicted as a controlling and overbearing spouse, one that feeds into the tragic nature of his backstory. His wife was dying of a disease he couldn't cure, so he froze her.

Now that Nora is awake, she rebels against his overbearing nature - which comes out when Freeze notices a cruel streak emerging during their recent raids. While under usual circumstances we'd applaud Nora for stepping out of a bad relationship, the comic is meant to make us empathize with Freeze. It's all a bit The comic isn't necessarily bad, but it certainly implies the wrong message. Eons after ancient beings inhabited the earth, a girl inherits a dollhouse, only for its inhabitants to begin to speak to her.

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Not all of their comments are the imaginings of a child, as it's possible these beings have left their mark on the planet in countless perplexing and terrifying ways. As far as the meat of the story, about beings inhabiting a seemingly haunted dollhouse coming to life and having an eerie influence on a little girl, the narrative is pulled off effectively even if the idea isn't groundbreaking.

What really pushes the book above and beyond are all the various details that are seemingly unnecessary, which give enough explanation for the mysterious events unfolding while never explicitly laying things out. We never learn of a direct connection between the ancient beings and the dollhouse, nor do we learn what that has to do with a land surveyor in the 19th century and the bizarre events that unfold in a cave he explores. The inclusion of those details heighten the standard story to send the reader's mind into a variety of terrifying scenarios, fueling the fires of speculation without ever spelling things out for you in this frightening universe that we'd love to return to.

The conclusion of Brian Michael Bendis' major mystery event, Event Leviathan 6 at times feels a little anti-climactic. The identity of Leviathan was, more or less, revealed in issue 5 and while the assembled greatest detectives of the DC Universe have been looking for answers across the whole series, Leviathan's endgame was never really much of a mystery.

In the end, the defeat of Leviathan feels a bit like a letdown, but that's what makes the issue work. It's this sense of disappointment that makes Bendis' entire story arc work because of how real it feels. Sure, the detectives won, but at what cost? And, sure, Leviathan was defeated, but what's next?

There are no great victories in Event Leviathan 6, but as the chapter closes, the story sets up the next and offers a nagging reminder that while you can win the battle, you may still lose the war—and Leviathan is definitely a war. Beautiful story, lovely art, it's an excellent closing issue to the short series, well-executed and well-done. DC Comics' history is filled with cosmic tales of the Green Lanterns, but few if any have ever presented quite as compelling a concoction as Far Sector.

Writer N. Jemisin makes her DC debut with the Young Animal series and it's a stellar one to be sure; she not only brings to life a whole new society and cast of oddball characters, but also delivers one of the coolest new heroes in years. Artist Jamal Campbell pulls double duty on pencils and colors and delivers a visual knockout throughout the issue, bringing to life a world unlike any other in both color and style.


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It all adds up to one hell of an introduction, and one you don't want to miss. In the long history of superhero comics, it can sometimes be hard to find truly original story ideas, but the latest issue manages to do just that for the Flash anyway. With Barry Allen only appearing on the last page, we're introduced to a fascinating world where "King Cold" and the Rogues have split up the city to rule as they see fit.