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Table of contents

When the demand for additional titles for monthly selection increased substantially at the end of , with increases up to forty titles per month, a sizeable amount of fiction from an earlier period was relied on to fill in the monthly gaps. Readers' reactions showed them to be most receptive to certain authors, 1 ' H. Allen Smith estimated his five titles two of which, Low Man on a Totem Pole and Lost in the Horse Latitudes , were reprinted had generated five to ten thousand letters.

Betty Smith, author of A Tree Grows in Brooklyn also re- printed by ASE , received ten times more service mail than letters from civilians reacting to her novel. Louis Brom field and Kenneth Roberts reported receiving fifteen hundred to two thousand letters. Authors who received from two hundred to five hundred letters were a mixed company — Hervey Allen, Mac Kin lay Kantor, H.

B, White whose essays on New England life prompted pangs of homesickness from many of his correspondents. James Thurber's humor was apparently appreciated by service readers. His six volumes in the series generated upward of two hundred replies, in which 75 percent of the respondents reported that they had first encountered his work in ASE format. The authors of westerns seem not to have received too much mail, although Ernest Haycox who, woth eighteen ASE titles, was the most prolific- writer to appear in the series got about two hundred letters. She personally answered some of the "mass- mail she is said to have received from abroad.

Designed like most truly mass-market products to be digested and discarded, the ASE volumes added impulse to a publishing development that was to revolutionize American book-buying habits. That such an ex- periment succeeded so well during a most adverse period in the nation's history speaks highly of the cooperative spirit adopted by participating authors, publishers, and the government itself. That the immediate reader response was also positive seems clear from the correspondence received by both authors and the Council on Books in Wartime.

In the early s a returned serviceman from the Pacific thea- ter who is now an emeritus professor at Berkeley offered an entire foot locker of Armed Services Editions to his employer, a major research library in Chicago.

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His offer was graciously declined. It was an opportunity missed, for today any library would be hard pressed to assemble anything like a complete collection of this fas- cinating set of books. A Virginia bookseller has been trying to achieve this feat lor nearly thirty years and still lacks about a hundred titles. Little books, indeed, have their fates, and it is appropriate that we observe the anniversary of an almost forgotten series in American publishing history, whose influence is still felt by us today.

The volume of Luther's paper-covered tracts is discussed by Hans Rupprich, Die Deutsche Literal ur vom spa ten Mu hi alter his turn Barock , vol, l Munich, , 33 3. On the Tauchnitz scries, see William B. These early paperback series are discussed by Schick and Bonn. Note also the lavishly illustrated work of the Dutch paperback collector, P iet Sc h re ud e rs , Paperbacks U. T Schrcuders, pp.

This more aggressive cover art prompted congressional hearings in December , whose significance for paperback history warrants fur- ther study. See U. See my accompanying compilation of secondary literature on the Armed Services Editions series. November 15, , Jamieson, pp, T Wallace Stegner to John Y. Bruccoli Matthew J. Bruccoli has written or edited more than thirty volumes in the field of American literature. He holds degrees from Yale and the University of Virginia. Writing this essay has , he says t reu betted his ASE appetite. My initial interest was stimulated by the circumstance that there were two E.

It took me more than ten years to acquire them. Along the way I got hooked.

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The usefulness of an author collection is in assembling and preserving the evidence about an author's career: the forms in which his work appeared, the ways his books were distributed, how he reached his audience. Collecting first editions that is, first printings of first editions is largely an exercise in check writing.


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Indeed, the collecting can be delegated to a few competent dealers. The hard work comes in assembling every printing of every edition, including all the paperback reprints. The formats, the covers, the prices, the blurbs provide the data of literary history. The only way to put together such a collection — an archive, really- — is by handling lots of books in unlikely places. Linton Massey used to send me into used paperback stores because he didn't want to get his suits dusty; nonetheless, he was a good collector and understood that he needed the dusty paperbacks. At the time of his death Linton had one of the best Faulkner collections in the world — as well as an excellent wardrobe.

In I was living in Cambridge, Massachusetts, and spending weeks in Washington. My active ASE collecting — or, rather, acquiring — dates from this time. I was slow to understand that the ASE provided a collecting situation with necessary elements for the long haul: There were many titles; they were cheap; they were hard to find many of them were left behind in Europe and the Pacific.

But these characteristics also apply to bottle caps.

RECOLLECTIONS OF AN ASE COLLECTOR

The key element was literary or cultural value, and I belatedly recognized that the ASE possessed such value as a series in addition to the desirability of individual titles. The ASE project was the biggest book giveaway in history: ,, copies of 1, books. Servicemen who had not previously been much exposed to books were provided with them when they had nothing else to do except read. Moreover, it seems highly probable that some postwar repu- tations were stimulated by the introduction of authors in the ASE to readers who had never read them before.

One hundred fifty-five thousand ASE copies of The Great Gatsby were distributed — as against the twenty- five thousand copies of the novel printed by Scribners between and It was too late. My efforts were a matter of picking up one or two at a time.

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The biggest strike I ever made was some thirty copies. Collecting ASH is difficult because they never really became collectors' items, except for certain tides.


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  8. Their unprepossessing appearance probably discouraged 11 respectable" dealers from taking them seriously — which means pricing them high enough to make it worthwhile to handle them. One crackpot refused to sell me his batch of copies because they were "government property. There are used- paperback specialists, but none that I know of specializes in ASE.

    The ASE collector never knows where they will turn up, which makes for a lot of excursions to unlikely places. I've bought them in secondhand furniture stores, girlie- magazine emporta, a railroad station newsstand, a barber shop, and various unclassifiable roadside enterprises. The best pickings were on skid rows in any city. I doubt if this circumstance can be attributed to the high literary level of bums.

    Rather, it resulted from the cheap rents and the kinds of marginal used -articles businesses that can survive on these mean streets. Apart from literary collectors, there seems to be a breed of paperback collectors who seek ASE for reasons not entirely dear to me. Jekyll and Mr. These data indicate that the ASH marker has been established mainly by sci-fi collectors and those interested in the supernatural Absent from the blue-chip list are the ASE abridgments of Thomas Wolfe s Look Homeward, Angtt and Of Time it ml the Rtvtr — key desiderata for a Wolfe collector.

    After more than twenty years my total stands at a disappointing , and it gets harder all the time. Andrews, New Brunswick. Although my quest for completion seems doomed, my ASE collec- tion remains one of my favorite bi hi tophi lie endeavors because there has been so much pleasure associated with it and so many other happy finds in places where there were no ASH. September 28, , June 18, , Bixby, George. I J an uary— February : 13— Bruccoli, Matthew J. September : 6. Council on Books in Wartime.

    A History' of the Council on Books in Wartime. Cousins, Norman. Cowley, Malcolm. Editions for the Armed Services. Listed by Number and Alphabetically by Author. New York, Editions for Armed Services. June 14, , Jamieson, John. July 12, , New York, , , " Censo rs h i p and the Soldier. Public Opinion Qua rterly I 1 : North, Paul H. Ogden, Archibald. Chicago, War Book Council tiers Review Award.

    August 9, , Most of the volumes were a gift from the Council on Books in Wartime. The University of Alabama Library also has a set, received as duplicates from the Library of Congress, which lacks only sixteen titles. The sec is displayed there in the special collections reading room, and Curator Joyce H. Lamont reports that the books always draw comments from World War II veterans, who point out titles they read.

    Trautman, who, after the war, became a professor at Columbia's School of Library Service. The department also has the John Jamieson Papers on the Editions for the Armed Services, a collection of about sixty- five hundred items, mostly correspondence, reports, photographs, and ocher materials gathered and used by Jamieson in writing his histories of the ASE projecr and army library services. The archival files of the Council on Books in Wartime are deposited in approximately seventy- five boxes in the Seeley G.