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Harry Houdini was a Hungarian-born American illusionist and stunt performer, noted for his . He then arranged a grand reception where he presented his mother in the dress to all their relatives. Magician Jean Hugard would later write a full rebuttal to Houdini's book. .. He also invites his sister, Gladys, to recite a poem.
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In July of , in Hardin County, Ohio, a boy sees ghosts. A teenage runaway and her mute brother seek salvation in houses, buses, the backseats of cars. Preteen girls dial up the ghosts of fat girls. A crew of bomber pilots addresses the ash of villagers below. And from India to New York to Phnom Penh, dead girls both real and fantastic appear again and again: as obsession, as threat, as national myth and collective nightmare.

A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Crime is a motif—sex crimes, a possible murder, crimes of the heart. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. Amy Gustine exhibits an extraordinary generosity toward her characters, instilling them with a thriving, vivid presence.

She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. Tied to their ancestral and adopted homelands in ways unimaginable in generations past, these memorable characters straddle both worlds but belong to none. These stories shine a light on immigrant families navigating a new America, straddling cultures and continents, veering between dream and disappointment.

In this down and dirty debut she draws vivid portraits of bad people in worse places…A rising star of the new fast fiction, Hunter bares all before you can blink in her bold, beautiful stories. In this collection of slim southern gothics, she offers an exploration not of the human heart but of the spine; mixing sex, violence and love into a harrowing, head-spinning read. Some readers noticed his nimble blending of humor with painful truths reminded them of George Saunders.

But with his new collection, Jodzio creates a class of his own. Here they enter the worlds of sisters and brothers, fathers and mothers, daughters and sons, friends and lovers. With self-assurance and sensuality, April Ayers Lawson unravels the intertwining imperatives of intimacy—sex and love, violation and trust, spirituality and desire—eyeing, unblinkingly, what happens when we succumb to temptation. Le Guin has, in each story and novel, created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves.

But as fantastical as these stories can be, they are always grounded by sly humor and an innate generosity of feeling for the frailty—and the hidden strengths—of human beings. From one of the greatest modern writers, these stories, gathered from the nine collections published during her lifetime, follow an unbroken time line of success as a writer, from her adolescence to her death bed.

The award-winning narratives in this mesmerizing debut trace the lives of ex-pats, artists, and outsiders as they seek to find their place in the world. Straddling the border between civilization and the wild, they all struggle to make sense of their loneliness and longings in the stark and often isolating enclaves they call home—golden fields and white-veiled woods, dilapidated farmhouses and makeshift trailers, icy rivers and still lakes rouse the imagination, tether the heart, and inhabit the soul. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own.

Her characters are a strange ensemble—a feral child, a girl raised from the dead, a possible pedophile—who share in vulnerability and heartache, but maintain an unremitting will to survive. Meijer deals in desire and sex, femininity and masculinity, family and girlhood, crafting a landscape of appetites threatening to self-destruct.

In beautifully restrained and exacting prose, she sets the marginalized free to roam her pages and burn our assumptions to the ground. Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields—and fields of victory—that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship.

Like George Saunders, Karen Russell, and David Mitchell, he pulls from a variety of genres with equal facility, employing the fantastic not to escape from reality but instead to interrogate it in provocative, unexpected ways. It is her miraculous gift to make these stories as real and unforgettable as our own. In works that are as memorable, engrossing, and exciting as they are gorgeously crafted, Neugeboren delivers on his reputation as one of our pre-eminent American writers.

From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of migration. Gordo, the old Cubano that watches over the graveyards and sleeping children of Brooklyn, stirs and lights another Malaguena.

It introduces us to an arresting and unforgettable new voice. Spanning four decades and three prize-winning collections, these twenty-one vintage selected stories and thirteen scintillating new ones take us around the world, from Jerusalem to Central America, from tsarist Russia to London during the Blitz, from central Europe to Manhattan, and from the Maine coast to Godolphin, Massachusetts, a fictional suburb of Boston.

These charged locales, and the lives of the endlessly varied characters within them, are evoked with a tenderness and incisiveness found in only our most observant seers. These fifteen linked tales confront readers with fractured marriages, mercurial temptations, and dark theological complexities, and establish a sultry and enticingly cool new voice in American fiction.

Mothers, daughters, witches, artists, strangers, winged babies, and others grapple with deception, loss, and moments of extraordinary joy. In these stories, Luis J. Rodriguez gives eloquent voice to the neighborhood where he spent many years as a resident, a father, an organizer, and, finally, a writer: a neighborhood that offers more to the world than its appearance allows.

Competitive cyclists twins Michael and Maggie have trained all their lives to race internationally. One thing holds them back: their mother who years before crossed the border…into Tennessee. And his defence for all this — that without austerity, Britain would have lost its credit rating and faced even more painful cuts — relies on something that can never be definitively proven. Whatever happened to the year-old who became Conservative leader on a wave of such hope and promise? Back in , David Cameron embodied everything a party that had lost three elections could want from a leadership candidate: charisma, confidence, and a sense of being at ease with modern Britain.

True, he was an Old Etonian. This Cameron argued earnestly for more understanding of young offenders , and demonstrated his eco-credentials by posing with huskies in the Arctic.

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Yet much of that turned to slush when he entered Downing Street in A leader temperamentally suited to good times would wield the axe instead. Hints of the old sunny Cameron still surfaced periodically. It was the opposite of what he would later be accused of doing in the referendum.

Others cite the pledge to raise overseas aid spending to 0. Beyond that, however, the record gets patchier. The latter is now a byword for bureaucratic incompetence and unintended cruelty, inextricably linked in the public mind with food bank use, rent arrears and evictions; Duncan Smith himself eventually resigned over cuts to disability benefit, saying the project had been scuppered by insufficient resources. For many Labour voters, the welfare reforms alone would be damning.

But for Conservatives who view austerity as having been painful but necessary to balance the books, the critique is different.

He was insistent there was no such thing as Cameronism, that what mattered was what worked. Back in , Cameron was lagging behind David Davis, the initial frontrunner in the leadership race, when he gave a Daily Telegraph interview promising two things that sounded strangely at odds with his modernising agenda.

Opinion was sharply divided when Cameron began thinking aloud, halfway through his first parliament, about an in-out referendum to settle the Europe question. At a kitchen cabinet meeting to discuss options, Osborne warned that losing would be catastrophic. But Mitchell, by then chief whip, raised a different concern. The charge of putting the whole country through the mill to solve an internal Tory psychodrama has been made ever since. Why did Cameron ignore the warnings? In his memoirs he is likely to defend it as democracy in action, giving the people the final say.

But it was also surely driven by arithmetic. The splitting of the rightwing vote, with disgruntled Tories defecting to Ukip, had long hampered Conservative leaders but coalition turned a festering problem into an urgent one. Leftwing votes had also been split between two parties but were now consolidating, as Liberal Democrat voters swung to Labour in protest at their party entering coalition. His own backbenchers were jittery, threatening to oust him.

If Cameron wanted more than one term in office, he needed those Ukip voters back. Boles is convinced that without promising a referendum in , Cameron would have lost the general election. It had been building for so long and the Ukip situation was very real. Yet, in seeking to ward off what he saw as the socialist threat from Ed Miliband, he unleashed a chain of events that may yet make Jeremy Corbyn prime minister.

Cameron appears to have seen the referendum primarily as a safety valve, a means of releasing pent-up rightwing urges relatively harmlessly before getting on with what he regarded as the real business of the second term: returning to the themes that originally won him the Tory leadership.

Having already decided to quit before the election to spend more time with Samantha and their three surviving children, Cameron wanted to focus in his final years on becoming the social reformer he had always intended. The dream was to go out on a high having lanced the Europe boil, belatedly balanced the national books and returned to the sunlit uplands of his early vision.

Christian Guy was brought into Downing Street to work on the life chances programme from the Centre for Social Justice, a thinktank set up by Iain Duncan Smith that, in opposition, had taken Cameron on tours of the kind of deprived neighbourhoods Tory leaders rarely visited. Europe was something he just wanted to get out of the way so he could do these social reforms.