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The star of Alexander and A Home at the End of the World talks about playing bisexual two films in a row By Mike Szymanski Colin Farrell thinks that there's.
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I decided that no matter what, I was going to get healthy enough to open up for the Headhunters. I started pushing myself to walk a mile a day, did a daily light exercise routine, added protein shakes to my diet, and forced myself to eat, even though it was difficult. I rested more, which is very unusual for me, and worked only 6 hours a day in my shop. The first month was tough as I saw very little progress. As it got closer to the concert, Greg and I were talking on the phone and he asked me to sit in with the Headhunters on a couple blues tunes.
Needless to say, that gave me the push to keep trying to get better. This was going to be a once in a lifetime happening for me, so now I had a new goal and 3 weeks to get there.
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On the day of the concert, everything came together, I felt great, and I was so stoked to be playing with Greg, it was an epic day! Greg, thank you again Bro, for your friendship and encouragement. This was a very special day and a highlight in my life! Allen for sharing this beauty with us.
As the story was told to me by two of the previous owners, was found one day in a Baton Rouge pawn shop. The would be next owner walked in, saw it and asked the pawn shop owner about it. The pawn shop owner apparently had no idea what the guitar. Published on 26 May JD Simo recently stopped in the shop and offered his tremendous guitar playing skills for a quick demo of the first "Burst" Les Paul.
Drove my friend up to Detroit to pick this one up at a show. When we got there we went to the room where the burst was and there was GIlvis. He was sitting in his underpants only and drunk as a lord. He had the burst balanced upside down by the headstock in just one hand.
It was waving back and forth as Gil tried to keep it balanced and it keep nearly falling. It was I thought it was pretty funny since i knew Gil would not drop it and was just trying to stir things up. Which he did. Gil gave the burst to the new owner unharmed and then to show how great his balance was he took a tray full of drinks that room service was just bringing in --and tried to balance it in one hand like he had done with the guitar.
After a few tries Gil balanced the tray. It then began to sway and he tried to move to adjust the balance. Being so drunk however did not help and he fell into the corner of the room with all the drinks spilling and all the glasses breaking when they hit the ground. So there sits Gil amid drinks all over him and all the broken glass everywhere He was laughing like a crazy man and soon we were all roaring and laughing with him.
Thus the Bursts name -Knight of Shattered Glass. The guitar was unharmed and went to a great new home. A burst story. A friend of mine owned it a while". I was collecting a Stratocaster body that belonged to Ronnie Wood that Ronnie's roadie had asked me to deliver to a vintage guitar restorer that I knew to have some work done.
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My roadie friend also worked for Jimmy Page, who was supposed to be rehearsing in Chelsea with a band. On the way there I received a call to say that Jimmy wasn't rehearsing now as he had to go out of town on other business and could I collect the Strat body from him at Jimmy's house instead. I had to ask. I'll go and fetch it. He opened the case to show me this legendary instrument. A well played late 50's 'burst with an old headstock repair, changed pickups and a shaved down neck.
A modern icon. I took a couple of photos and then it got really weird. Pretty soon after the case was opened, the sky went black, the heavens opened and it began to thunder with lightening and pour with rain. But my friend looked freaked out.
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I shook his hand and thanked him for showing me the guitar and I left with the Strat body of Ronnie's with my collar up on my light summer jacket. It was throwing it down. I took the tube from Kensington High Street to head back to Denmark Street where I was working, feeling a little freaked out myself thinking how the storm had come out of nowhere.
As I got to the bottom of the escalator to catch my train I heard a busker playing a guitar. Now I was a little more than freaked out. When I arrived at Tottenham Court Road I approach the escalator to take me up to the street and was faced with another busker who was playing The Eagles' 'Hotel California'. Now I was proper freaked out.
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Anyway, that's my story and how I got to take these pictures. Sales and profile were growing with each album, culminating in Wild Frontier in He realised, too, that he was repeating himself as a songwriter.
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He needed to take some risks if he was to move on — but which way to turn? Sitting in the tune-up room loosening up before a gig in Germany with his long-time bass player Bob Daisley ex-Rainbow and Ozzy Osbourne , the answer came. And then it came to me. He had the album and a lot of people were talking about it.
It was the first time anyone had heard a Les Paul going through a Marshall amp. My friend put on the opening track, All Your Love, and it changed my life in a second, it was an unbelievable epiphany. It was only a little stereo, but the guitar was screaming out of the speakers. Like most fans, he stood there, arms folded, waiting to hear from the guitarist who had the job of replacing Eric Clapton.
It seemed that the whole room was resonating, such was the depth of his tone. Peter told me that he liked my playing and invited me back to his hotel after the show. I had another gig to play about 50 miles away, but he wanted me to go back and we sat up playing and talking until the early hours. After that we became friends and he persuaded his manager Clifford Davis to sign Skid Row. All through the Bluesbreakers and Fleetwood Mac he had played that particular guitar… and so I jumped at the chance.
A few days later he called and asked me if I wanted it. I told him there was no way I could afford it, but he said if I sold my main guitar a Gibson SG , then whatever I got for it, I could give it to him and then it would be like swapping guitars. He met up with Green again during the recording of his solo album Back On The Streets, the source of his first pop success, Parisienne Walkways. The Les Paul was leaning against a chair in the studio and he came in, walked across and brushed it with his hand.
He put some of the old magic back into it for me. There are many stories of how it came to have that soulful, far away, out-of-phase signature sound. But there is no such thing as a magical guitar; there are only magical guitarists. But in , exactly what form this blues album would take — or even if it would happen at all — was very much up in the air.
And Moore had other ideas. But Moore soon ditched that plan and turned his mind to building a team of musicians under his own name. Briefly floated, too, was the notion that this could be released on the Point Blank label. John Wooler, who had good connections with a number of American blues artists on the Alligator label, was laying plans to have a blues subsidiary of Virgin. Nothing was going to happen, however, until Virgin could hear what Moore was planning. I was the bandwagon!
Moreover, Pyle had solid blues credentials with several bands, including Savoy Brown and Blodwyn Pig. Moore and Pyle met and started working on some ideas.