A Guide to Professional Photo Retouching & Compositing Glenn Honiball. Making a Simple Composition I will start with the image of my guy on the beach and.
Table of contents
- 62 Photo Editing Tutorials to Improve your Photoshop Skill | Graphicient
- 71 Comments
- Product photography tutorial
- We Are Releasing 2 New Tutorials June 29th
Hiding the skin flaws with one layer. Adding Hair effects on Portrait. Retouching your portrait in just 5 minutes. Crafting beauty in photoshop. Retouching a studio portrait. Improving your portrait with the foreground lighting effect. Cheapest alternative to plastic surgery. Create stylish portraits using simple Photoshop effects.
Quick and Easy Facial Retouching. Create a Glamour Style Composition. Easy steps to trim weight using photoshop. Whitening of your teeth using photoshop. Tweaking a models facial expression using Photoshop. White balance fixing using photoshop. Using the red eye tool for face manipulation. Create a Lone Ranger Photo Manipulation.
Create a Coming Home Photo Manipulation. Create Interesting Human Face. Create a Devastating Tidal Wave. Serene Fantasy Photo Manipulation. Image masking using photoshop. Using photoshop cs6 for clipping paths. Jewelry Retouching to enhance beauty and value. Detailed Techniques of cleaning and polishing Jewelry in Photoshop. The beauty and sadness of Jewelry Photography Retouching. Easiest steps to retouch Jewelry. Cleaning up Jewelry in photoshop.
Learn how to retouch multicoloured metals and diamonds in Photoshop. An easy guide to Retouch Jewelry images. Understand about Jewelry Retouching, the expectations and Budget. White backgound product retouching. Quick adjustments for editing your product photos. Become a PRO in product retouching. Editing products to remove background.
Tricks for product retouching. Photoshopping your E-Commerce products. Isolating of products using photoshop. Creating a Micro Machines Inspired Scene. Create a post apocalyptic scene in Photoshop. Superimpose a Car onto Another Image in Photoshop. Very Shiny Glitter Text Effect. How to create 3D style sign. Today you can easily change the view of any image to achieve what you generally need, talk of jewelry, product retouching and all the topics that we have depicted in this tutorial series.
62 Photo Editing Tutorials to Improve your Photoshop Skill | Graphicient
Ways to polish off your portrait 2. Skin Retouching actions 3.
- Product Photography Tutorial!
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- A Complete Guide to Retouching Portraits in Photoshop for Free!
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Retouching Airbrush Skin in Photoshop 4. Hiding the skin flaws with one layer 5. Adding Hair effects on Portrait 6. This tutorial will give you the tools and techniques needed to execute your vision and bring your images to life. Inspired by master painters of the s17th century, Dutch photographer, Gemmy Woud-Binnendijk crafts her images from concept to final product with great care for every detail and nuance along the way.
Using the Chiaroscuro principle and Sfumato techniques, Gemmy uses color and light contrasts to create depth in her images. By layering colors and tones she creates the soft and imperceptible transitions that have helped define her unmistakeable style. In this tutorial you will see the entire creative process of Gemmy Woud-Binnendijk as she demonstrates the techniques used to create her beautiful painterly images in-studio and in Photoshop.
Gemmy walks through how she conceptualizes and finds inspiration for an image. She then works with her trusted stylist and assistant to create a distinct look and style for an image. Once on set, Gemmy sets up and tests studio lighting, meticulously placing and dialing in the desired power and quality of light required for her painterly style. You then see her pose and communicate with her subject, direct her stylist, and work entirely through capturing an image on set.
After an image is captured, Gemmy demonstrates her unique Photoshop workflow to see the final image realized. Finally, Gemmy challenges you with a homework assignment to create an image of your own. RAW files, composite elements, a Photoshop action, and final images are all included with the purchase of this tutorial. Last week the assignment was to create a single food image using only natural light.
After the ten day shoot period, we received 25 great submissions, one of which could not be ignored. Janelle Folk's submission became the clear winner. Her concept and creativity were unmatched and beautifully executed.
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Her image was simple. It had great lines, movement, color, and composition. I caught up with her this week to learn more about the image and how she created it:. I specialize in wedding photography and videography. I also offer lifestyle portraiture for couples, families, seniors, etc. Photography is so much more to me than a job. This usually involves urban exploring, storm chasing, control burns, concerts, etc. This is an area where I can explore using darker tones, and really let go of any guidelines I would usually keep in line for business work.
I am a huge Renee Robyn fan. Her work is so inspiring to me. Composite photography is something very special to me, and an area of my work that I really need to put more time into. When you guys posted about having her on for a new tutorial I immediately bought Composite Portraiture at my first chance.
There was a point in the tutorial where she mentioned how discouraged she was getting in her own work, and even considered quitting. Then she tried a shooting something completely different than what she normally did, and it sparked new life back into her work. After this, I tried the same thing and it really helped me on so many levels to try and look at things with a fresh mind and think out the box from what I would normally do. Originally, we had planned to photograph the products at the farm, however I really wanted to be in control of every little aspect the set, lighting, time restraints so I pitched the idea of building a set instead.
The production for this shoot was quite involved. I wanted to create everything in the image myself. I went to Home Depot and bought a few boards and paint. I sanded everything and put a few coats of paint on them. I wanted light grey with a faded white look to it. To achieve the faded white I simply added white marks to the wet grey coat and blended them in with long paint strokes.
I wanted one vegetable for the main focus and lots of fresh herbs to fill in the frame. I had no idea where I was going with the composition. I would love to say this was completely planned out, but I just played around with some ideas I had in my head. Since I needed a vegetable that was very vibrant, I chose these little baby eggplants pretty much immediately.
I started placing it all onto the scene, and with a good amount of trial and error I thought the placement of the greens would be best to completely fill one side and kind of have the look of leaking out to the other side. Last, I came across a belt in my home that really caught my eye with color and braided material.
I sacrificed it for the good of the image and cut it up just enough to wrap around the bottom of the bunch. Once everything was set up I sprayed a little bit of water on the baby eggplants just enough to catch shape from the window light and I was ready to start shooting! This was my very first food photography shoot, so I learned many invaluable lessons. This opportunity was a huge boost in confidence to keep chasing projects outside of my comfort zone. I am trying to expand my music portfolio as well.
I recently covered the Okeechobee Music Festival. I would love to follow that feeling and eventually be hired to cover similar events. I will be working on building my product photography portfolio too in pursuit of larger commercial jobs. The Science Of Color introduces a comprehensive look at color theory for portrait photographers and the emotional connection that color plays in any image.
Product photography tutorial
In an industry as competitive as photography, having these tools in your kit will help you to tell your story through the best imagery you can possibly get. We start in-studio exploring the relationships colors have with our memory, emotion, senses, and the styling choices we make. After completing this tutorial series you will have a much deeper understanding on the practical use of color in your photography and will be able to rely less on LUTs or global adjustments in LR.
You will now have the ability to make educated choices in pre-production, styling, shooting, and editing. As soon as you start noticing color in photography and in the world, you can elevate your work to the next level. Our next tutorial dives into the emotional connection color has with our emotions, senses, and even nostalgia. The Science Of Color looks at the theory, fundamentals, and advanced practices of color use, meaning, and workflow for portraiture storytelling. This is a teaser for the tutorial and we will be releasing sections of the video leading up to our product launch April 24th.
Register below for our early bird special. Retouching needs a revolution? Something that makes retouchers and photographers rethink the way images are polished in post production. Something to save time, increase profits and allow for more creativity. Something that is built on the existing tools within Photoshop yet completely changes the way people work. Let me state straight away that I am not a retoucher. I have been working with Photoshop for 20 years, but I am a photographer first and foremost, with enough knowledge of post production to be dangerous in the right ways.
Over my career I have cleaned up some of my own images, but I have always relied on a small army of retouchers to bring my images to life. Photoshop gets better all the time. Adobe is always tweaking, updating and changing the industry's best post production tool. It has grown to the point where there are probably two hundred ways to execute a singular task depending on your knowledge set and workflow. Despite all the advances, some tasks are laborious, mundane and difficult. Retouchers get bogged down with cleaning and fixing images on the most minute levels that they waste hours of time.
And that often takes the joy out of the job. His list of clients is ridiculous, he is well connected to developments at Adobe, and he is at the top tier for commercial retouchers. Earth got to the point where cleaning, fixing and polishing images at the ever-changing requests of clients was burning him out in the business. He often passed on jobs that required too much work because his profitability would be diminished. Earth wanted to find a better way to work. One that was faster, far more accurate, and would allow him to spend more time on the creative process of retouching.
After clearing his plate and sitting down with the sole purpose of completely changing his post production workflow, Earth settled on the most misunderstood and misused aspect of Photoshop: I know, I know, Frequency Separation is terrible and has a bad reputation. One earned from a history of the process being improperly used by retouchers mainly when working on skin. An image where Frequency Separation has been applied often has visible mistakes leading to falsified looks.
Simply put, Frequency Separation has been used the wrong way the entire time it has been employed. Earth unlocked the secret to Frequency Separation, from here on known as FS 2. By ripping the process apart, Earth found an approach to using FS 2. And I mean any area.
His method is based on texture. Earth can fix blemishes, gradients, you name it. All while maintaining texture. I will admit it took me a bit of time to really get my head wrapped around this idea. Years of knowledge of Photoshop left me in a place where thinking differently about post production did not come easily. A technique where you can wipe problem areas away without making yourself crazy and most importantly, without damaging your images.
You probably think I am full of it right now. That I am writing a fluff piece just to get your attention. So I want to challenge you to try this process. Learn about it, put it to use, and try to break FS 2. Earth has boldly stated that he has yet to find a way to break FS 2.
No matter what kind of images you are working on, I want to know if FS 2. If you learn this process and use it in the right manner, you will shave off hours of retouching time and completely boost your profitability. This should breathe new life into your workflow and allow you to concentrate on the truly creative elements of post production. Earth has stated that FS 2.
This has greatly increased his profit margins, freed him to take on larger jobs, and allows him to retouch images with much greater accuracy. That sounds like a retouching revolution to me. Choosing a favorite was unusually difficult for this assignment as every one of the participants had successfully captured their subjects at peak action.
To narrow it down, we had to get nit-picky and analyze the finest details. After scrutinizing over every detail, one image remained absolutely flawless. The image was compositionally sound, well-balanced, and beautifully toned. It had great energy and movement, read left to right, and was perfectly timed. Andre not only captured his subject at the apex of form and action, but managed to get beautiful expression as well. My name is Andre Schneider. I am a Brazilian photographer living in New York City for the last 18 years. I am mainly a fashion and beauty photographer.
I occasionally do portraits too.
We Are Releasing 2 New Tutorials June 29th
The image has no title, I always have the worst time finding titles for my images so I just gave up on naming them. The inspiration came from numerous images of dancers and fabric movement. I wanted to do something that would stand out and be beautiful to look at. I called a friend of mine, a model and former ballerina, Luda Ols. I explained to her what I wanted to do, and she was very excited to be a part of it. We had a stylist, Rosie Mae, take care of wardrobe and we went to work! It was my first time shooting a dancer and fabric in movement, so I had no clue if it was going to work or not.
I explained to Luda and to Rosie that there was a chance that nothing good would come out of it. With some planning, tweaking of lights, and direction we were able to get lots of stuff that we were all very happy with! The lighting was done with umbrellas on the background, so the light we are seeing on her is all bounced off the background.
I also had two V-flats in front of her to bounce a bit more light onto her. Shooting dancers is very, very hard. Getting the timing, pose, and expression right is not easy. I have a number of ongoing projects. Some long term, some short term. I have a few magazine editorials that are being edited now. You can take a look at my website, www. Now he is back with a brand new tutorial: Hair is undoubtedly the most difficult subject to work with, even for top commercial retouchers.
In the tutorial Sef breaks down his unique workflows and demystifies the art of cleaning up, masking and extracting hair in Photoshop. Sef works with a variety of hair types, each with a specific challenge. Using advanced workflows and groundbreaking techniques Sef teaches systematic and repeatable methods for tackling the most difficult hair retouching tasks possible. The tutorial runs about 5 hours in length with 12 video segments of instructional content.
Here is what is included with the tutorial:. Our third Community Assignment, Light Painting, yielded 25 unique submissions from our private Facebook group. Among them were images of cars, bicycles, bottles, night skies, city streets, and a light-painted shaman named Sherman. Of the 25 submissions, one image was so unique and well-executed it simply could not be ignored.
The image was incredibly unique, styled beautifully, and lit perfectly. Rob was amazed by how well the shape and form of the subjects was brought out giving an almost three-dimensional quality to the image. We caught up with Marie-France this week to find out more about the image and how it was produced: Tell us about yourself and your work as a photographer. The French part of Switzerland between Lausanne and Montreux. I started photography when I was 16 years old. I worked for a company doing lab work film and selling camera equipment, but I was really only interested in taking pictures!
After training I worked as a photographer for about 2 years but stopped because I felt too shy and too young to work by myself. At that time there was no place to work as a photographer in Switzerland. I went to school to study banking and marketing then worked as a marketing manager in banks for many years. During this time I also organized exhibitions for artists.
One exhibition was with a passionate animal photographer. I realized I was bored with my job and wanted to get back into photography. I bought a Nikon D and started taking pictures again. Five years ago a friend who owns an event company began hiring me to photograph events. I started photographing more and working my job less, and finally decided to quit my job and be my own boss as a photographer two years ago. I wanted a little feminine subject so I used these objects that I have in my studio.
I loved the red shoe I had used at the time of the first community assignment. I arranged the objects to have a harmonious composition. I started with Lightroom and finished the image in Photoshop. I used more than 35 layers to composite the image. I shot about 70 photos total. For lighting I used two different sources. I haven't had an opportunity to make a photo since the first community assignment! I realize that I have a lot of work to achieve the quality of his photos. I have several personal projects.
I am currently doing couples pictures. Maybe in English is "Who Looks Alike. This creates very unique faces. Another project is Secrets. I tried to photograph political refugees, journalists, or other people who have had to leave their country, but all the people refused to show themselves! I still kept this subject but I work on lighter secrets, For this theme I make a portrait and I replace the mouth with the navel.