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The Heroic Legend of Arslan Chapter In the prosperous kingdom of Pars lies the Royal Capital of Ecbatana, a city of splendor and wonder.
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Episode 8 marked the first time that I felt even a little disappointed and really noticed the animation shortcomings. Otherwise, week after week, I have been absolutely floored by just how good this show is! Perhaps surprisingly, there actually is a smart, substantial plot; and it helps that the humour is not particularly mean-spirited either.

While this arc may not be directly relevant to the main plot, it has been fairly enjoyable anyway. The Sindhurian princes and their father, the king, were compelling, flawed characters. I was really affected by ep. As a viewer, of course I am aware that Daryun is protected by all kinds of plot armour. I was worrying right along with him. What if Daryun should fall? And for such a reason, which had nothing to do with their cause, even! Seido has to face increasingly tough teams and, sometimes, tough crowds too.

Aoharu X Machinegun Aoharu x Kikanjuu ep. Ultimately, the plot is pretty thin, but the show is consistently fun to watch anyway. Food Wars! Shokugeki no Souma ep. After having to sit through the first karaage episode fried-chickenless, we made sure to have some karaage dinner at the ready the following week.

Best The Heroic Legend of Arslan () Episodes | Episode Ninja

Fortunately, this Snow White Shirayuki is nothing like that other one. Shirayuki is a hard-working herbalist who is dedicated to her craft and her studies. One of the main reasons Prince Zen seems to be attracted to her is because she is determined to make a useful contribution to society and has no interest in pandering to royalty. The show has had its ups and downs for me; but a definite highlight was ep. When seven braves show up at the meeting this time around, all bearing the mark, something is obviously amiss. The mystery aspect works well for Rokka. X2 Ten The Second Arc ep.

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The final cour will air in January next year. There are still way too many characters and more being introduced all the time! My favourite episode has been 14, which awesomely dispelled the notion that Mika and Seiji were nothing but a couple of single-minded, love-struck idiots. Baby Steps 2 ep. Some of their friends are getting infected by the love bug too. The current arc covers the new addition to the Gouda family. Gakkou Gurashi! It is actually very effective and genuinely frightening. Just let it go. The main premise of a gifted kid fighting monsters for the sake of saving humanity is nothing special.

On the plus side, the action scenes have been spectacular and the oil-paint-like visuals are nice to look at. Unless they figure out a way to safely and efficiently farm for cores, it seems very likely all humans might be extinct before they are even half done building the thing. This is supposedly going to be the last installment and we can expect things of import to really happen this time around. I have to admit I was amused when, in ep. When a portal to an alternate world opens up and monsters attack Tokyo, the Japanese Defense Force fights back by sending a team through the gate.

On the other side, they encounter humans as well as fantastical beings. I also like that Itami takes his job seriously, though he works primarily to support his otaku habits. I am notably less interested in the fantasy girls that the team has picked up. Sore ga Seiyuu! While the girls have a number of positive experiences, where they get a chance to learn and grow, a lot of what they go through is quite unglamorous.

Ushio and Tora ep. I found it to be a competent production, but felt pretty meh about it overall. I think I was hoping for a little more depth or some adult humour; instead, it was largely predictable. If you happen to be a fan of old-school shounen, you can certainly do a lot worse than this show.


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The many characters are poorly introduced and I just found it impossible to connect with them. The word-monster of the week concept actually manages to be more lame than the intentionally lame adversaries in Cute High! Ranpo Kitan: Game of Laplace ep. Yeah, happens all the time. Arslan is left to marshal his limited resources and find a way to save his nation and his people.

We see the merits of their beliefs as well as the failings. Even people who are supposed to be allies might have differing opinions from each other.

There are a lot of little ongoing mysteries, including the cold way both the King and Queen seem to regard their son. It almost takes me out of the show. On the other hand, I really like Mika, too. I guess I should mention that there was a very noticeable drop in production quality in ep. That first battle scene, though, was too egregious to ignore.

It looked more like coloured storyboarding with voiceover than anything resembling finished animation. No music, even. It was a big fight, but there was no tension at all. All right, after having seen ep. Conversely, what is impressive is how even minor characters seem to have personality and attitude to spare.

The instrumental versions are included, and even without the vocal tracks, both of them sound like complete songs. The reason SIDONIA 2 is not number one on my list is that I feel it is wasting too much time on harem antics and fanservice, and that has got to be my least favourite aspect of the series. During the first season, the fanservice was certainly there as well, but it accounted for very minimal screen time. The rest of the production was so exceptional that I could easily overlook such indiscretions.

After watching ep. The first season was so much more subtle with the romance! What passes for romance this season is so clumsy by comparison, partly because it is all about what the girls want, with not enough input from the main character, which is typical of harem setups. Can we get back to the Gauna please?

Anyway, to clarify, my quarrel is only with the sexual fanservice in the show. I have no problem whatsoever with the rice ball fanservice. But alas. Take episodes 17 and 18, for instance, when our protagonists went to take on Caster.

We found ourselves instinctively hitting replay for parts or all of those episodes. Like the subsequent showdown between Archer and Shirou. Meanwhile, Rin is in danger and Saber is doing a whole lot of nothing! But what really makes this refreshing is how likeable all the main characters are. When the setup and characters are interesting enough, as they are here, the show is naturally funny and entertaining without the usual gimmicks. At this point, the relationship between the best friends is more compelling than the romance, though.

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Yamato is maybe a little too perfect. I especially loved the ending to the T. Since then, the anime has resumed its usual riveting gameplay, with a current emphasis on personal growth through competition for Sawamura and Furuya, and others. Yamada-kun and the Seven Witches Yamada-kun to 7-nin no Majo ep.

The Heroic Legend of Arslan #14

I really appreciate that it routinely manages to avoid the most obvious types of rom-com tropes and fanservice that are common for the genre. Because I do believe it warrants repeat viewings. That is exactly what is so great and not so great about this series. If you have the inclination to give it your full attention and then some, I think it can be a really rich experience.

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Zoku ep. So I watch with a fair amount of cynicism.

Even though there is still that much-ado-about-nothing issue with the plot, I find I am able to appreciate some of the characters and the humour regardless. Foregoing maternity leave, the tireless creator went onto to create Hero Tales under the creative pen-name Huang Jin Zhou a collaboration between Arakawa and studios Genco and Studio Flag. With three works now running concurrently, Noble Farmer , Silver Spoon and Heroic Legend of Arslan , Arakawa has earned the respect of readers and contemporaries alike.

With this earthy determination, Hiromu Arakawa will be making manga till the cows come home! An a-moooo-sing upbringing. Hiromu Arakawa is a manga creator with a conscience. Heavily affected but the world around her, Arakawa makes good use of allegory in her stories, highlighting social issues such as oppression, discrimination, political intrigue and war.