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The Forsyte Saga: By John Galsworthy - Illustrated
He was recruited by Head of Drama Michael Barry to run the Script Department , which handled the supply of writing for television. At the time there were no script editors in television, so the department liaised between writers and producers, and looked for new writers for the burgeoning medium. One of the projects Wilson tried to get going at the end of the 50s was a 15 episode version of The Forsyte Saga , to be adapted by the experienced Constance Cox.
Negotiations with them would delay production for a number of years. Newman stripped the Script Department of most of its role, establishing story editors in each drama production team to work with the writers. Wilson was made Head of Serials , one of three divisions of the restructured Drama Group , along with Series and Plays.
This appointment would allow Wilson to continue with his plans for The Forsyte Saga. By at last it was possible to go ahead with production, and since he planned to write nine of the episodes as well as produce, Wilson stepped down from his executive role.
Internal BBC paperwork jointly credits Wilson and Cox for the first seven episodes, so it may be that they did work in tandem, with on-screen credit given to whoever contributed the most material. The later Forsytes line up for the BBC actors football tournament. They lost to Champion House, who were in turn slaughtered by Not In Front of the Children in the semi, despite Wendy Craig being booked for dissent. It is possible to imagine the two eras of the Forsyte Saga , pre- and post- the First World War , being adapted separately, as the links between the settings as well as the cast of characters are more slender - although the third novel of the first trilogy is set post-war.
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But having worked so hard to set the production up, perhaps Wilson felt that the time would never be right again to make it. The large cast were in demand for other projects, and one of the reasons that The Forsyte Saga was made when it was made, rather than wait for the launch of colour television , was the difficulty in obtaining the services of what Wilson felt was the ideal choice of actors.
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As it was the production was a relentless juggernaut , with each episode taking two weeks to rehearse and record, plus initial location filming. It began in the summer of , with the first videotape recording session on 7 July. The last taping was on 22 June , leaving just over a week until the transmission master had to be ready to be shown. There was a brief gap in the middle of the recording schedule, at the beginning of December, but otherwise it was a testing ordeal for the cast — especially Eric Porter , who was the only actor in every episode.
In he took the lead in the television play Jonathan North , but his broadcast career took a back seat in to stage work with the Royal Shakespeare Company. Kenneth More had had a long and prestigious career in British films, notably Genevieve and Reach for the Sky. A succession of television roles followed until his film career took off.
TV review | Culture | The Guardian
The Forsyte Saga is a fascinating piece of fiction, straddling the aftermath of the Victorian era and facing the changed world of the s. Share your memories of The Forsyte Saga below: or tell us the other literary adaptations and costume dramas that have lived on in your memory. And do you think colour is necessary for modern audiences to enjoy a drama? Saturday 7 January , Sunday 15 January , BBC Genome Blog. Main content. Previous Home Next.
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