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This book details the history of English furniture from the reign of William and Mary (starting in ) to the early years of the nineteenth century. The illustrations present choice examples of the Queen Anne School, the brothers Adam, the.
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Chair designs had high backs and extravagant embellishments with seats made of woven cane, rush, or upholstered in leather. Small tables designed for particular functions were also new. Tea tables, dressing tables, and Gate-leg tables were the most popular. Queen Anne furniture frequently blends elements of the earlier William and Mary period with later Chippendale styles, often making it difficult to accurately date Queen Anne furniture.

The Queen Anne style is lighter and less chunky than previous styles. Highboys and lowboys are classic Queen Anne furniture. Walnut, maple, and cherry are the primary woods. Fan and shell carvings embellish chair legs and cabinet fronts. Upholstered pieces are covered in damask, needle-point, or crewelwork featuring large flowers. Space saving elements such as tilt tops and hinged drop leaf tables are common. Georgian furniture replaced walnut with mahogany as its wood of choice due to its durability. Influenced by the art and architecture of Italy, early Georgian furniture incorporated decorative pediments, masks, and sphinxes.

Three important designers are distinguished during this Golden Age of Furniture: Chippendale, Hepplewhite, and Sheraton. Common pieces of furniture are side tables with marble tops, chairs with shell shaped backs, and furniture legs with fish-scale scrolls. Some of the styles were:. Concerns about the need to return to social and religious conservatism necessitated stylistic changes that not only affected the art and architecture of the period but also drastically altered the appearance of furniture.

Tables, chairs, dressers, and other pieces were carved with shapes resembling pointed arches and rose windows. In addition to hearkening back to the religiosity and traditionalism of the Middle Ages, furniture made in the Gothic Revival style also fed into nostalgic ideas about the romance and chivalry of medieval Britain.


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The evolution of the style is visible in the details of Gothic Revival objects — earlier pieces are more whimsical and delicate, whereas later examples are more boldly carved and colorful. Pugin, John Ruskin, and William Burgess. The finest Chippendale pieces were made from mahogany, while less expensive furniture was made from walnut, cherry, or maple. Chairs typically had cabriole-style front legs ending in a ball and claw foot and straight back legs.

They featured straight backs with a yoke shaped top and a center splat with detailed cut out designs. Settees, stools, and chairs were upholstered in fine fabrics. The importance of Chippendale has continued unabated with the passage of time with Chippendale style pieces still being made to this day.

From , the furniture styles of George Hepplewhite were popular. Much of the Hepplewhite furniture uses contrasting veneers and inlays and therefore is constructed with more than one type of wood. Mahogany was typically used for the base, but satinwood and maple were also popular. Inlays and veneers were made from tulipwood, birch, and rosewood.

Thomas Chippendale – Eighteenth Century English Furniture

Hepplewhite pieces usually have straight legs that may be tapered and fluted edges that mimic the classical columns of Greece and Rome. They usually end with a rectangular spade or tapered arrow foot. Heavier pieces, such as chests and bookcases, have bracket feet. H-stretchers, reinforcing pieces that connect the legs and form the shape of an H, are common in some chairs and sofas. The furniture is embellished with small carvings or painted designs such as swags, ribbons, feathers, urns, or trees. The shield-back chair is the best-known Hepplewhite piece.

This style also popularized the sideboard and short chest of drawers. Prince George became Regent from — this was a period of classical furniture. Regency furniture was the neoclassical antique style mixed with empire style and the later Georgian style of furniture, elaborate and ornate. The regency style of furniture carried on through William IVs reign but introduced a few more curves and some elegant decoration. Mahogany was still used by most furniture makers and brass was used for decoration with rosewood and zebrawood veneers used for a striking look. French polishing came into vogue around and allowed for smoother, shiner finishes.


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During the Regency period, it became fashionable to decorate walls with paintings which led to lower pieces of furniture being introduced. Tallboys disappeared and bookcases and cabinets became smaller. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure.


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    8. The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the rococo style and with works by Francois Boucher, Thomas Chippendale, and Jean Baptist Pillement. There was a revival of popularity for chinoiserie in Europe and the United States from the midth century through the s, and today in elite interior design and fashion.

    Some of this was driven by the renewed interest in Japonism with the opening up of Japan to the West from the early to mid th Century. British Neo-Classical furniture is similar to Regency furniture, as both styles rely heavily upon influences from ancient Greece and Rome. The primary distinguishing factor is that Neo-Classical furniture is less strict in its interpretation of ancient models.

    British designers Robert Adam, for example often looked to contemporary developments in Paris and Rome when creating furniture pieces for British consumers. The objects are typically more extravagant than Regency pieces, but they still favor straight lines, twisted fluting, and classicizing motifs. They were often made to complement a Neo-Classical interior space, resulting in an overarching aesthetic marked by clean lines, elegant forms, and sophisticated details reminiscent of ancient splendor.

    She reigned for 64 years. Due to her longevity on the throne, Victorian furniture had several eras. You have early Victorian, mid-Victorian and high-Victorian. Early Victorian furniture tends to be a natural progression from the earlier Regency styles but with more fluidity than Regency pieces with acanthus and floral scrolling movements on the pieces.

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    Most pieces are being made of mahogany and rosewood, imported from the Colonies. Mid-Victorian sees the rise in the age of Darwinism. The Victorians become obsessed with nature and all things from the natural world. There was plenty of furniture produced — during the latter years machinery had begun to take over and mass amounts of Victorian furniture was produced to meet the demands of the middle class people as it became desirable to have a home laden with furniture to show your status to your peers. Mahogany and rosewood were the most popular woods to produce imposing furniture with plenty of curves, rounded corners and elaborate decorations.

    The furniture was solidly built, well-constructed and the wood generally unvarnished. Condition: Good Hardcover. Save for Later. About this Item Well worn edges. Internally clean copy. Please see uploaded photos.

    Surname of a famous 18th-century English furniture designer

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