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Sep 19, - To Your Eternity #39 book. Read reviews from world's largest community for readers. From the creator of the critically acclaimed A Silent Voice.
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Peaceful, preserved locales versus chaotic, decimated bombscapes! Age versus youth!


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Plenitude versus paucity! And the films' provenances could hardly be more opposite: the stately, tasteful-bordering-on-blandness of PBS versus the guerilla daredevilry of Vice's VBS! One is executive produced by members of the fairly heinous Christian act Third Day whose Revelation was 6 on the Billboard just three weeks ago , and one is directed by and stars the head of the record label bringing the world Black Lips and Dark Meat!

One opens with a righteous quote from Jeremiah about sticking to old ways, while the other begins with a demon laughing along with a victim he just beheaded! Yet: This pair of films denied me my evening of ironic juxtaposition for ironic juxtaposition's sake, as the joys and anxieties of the people being filmed maintain a disarming amount of fundamental similarities.

The documentees' passion for their art and the complexities of their communities made these people too real for my jaded, spectacle-hungry hipster bullshit. Huge time commitments are required by the dabbler-artisans in both films. Each group discovers and documents their medium through bootlegs, rare albums, and ramshackle recording processes. Both factions are such relative holdouts in their attempts to reenact, popularize, and preserve their minority modes of songcraft that they almost seem like pioneers, if that makes any sense—their regional onliness as practitioners of genres with long histories comes across as a kind of originality, which I know, is an odd way to consider folks roaring through year-old hymns, and, um, Metallica covers.

Both parties offer sincere testimonials about how their music offers them various types of salvation: from despair, bad habits, criminality, or worse.


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Both subjects are also products of, and respondents to, their environments. The Sacred Harpers are making joyful noise to fill huge rural spaces in a realm almost as pastoral as the Bible-based metaphors in their songs. Acrassicauda actually inhabit a world that resembles the destruction-fantasy cover art of so many metal albums.

The Sacred Harpers repeatedly refer to the stability of their families and infrastructure; thus they've a benevolent, in-control attitude toward their mortality. Acrassicauda's initial stance as tough guys is a coping mechanism steeped in their rage at all of the disorder and instability around them; later they develop a morbidly peaceful acceptance of their impossible circumstances. The Sacred Harpers, whose numbers thin due to old age, rhapsodize about how, no matter the moment of their individual passings, they'll all be singing together in eternity.

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Acrassicauda, after a mortar impact near a gig, laugh about dying together mid-rockout: "Metalheads forever. The Sacred Harpers privilege volume in a way that is kindred with the metalmakers: One singer explains, "Loud is the way you get the good out of it. Give it all you've got. The choristers' yelling style can be as hard on the vocal cords as metal singing, and many of the most intense performers look like rock stars as they belt up a sweat.

Also like the metalheads, the Sacred Harpers feel, and have a legacy of being treated like, rebels or outcasts because their work is considered a clamorous breakaway from provincial norms. One singer says that the music is "looked down upon" as unsophisticated.

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Another acknowledges that Sacred Harp involves "breaking the rules," to the point that it sounds like a church version of the punk spirit: "We were doing all the things that choral directors tell you not to do, and it felt really, really good. Through five volumes Yoshitoki Oima has captured a sense of spirit that makes the reader feel the loss, regret, and purpose of the main character.

INSPIRATION FOR LIVING A LATTER-DAY SAINT LIFE

To Your Eternity can be both exciting and refreshing at once. That man in black sure is helpful with directions.

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Image credit: Kodansha Comics. This volume does a lot to set Fushi on a new path. It wraps up his capture, sets Fushi to task in fighting a war on his own, and eventually steers his journey into a brand new direction.

🎤 Psalm 39 Song - Mere Breath

Oima accomplishes a lot making this volume feel rewarding and dense with content. That includes developing the mysterious figure in black who only Fushi can see, and who also shares insight and advice along the way. There are a few key scenes that take this quieter route but pay off in big ways. A sequence later in the volume involves Fushi saying goodbye to an old friend. Oima does an exceptional job making these moments feel genuine right down to Fushi smiling even when times get tough. There are also major losses in battle and elsewhere which further develop Fushi in interesting ways.

This manga continues to be rendered in high detail, further grounding it in reality.

So what’s it about?

The backgrounds are incredibly detailed and layered, looking like photographs at times. There are a lot of emotions throughout the volume from cries of passion, to rage, to tears of joy, but what always gets me is the warm, happy calm of Fushi. Fushi is still learning. Connect with us. White reflects on and teases