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The Good Deeds Gang [Debbie Hone Sowers] on leondumoulin.nl *FREE* shipping on qualifying offers. Under the cover of darkness, a gang of hoodlums run.
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Good Deeds and Bad Intentions by Caimh McDonnell

Can she win her friends back and still keep on going with the spy business? A college student faces an impossible journey when he is left stranded in the desert, thousands of miles from home, with no money and only a few days left until Christmas. Unlike most gangs, the ButterCream gang does good deeds. Their leader, Pete, has to go live with his aunt in Chicago.

Volunteering “Good Deeds from Our Heart” Activities

But things don't go well in Chicago and Pete is changed when he returns. Soon Pete is hanging around with the wrong crowd. But the remaining members of the gang, especially their new leader Scott, refuse to give up on their friend Pete. I also liked the sequel which contained quantities of corn sufficient for the feeding of all the hungry in China AND India. This movie had a good message which, although presented a tad simplistically [ok, big time simplistic], was still a good one even though I can't see most folks living by it.

Call me a pessimist, but in the real world I see guys like Pete going to the pen for life or being blown away in the course of a drug deal gone sour.

Old people, or lamed out losers like myself, would probably really go for this picture. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. But things don't go well in Chicago and Pete is changed when he returns Director: Bruce Neibaur.

Writer: Forrest S. Baker III screenplay by.


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Stars: Victoria Jackson, Garrett M. Brown, Sydney Walsh. I think he has fun playing Robert McCall. I think he really enjoys that character. One of the big additions to the story is the character of Miles, played by Ashton Sanders. McCall becomes a much-needed father figure for him as he debates linking up with a local gang.

How did you approach that character? Richard Wenk wrote that in the script, but me and Denzel dug it out a little more, because we both grew up in an environment where that stuff happened way too often.

Good Deeds and Bad Intentions

One bad decision can really turn your life around and change it forever. We were both very passionate about having something to say to these kids today: about choices and taking advantage of the life that we have and not going down the wrong path. Denzel had a great passion for it. He would call me some days, and we would listen to different rap music. And some of these songs bothered him, and we would be talking about them a lot, people shooting each other and all this stuff. The character of Miles represented all these kids today who are extremely talented, creative, highly intelligent, and then their life ends too soon.

Wrong place, wrong time, or wrong decision. It happens. Some guys decided to rob him, to take his car or jewelry or whatever it was, and they killed him. You see kids like Miles going down a path. They want to go out and kill people for whatever their so-called reasons are. Me and Denzel spent a long rime discussing that character, and then we spent time with Ashton discussing that character and how important we think that character is. That scene is so potent, when McCall storms in to pull him out and has to get up in his face, pleading with him not to pick up a gun and turn to a life of crime.

What was it like to film that? It was tense, because we shot that in the projects. Two nights before that, two of our security guards got shot in a drive-by shooting, in that location, in those projects. And then we had a guy run onto the set with a knife in another location and jump into a car with one of our PA young ladies. She was smart enough to jump out. And then the cops all surrounded him, with guns out, to get him.

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It was pretty intense to be in that environment to begin with, and then trying to do that scene with Miles where that intensity already was in the air, me and Denzel really had that in our heads. It came out of the moment more. Richard wrote a scene and then we restructured it, and then our rehearsals for it were more like conversations.

And then Richard reshaped it out of those, so the conversation [between McCall and Miles] could be more immediate. It had been written that they leave there and go to the apartment and then they talk, but we said to Richard that it needed to be urgent. It had to be urgent, because that scene happens right there.