Guide The Dead Dont Hurt Us

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From a hysterical and somewhat dark occupation driving a widowed year-old Dutch millionaire on Mulholland Dr. His father was an original member of the troupe. Kattan also did some minor roles on TV, including an episode of NewsRadio. His recurring characters included Mr. In August , Kattan starred in the IFC miniseries Bollywood Hero , where he portrays himself and the difficulties he faces after a career as a comic actor, trying to attain leading man status.


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Starting in fall of , Kattan appeared in a supporting role in The Middle. He also appeared in an episode of How I Met Your Mother as a star in a fictional movie within the show. Go to the Author Page. Bestselling author Travis Thrasher has written over 45 books, from love stories to supernatural thrillers. His inspirational stories have included collaborations with filmmakers, musicians, athletes, and pastors.

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He has not moved an inch otherwise or even stopped smiling , after being hit by that. The U. Army, testing the Colt. Another sentimental curiosity of western mythology is the hierarchy, so to speak, of wound areas. Good guys are almost invariably lucky and get hit in the arm, the shoulder, or the fleshy part of the leg. Bad guys are much more likely to take it in the chest, abdomen, or back, which means that they are thenceforth dead.

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And nobody ever gets hit in the face. The explanations are not obscure. Even an audience comfortably deluded about the destructive power of a. In reality, gunfighters were hit in the face fairly often, and the big lead bullets caused horrendous damage to mouths, teeth, noses, and eyes. One would think that the human shoulder was made of some selfhealing material, rather like a puncture-proof tire. A shoulder wound from a high-caliber weapon could be not only incapacitating; it could be fatal.

Civil war medical records showed that one third of the victims of shoulder-joint wounds died as a result of severe damage, such as severed arteries, or from subsequent infection. Even if the bullet hit the upper arm or forearm, sparing the shoulder joint, the injury was so great that the usual result was amputation. This brings up another important point that TV and movie writers might take more notice of—the great difference between the old lead slug and modern steel-jacketed bullets. It made a large wound and often left a track out of all proportion to the size of the bullet.

Extensive bleeding and shock were common, and infection virtually assured. Almost every gunshot wound was highly dangerous, no matter where the bullet hit. If a gunfighter survived a gunfight but was wounded in the process, he still had to survive the medical conditions of the Old West.

Doctors were scarce, and some of those available were of doubtful value. In most places there were few if any laws regulating the practice of medicine, and all too often a frontier doctor was anyone who chose to so designate himself.

The Dead Don't Hurt Us

The universal anesthetic and cure-all was whiskey, which, while it may have raised the morale of both patient and doctor, was not calculated to increase the efficacy of surgery. Very often, incidentally, swift and accurate surgery meant the difference between life and death. Parenthetically, it may be noted also that if there was actually a large percentage of abdominal and body wounds in western gunfights, it was not by accident. The arm, leg, and shoulder wounds so frequently enjoyed— that seems to be the right word—by heroes and subheroes on the screen were usually, in real life, the consequences of poor shooting and did not occur any more often than the shooter could help.

He went for the broadest and most obvious target, namely the chest and abdomen of his opponent. The opponent was well aware of this, naturally, and did his best to avoid full exposure. The dramatic showdown that has climaxed so many Hollywood and TV westerns, where two stalwarts deliberately stalk down the street toward each other, good guy waiting for bad guy to go for his gun, was certainly a rare occurrence.


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Far more often a man was shot without ever having had a chance to touch his gun. Jesse James was shot in the back; Virgil Earp was ambushed at night; Morgan Earp got it through a window while he was playing billiards; Billy the Kiel died in a darkened room without shooting back; Wild Bill Hickok was shot from behind while concentrating on a hand of poker.

A whole separate branch of the mythology of western fiction and film has to do with fist fights and barroom brawls.