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Merlin Arthur Dragon is thrust deeper into his on the job training as Interpol's Stopper when a new member country is placed dead center in the crosshairs of an.
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These types of modified films do not have to be submitted for classification and take the same classification and consumer advice as the original classified film, provided that the modification is not likely to cause the modified film to be given a different classification to the original film. If a film's title is changed or a film is modified by adding footage or audio, the film will need to be submitted for classification.

No matters involving the Classification Board or the Classification Review Board were dealt with by the Commonwealth Ombudsman during — I am pleased to be able to present my first Annual Report as the Director of the Classification Board the Board for the year ended 30 June During the five years I have worked at the Board the first four as the Deputy Director , there have been noticeable changes in the nature and format of the media submitted for classification, the shape, structure and content of the Australian media entertainment landscape, and the staffing structure and business units of the Classification Branch the Branch which supports the Board.

The Classification Act realised the National Classification Scheme, which recognised the importance of an independent Classification Board. At the time of the development of the Scheme, the internet was in its infancy and the transformational impact it would have on the world was yet to eventuate. The changes to Australia's internet use, broadband streaming and media consumption since that time have been enormous, impacting upon media delivery methods, computer gaming and the number of hard copy publications.

Sixty percent watch online videos every day and 22 percent watch online videos every week. This finding correlates with a rise in the number of applications submitted over the past reporting year for classification by V2Solutions, which submits content via streaming of films which screen on YouTube Red and iTunes. The Board is pleased to see this portion of the entertainment industry complying with legislative classification requirements, as it results in viewers of online media being informed about film content by having classifications and consumer advice that are relevant for Australian society.

The Netflix tool was subject to a pilot between December and May to assess its performance. As at 30 June , an evaluation of the pilot had been concluded, however, the report of the evaluation was being finalised, yet to be submitted to government. Over the course of the pilot, the consistency and accuracy of the tool, in relation to classification ratings, improved. However, the consumer advice generated by the tool continues to have some challenges. The Board will continue to influence ongoing improvement in this area, as decisions of the Netflix tool are taken, for the purposes of the Classification Act section 22CF , to be decisions of the Board.

One of the challenges with the consumer advice is the ongoing technical issues experienced by Netflix that have precluded it from stripping its consumer advice of multiple modifiers.

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Another of the challenges early in the pilot with tool-generated consumer advice was the long and convoluted construction of some of them. The Board will continue to monitor improvements in this area during — Another of the key performance measures is that the tool must not produce a classification and consumer advice for a film already classified by the Board. While the number has reduced, they still occur. Therefore, over the coming year, the Board will continue to work with the Branch and Netflix to redress these decisions.

The transformative impact of the internet has coincided with a marked reduction in the number of commercial applications for hard-copy printed publications containing detailed descriptions and depictions of actual and simulated sexual activity, and realistic depictions of nudity containing genital detail and emphasis. In response to this contracting market, the Board increased the operational duration of serial classifications for eight Category 1 — Restricted publications from 12 months to 24 months. This increase has contributed to the decline in the number of single issue publications submitted for classification during the year.

Context is key to making reasoned decisions, and the stipulations in the Games Guidelines currently prevent the Board from considering the context in which the role of incentives and rewards related to drug use, nudity and sexual activity are presented in a game. The Board is supportive of a review of the Games Guidelines so that the Board may more accurately inform the Australian public about the impact level of classifiable elements within computer games. November Board members who voluntarily participated in a research project for a PhD student at the University of Sydney.

The most unusual topic addressed was my response to an article published on www. Link to all media releases: www. The Board has been informed by the Branch that classification reform is being considered and the Board looks forward to continuing to participate in this process, as new classification models, structures and training are proposed, tested and implemented. During the year, I worked intensively with the Branch in the development of the online training module for film classification.

It has now been tested by a broad group of film industry representatives, Board members and relevant Branch staff. The module has been received positively and I will now work with the Branch to address the constructive feedback. I thank those on the Board, the Branch and industry who have engaged in the testing of the training module. The Board views the development of robust and comprehensive online training modules as a necessity in the digital age, as these are a more flexible delivery method. The major principles as set out in the Code that have informed media classification in Australia — such as adults being free to make their own informed media choices and children being protected from material that may harm or disturb them — continue to be relevant and important, and have not been expunged by the current rapid pace of technological change and a convergent media environment.


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While the latter presents major new challenges, there continues to be a community expectation that entertainment media content will be accompanied by classification information based on decisions that reflect generally accepted contemporary community standards and allow consumers to make informed choices. For some years, the Board has been tracking a trend, particularly in theatrical release films, of an increasing level of pervasive dark themes, or a sense of peril, threat and menace in films which would attract a teenage demographic.

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The impact test for the classifiable element of themes has exceeded mild for the PG category and has resulted in these films being classified M moderate impact level. At the time of classification, the Board has been aware that while these films have exceeded what can be accommodated in the PG classification level, they have not necessarily warranted a mature perspective, as required at the M classification category. During the reporting year, the work of the Board has been complemented by the use of the SIMO single input multiple output classification tool for mobile and online games operated through the International Age Rating Coalition IARC , which has enabled the classification of hundreds of thousands of games that otherwise would not have been classified.

It is the retention of a country's standards and cultural mores and the generation of country-specific and appropriate classification decisions which is of the utmost importance even western countries have widely differing cultural identities and attitudes and tolerances to portrayals of, and interactivity with, violence, sex, drug use and coarse language.

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Where there are opportunities for Australia to participate in the development of a SIMO classification tool for other media formats, particularly films, irrespective of the delivery platform, then the Board would encourage timely exploration and evaluation of such. The Board wishes to express its sincere appreciation of the support and professionalism of Mr Tony Frazer, who resigned after in excess of 20 years of service, 13 years of which were spent as a highly competent and reliable staff assessor of films to the Board.

The Board also wishes to thank Ms Leanne Wilson-O'Connor, temporary Board member, who has now completed the maximum seven year term, for her dedication and reliable service to the Board. The Board also utilised on an occasion a cinema at Palace Central.

9. The Bust

I am most appreciative of the generosity and helpfulness of these distributors and exhibitors and I thank them and their staff. The Board appreciates the support it receives from both the Branch and other units and individuals within the Department of Communications and the Arts to facilitate the efficient discharge of its statutory functions. I am particularly grateful to Ms Alison Bickerstaff who performed the duties of the Deputy Director of the Board throughout the reporting year except during periods of leave.

For the majority of the reporting period, the position of Deputy Director remained vacant, but Ms Bickerstaff performed the duties of this role despite not being remunerated ; she was appointed to act in the position from 1 June I appreciate her skill, time, effort and dedication. Finally, I would like to thank all of the Board's members — both permanent and temporary — for their support, diligence, commitment and good humour, during this past year.

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Prior to this, she was the Acting Director of the Classification Board for a year and the Deputy Director for four years. Before her appointment to the Board, Ms Anderson completed an engagement in the Northern Territory working with Indigenous people, government agencies and non-government organisations to enhance services and personal development opportunities for disenfranchised youth and adult prisoners.

As Director, she led the development and implementation of numerous legislative reforms and as the Executive Officer and Registrar, she oversaw the case management plans of the state's most serious adult criminals. Ms Anderson is also a member of the Executive Board of the Prisoners' Aid Association of NSW — a community organisation which offers support to prisoners and their families during and after imprisonment.

Ms Anderson has degrees in Arts and Law and holds a number of graduate certificates and diplomas in legal and management studies. Ms Alison Bickerstaff, 38, was a small business owner prior to her appointment to the Classification Board in , operating several busy hairdressing salons. Ms Bickerstaff has a young family and has been involved in her local community through her children's school and sporting commitments.

She has managed her son's junior rugby league team and has been a member of the team's committee. She is also involved in a local group that gathers regularly to help control the spread of noxious weeds and bush and creek re-generation in her local area. Ms Bickerstaff is passionate about the environment and wildlife conservation.

Her interests include sustainable living, rugby league, horse riding, gardening, film and the arts, and spending time with her family. Prior to this, Mr Delezio worked in the manufacturing industry for a number of years both as an employee and as a proprietor of a small business providing capital equipment and service to the plastics industry in Australia and New Zealand. The Day of Difference Foundation delivers funding to children's hospitals for medical equipment, research and training, and therapists to children's hospitals all over Australia and New Zealand.

The foundation now works with the University of Sydney conducting crucial research into improving the way hospitals work with families. Mr Rushton has been involved in skateboarding for over 27 years as a participant, and as a volunteer for state and then federal skate associations for almost 20 years. He has concurrently worked in the skate industry, first in retail, then as a coach, as well as an event organiser and portfolio manager at a youth facility, co-founding a skate brand and managing various aspects of a wholesale and representative agency business.

Classification Board and Classification Review Board Annual Reports 2017–18

Mr Rushton's other interests include music, art, computer games, snowboarding, reading and supporting the Fremantle Dockers AFL team. Mr Mann relocated from Footscray, Victoria, to take up his position with the Board. Mr Mann has a background in editing for a variety of business media, and was an editor for an online music website prior to his appointment. Through his work and personal interests, Mr Mann had an extensive involvement with the online community.

Mr Mann's local community involvement included support to the migrant community in Footscray as a volunteer English tutor and work with Melbourne's student community as a volunteer with the youth focussed radio station SYN FM. Mr Mann has three children. Prior to her appointment, Ms Nixon was the assistant manager on her family's mixed farming property. She has been actively involved in the community through her work with the local rural fire brigade, landcare events, agricultural shows and charities as well as competing in local sporting competitions.

Ms Nixon is currently studying for a Graduate Certificate in Agriculture. Under the Classification Act, the Minister has authorised the Director to appoint a person to be a temporary member of the Classification Board. A register of people suitable for temporary appointments is maintained and drawn on from time to time to provide short-term assistance in handling the workload of the Classification Board.

Terms of appointment may be as short as one day and may extend to three months.

Ms Emma Ashton is a year-old mother of two young children who currently lives in Sydney.